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cover of episode Weirdhouse Cinema Rewind: Let Sleeping Corpses Lie

Weirdhouse Cinema Rewind: Let Sleeping Corpses Lie

2024/12/16
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Rob Lamb和Joe McCormick对1974年的僵尸电影《Let Sleeping Corpses Lie》(也称为《The Living Dead at Manchester Morgue》)进行了评论。他们讨论了电影的科幻元素、英格兰乡村的背景设定以及西班牙和意大利的合拍背景。他们赞扬了电影中美丽的场景和紧张刺激的故事情节,并分析了电影中对科学和技术的负面描绘。他们还讨论了电影中各种各样的标题,以及电影中角色的动机和行为。 两位主持人深入探讨了电影的剧情,包括城市青年与权威人士和活死人的冲突,以及电影中对城市、科学和政府等现代元素的负面描绘。他们分析了电影中僵尸的起源,即一种超声波辐射装置,以及这种装置对环境和人类的影响。他们还讨论了电影中角色的性格和动机,例如George对权威和制度的不满,以及警察局长对青年的偏见和误解。

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Why is 'Let Sleeping Corpses Lie' considered an important British zombie film of its time?

Despite being a Spanish-Italian co-production, 'Let Sleeping Corpses Lie' is considered an important British zombie film because it captures the rural English landscape and atmosphere, blending horror with environmental themes and a critique of science and authority.

Why does George from the city not fit the typical hippie stereotype in the film?

George, while from the city, does not display typical hippie traits such as a make love, not war personality. Instead, he is portrayed as a disagreeable, acerbic, sexist, and leather-clad motorcycle driving jerk, more of a rocker or a middle finger to the world.

Why does the film use ultrasound technology as the source of the zombie outbreak?

The film uses ultrasound technology as the source of the zombie outbreak to present a specific and localized threat. Unlike radiation or chemical waste, ultrasound suggests a more modern and scientific experiment gone wrong, fitting with the film's eco-horror and anti-scientific themes.

Why does the inspector suspect George of being involved in satanic cults?

The inspector, a fascist and uniformly hard-nosed character, assumes George is involved in satanic cults because of George's rebellious and rude behavior, even though George never actually does drugs or shows any sexual interest. The inspector quickly jumps to extreme conclusions, reflecting his deep-seated prejudices.

Why are the zombies in the film able to reanimate other corpses by smearing blood on them?

The zombies in 'Let Sleeping Corpses Lie' can reanimate other corpses by smearing blood on them, adding a ritualistic and unsettling aspect to their behavior. This mechanism, though absurd, creates tension and horror by making the zombies more unpredictable and dangerous.

Why does the film include a subplot about aggressive babies?

The aggressive babies subplot is included to further illustrate the dangers of the ultrasonic radiation device. Babies born in the affected area are super aggressive and hostile, attacking and drawing blood from anyone who gets too close. This adds to the film's eco-horror theme and highlights the unintended consequences of scientific experiments.

Why does the film end with a brutal twist involving the inspector and George?

The film ends with a brutal twist where the fascist inspector, who has been the primary antagonist, is killed by the reanimated corpse of George. This serves as a comeuppance for the inspector's prejudiced and authoritarian behavior, providing a satisfying and dark conclusion to the story.

Why does the film have multiple titles, including 'The Living Dead at Manchester Morgue'?

The film has multiple titles, including 'The Living Dead at Manchester Morgue', because it was a Spanish-Italian co-production and international distributors chose different titles to tap into various fears or markets. 'The Living Dead at Manchester Morgue' was widely used, despite the film not being set in Manchester.

Why does the film's sound design contribute to its eerie atmosphere?

The film's sound design, with eerie, throbbing, and hooting sounds, contributes significantly to its eerie atmosphere. These sounds resonate and create a sense of dread, enhancing the horror and tension in scenes involving zombies and aggressive babies.

Shownotes Transcript

In this episode of Weirdhouse Cinema, Rob and Joe discuss the 1974 zombie movie “Let Sleeping Corpses Lie,” also known as “The Living Dead at Manchester Morgue.” It’s a sci-fi spin on the zombie genre, set in rural England and brought to life in a Spanish/Italian co-production. It’s bloody good! (originally published 02/10/2023)

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