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cover of episode Modern Love at the Movies: Our Favorite Oscar-Worthy Love Stories

Modern Love at the Movies: Our Favorite Oscar-Worthy Love Stories

2024/2/23
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Modern Love

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Alissa Wilkinson
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Alissa Wilkinson: 我认为所有电影,即使是那些看似主角独自一人的电影,实际上都在探讨人际关系。例如《地心引力》和《火星救援》,主角虽然孤独,但电影的核心是他们与孤独的关系,也就是与自我的关系。所有戏剧性冲突都源于人与人之间的关系,无论是关系破裂还是良好发展,人们的欲望(例如与他人建立联系、结婚或改善亲子关系)都驱动着剧情。电影中爱情故事的刻画模式会随着时代变化而聚集,例如40年代的浪漫喜剧、西部片中常见的刻板印象,以及动作片中常见的“离异的警探妻子”形象。这些刻板印象并非源于编剧的原创性思维,而是来自制片方对观众兴趣的刻板印象。近10到15年才出现更多没有爱情线的电影,主角仅仅因为是个人而重要,这是一种进步。好莱坞正在慢慢意识到,其他群体也希望看到电影,这令人兴奋。 我挑选的三部奥斯卡提名电影都对爱情和人际关系进行了另类解读:《可怜的东西》的核心是女主角贝拉与自我的关系,她经历了艰难的时期,却没有受到惩罚,这是一种解放的幻想;《大师》展现了莱昂纳德·伯恩斯坦和费丽西亚·蒙塔莱格雷之间复杂而充满张力的婚姻关系,并没有简单地将一方塑造成“坏人”;《过往人生》模糊了浪漫爱情剧的界限,展现了现实生活中人际关系的复杂性和不确定性,颠覆了观众对传统爱情电影的预期。 《过往人生》通过看似平淡的对话,构建了强大的叙事张力,让观众感受到真实和真诚。奥斯卡颁奖典礼上,获奖者感谢词中对人际关系的描述值得关注,这反映了人们对家庭结构和人际关系的认知变化。 Anna Martin: 作为节目的主持人,我与电影评论家Alissa Wilkinson讨论了今年奥斯卡奖提名影片中一些对爱情和人际关系的独特诠释。我们探讨了这些电影如何挑战传统观念,并促使我们重新思考人际关系。

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This chapter explores recurring themes in love stories, such as the long-suffering wife of an action hero and the boxer's wife trope. It also highlights the recent increase in movies without a central love interest.
  • Common movie tropes include the long-suffering wife of an action hero and the boxer's wife who threatens to leave.
  • These tropes are often heteronormative, focusing on a male lead and a female damsel in distress.
  • In recent years, more movies have emerged without a central love interest, showcasing the individual's importance.

Shownotes Transcript

The New York Times’s film critic Alissa Wilkinson has a theory about movies: They’re all about relationships. No matter how big the action, the suspense and tension we experience when watching a film is often really about the feelings between the characters.

But romantic relationships often fall back on old tropes, like the long-suffering wife of an ex-cop who can’t resist that one last, risky case. (We all know her; she leaves teary voice messages urging him to be safe.) Some of this year’s Oscar-nominated films give us fresher portraits of love. Alissa and our host, Anna Martin, discuss the relationships that defy convention or easy definition, and push us to reconsider how we think about human connection, in three of those movies: “Poor Things,” “Maestro” and “Past Lives.”

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