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cover of episode Vol.130 手工者福音、“现代”非遗、一人公司,2025职场找活路之我是小众装置师!

Vol.130 手工者福音、“现代”非遗、一人公司,2025职场找活路之我是小众装置师!

2025/1/1
logo of podcast 职业离想

职业离想

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Paco
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Paco: 我是一位装置艺术家、雕塑师、设计师,也是影视行业从业者。我的工作难以定义,它融合了多种技能和领域,主要通过手工创作还原各种奇特的场景。AI 无法取代我的工作,因为它无法将虚拟设计转化为现实世界的实体作品,这需要人类的创造力和想象力。我的工作需要多年的积累和经验,但我也相信,只要具备天赋和努力,其他人也可以进入这个行业。我经历了从使用废旧材料到选择全新材料的转变,这源于市场需求和客户认知的变化。我一直在探索新的盈利模式,例如将线下创作与线上推广结合,以及将手工艺品转化为艺术作品。35岁以后,我的职业发展仍然充满希望,因为我的技能和经验是不可替代的,而且随着年龄的增长,我的创作能力和市场价值可能会进一步提升。 我选择自由职业的道路,虽然面临着经济上的不稳定和压力,但我更看重的是创作的自由和个人价值的实现。我享受创作过程中的快乐和挑战,即使面临困难,我也会坚持下去,因为这是我热爱的事业。 Will: 我是一位在大型科技公司工作多年的职场人,如今也开始探索个人创作和多元化发展。我羡慕Paco的自由职业状态,他的工作是AI无法取代的,并且随着经验的积累,其价值会越来越高。与Paco的对话让我对35岁后的职业发展有了新的思考,我认为选择适合自己的职业,并持续学习和提升自身技能,才是最重要的。无论选择哪种职业道路,都应该积极向上,不断学习和成长,才能在未来的职业生涯中获得成功。

Deep Dive

Key Insights

Why did Paco choose to become an installation artist after graduating from Beijing Institute of Fashion Technology?

Paco chose to become an installation artist after his first job in the film crew of 'Feng Shen,' where he worked as a prop maker. This experience introduced him to the world of creating unique scenes and installations, which he found more fulfilling than traditional roles in the film industry.

What challenges does Paco face in defining his profession?

Paco faces challenges in defining his profession because his work spans multiple fields, including installation art, sculpture, design, and even the film industry. He doesn't fit neatly into one category, which makes it difficult for him to label his role clearly.

How does Paco view the role of AI in his industry?

Paco believes that AI cannot replace the hands-on, creative work he does. While AI can generate images or assist with tasks, it lacks the ability to physically create unique, emotionally driven art pieces that require human imagination and craftsmanship.

What is the significance of Paco's work in the context of AI dominance?

Paco's work is significant because it represents a niche that AI cannot replicate. His hands-on, creative process involves translating abstract ideas into tangible, physical installations, which AI cannot achieve due to its limitations in physical execution and emotional depth.

Why does Paco believe his work is sustainable in the long term?

Paco believes his work is sustainable because it relies on unique, hands-on creativity that cannot be automated. As long as there is demand for bespoke, emotionally resonant art and installations, his skills will remain valuable and irreplaceable.

What challenges does Paco face in monetizing his craft?

Paco faces challenges in monetizing his craft because his work often involves repurposing materials, which some clients perceive as less valuable. Additionally, balancing artistic integrity with commercial demands is a constant struggle, as he must adapt to market needs while maintaining his creative vision.

How does Paco differentiate his work from mass-produced art?

Paco differentiates his work by focusing on uniqueness and customization. He avoids creating identical pieces, ensuring that each installation or model is one-of-a-kind, which adds emotional and artistic value that mass-produced art cannot replicate.

What advice does Paco give to aspiring artists or creators?

Paco advises aspiring artists to focus on their strengths and passions, emphasizing that success comes from honing unique skills over time. He also encourages them to explore multiple avenues, as creativity can manifest in various forms, and to be patient with the process of building a sustainable career.

How does Paco view the future of his industry in the age of AI?

Paco is optimistic about the future of his industry, believing that AI will complement rather than replace human creativity. He sees opportunities for artists to leverage AI tools while continuing to focus on the physical and emotional aspects of art that machines cannot replicate.

What motivates Paco to continue his work despite the challenges?

Paco is motivated by his passion for creating unique, hands-on art and the satisfaction of seeing his ideas come to life. He also values the freedom and creativity his work allows, which outweighs the financial and commercial challenges he faces.

Chapters
本期节目探讨了35岁以后职场人的出路,以装置艺术家Paco的经历为例,展现了手工技艺在AI时代依然具有竞争力的可能性。Paco毕业于北京服装学院雕塑系,曾参与《封神》剧组工作,后成立个人工作室,从事装置艺术创作。
  • Paco的职业无法简单定义,跨越装置师、雕塑师、设计师等多个领域
  • Paco没有在大厂工作经验,始终保持自由职业状态
  • Paco的作品涉及影视装置、废土风小场景、微缩模型等

Shownotes Transcript

- 🍉本期嘉宾:装置雕塑师、知无之地主理人Paco

- 🍌本期主播:和Paco一起做芭莎装置的Will

2025年的「职业离想」,我会带着一个核心命题**「35岁以后,职场人怎么活?」**去对谈每一个离想人,试图掏空他们自由不乱、越老越香的秘密,才怪^_^

本期嘉宾Paco没待过一天大厂,他的职业甚至无法定义,你可以叫他装置师、雕塑师、设计师甚至影视行业从业者,他每天在做的只有一件事,用各种材料还原一些你想到见不到的奇怪场景。毕业就在封神剧组做装置、废土领域的流量主、留学归来后搞了工作室每天捣鼓各种装置。

欢迎走进Paco的幻想世界,这一期,也许你能想通并找到35岁后做手工的方法与出路。 工作室一角

🚄欢迎走进Paco的幻想世界

01:39 北服雕塑系毕业的我,因为《封神》走上了装置师之路。

10:26 如何定义我的工作?多大多小的手工装置、玩具、置景我都能做。

21:19 那三年在家没事,我试着做废土风的小场景和装置,琢磨出了出路,也许搜废土刷两屏,你也看过我的做品。

27:25 雕塑专业我们那级可能就剩我们三个还在做老本行了。

34:06 入这行的一些基本天赋点。比如不迷路。

36:28 大厂人35岁很难活,也许鹏哥是越老越吃香。

53:21 做自由行业的初衷与你到底要不要做自由行业。 🖼录音棚:郎园Station内的KeyOne Studio 这次的装置与装置里的我 Paco工作室的三人组 Paco工作室做的一些装置 酷炫的办公室场景 如果你想看到更多真人版威尔王的创作内容,

欢迎关注:*威尔王Will)*,很高兴认识你😄