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cover of episode Basically Dead: The Catastrophe Hour Book Club Week 3

Basically Dead: The Catastrophe Hour Book Club Week 3

2025/6/19
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The Unspeakable Podcast

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Megan: 我经常思考死亡,尤其是自己死后的状态,并非思考死亡的过程,而是死后的虚无。这种思考对我来说是一种安慰,即使我现在还健康快乐。我设想自己埋在地下,身体腐烂,成为寄生虫和孢子的食物,骨头侵蚀到土壤中,器官液化后被树根吸收,最终野花像毯子一样覆盖在我身上。我希望死后能进行绿色殡葬,也就是不进行防腐处理,将遗体放入可降解的裹尸布或容器中直接埋入土壤。理想的绿色殡葬是在永久保护的土地上进行,但这种墓地很少。次好的选择是混合型墓地,它使用可生物降解的棺材和裹尸布,并且不埋葬经过防腐处理的遗体。考虑到传统殡葬业对环境的影响,例如使用大量混凝土和防腐液,以及火葬产生的有害气体,我们应该考虑绿色殡葬。因为我没有孩子,我希望我的死亡给别人带来的负担尽可能小。

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Megan Daum announces an upcoming Unspeak-Easy retreat in New York City, October 11th and 12th, featuring prominent speakers, panels, discussions, and off-the-record conversations. The event is co-ed and includes lunch.
  • Unspeak-Easy retreat in NYC, October 11th-12th
  • Co-ed event
  • Speakers include John McWhorter, Peter Moskos, and more
  • Off-the-record discussions

Shownotes Transcript

The next meeting of *The Catastrophe Hour *Book Club is scheduled for Wednesday, June 25, at 3:00 p.m. ET. We will discuss the third essay of the collection, Basically Dead.

The book club meets for 14 consecutive Wednesdays at 3:00 p.m. ET. The book club is for yearly paid Substack subscribers only, so if you want to join, please upgrade your subscription at www.theunspeakablepodcast.com).

 

How to Join The Book Club

Yearly subscribers will receive a reminder email on Tuesdays. If you are only a monthly subscriber, you will not receive the email. To update your subscription:

Navigate to your profile image in the top right corner and click.

Go to “Manage Subscription” 

Next to your subscription type, select “Change.”

Select yearly and confirm.

  About The Catastrophe Hour    "One of our most important essayists . . . The Catastrophe Hour is proof that writers and readers can choose to engage with their lives in a manner that is radically disengaged with the pointless noise of the day.” — Washington Examiner    From the acclaimed author of The Unspeakable and The Problem with Everything comes a new collection of unputdownable essays. Written between 2017 and 2024, these essays are classic Meghan Daum, showcasing her wit, her intellect and her uncanny ability to throw new light on even the most ubiquitous of subjects. Arranged in the order that they were written, the essays touch on themes of aging, solitude, creative life, money, the changing media landscape, death, and the meaning of home. Daum’s unflinching honesty and exacting observations secure her reputation as one of our most important and enduring essayists.