Paco chose to become an installation artist after his first job in the film crew of 'Feng Shen,' where he worked as a prop maker. This experience introduced him to the world of creating unique scenes and installations, which he found more fulfilling than traditional roles in the film industry.
Paco faces challenges in defining his profession because his work spans multiple fields, including installation art, sculpture, design, and even the film industry. He doesn't fit neatly into one category, which makes it difficult for him to label his role clearly.
Paco believes that AI cannot replace the hands-on, creative work he does. While AI can generate images or assist with tasks, it lacks the ability to physically create unique, emotionally driven art pieces that require human imagination and craftsmanship.
Paco's work is significant because it represents a niche that AI cannot replicate. His hands-on, creative process involves translating abstract ideas into tangible, physical installations, which AI cannot achieve due to its limitations in physical execution and emotional depth.
Paco believes his work is sustainable because it relies on unique, hands-on creativity that cannot be automated. As long as there is demand for bespoke, emotionally resonant art and installations, his skills will remain valuable and irreplaceable.
Paco faces challenges in monetizing his craft because his work often involves repurposing materials, which some clients perceive as less valuable. Additionally, balancing artistic integrity with commercial demands is a constant struggle, as he must adapt to market needs while maintaining his creative vision.
Paco differentiates his work by focusing on uniqueness and customization. He avoids creating identical pieces, ensuring that each installation or model is one-of-a-kind, which adds emotional and artistic value that mass-produced art cannot replicate.
Paco advises aspiring artists to focus on their strengths and passions, emphasizing that success comes from honing unique skills over time. He also encourages them to explore multiple avenues, as creativity can manifest in various forms, and to be patient with the process of building a sustainable career.
Paco is optimistic about the future of his industry, believing that AI will complement rather than replace human creativity. He sees opportunities for artists to leverage AI tools while continuing to focus on the physical and emotional aspects of art that machines cannot replicate.
Paco is motivated by his passion for creating unique, hands-on art and the satisfaction of seeing his ideas come to life. He also values the freedom and creativity his work allows, which outweighs the financial and commercial challenges he faces.
- 🍉本期嘉宾:装置雕塑师、知无之地主理人Paco
- 🍌本期主播:和Paco一起做芭莎装置的Will
2025年的「职业离想」,我会带着一个核心命题**「35岁以后,职场人怎么活?」**去对谈每一个离想人,试图掏空他们自由不乱、越老越香的秘密,才怪^_^
本期嘉宾Paco没待过一天大厂,他的职业甚至无法定义,你可以叫他装置师、雕塑师、设计师甚至影视行业从业者,他每天在做的只有一件事,用各种材料还原一些你想到见不到的奇怪场景。毕业就在封神剧组做装置、废土领域的流量主、留学归来后搞了工作室每天捣鼓各种装置。
欢迎走进Paco的幻想世界,这一期,也许你能想通并找到35岁后做手工的方法与出路。
工作室一角
01:39 北服雕塑系毕业的我,因为《封神》走上了装置师之路。
10:26 如何定义我的工作?多大多小的手工装置、玩具、置景我都能做。
21:19 那三年在家没事,我试着做废土风的小场景和装置,琢磨出了出路,也许搜废土刷两屏,你也看过我的做品。
27:25 雕塑专业我们那级可能就剩我们三个还在做老本行了。
34:06 入这行的一些基本天赋点。比如不迷路。
36:28 大厂人35岁很难活,也许鹏哥是越老越吃香。
53:21 做自由行业的初衷与你到底要不要做自由行业。
🖼录音棚:郎园Station内的KeyOne Studio
这次的装置与装置里的我
Paco工作室的三人组
Paco工作室做的一些装置
酷炫的办公室场景
如果你想看到更多真人版威尔王的创作内容,
欢迎关注:*威尔王Will)*,很高兴认识你😄