'Rock'n Roll Wolf' is also known as 'Mama.'
The film is a Romanian-Soviet-French co-production.
It is based on the Brothers Grimm tale 'The Wolf and the Seven Young Goats.'
The film is directed by the Romanian filmmaker Elisabetta Bostan.
The film features Russian ballet dancers dressed as spiders or sparrows, rooftop seesaws, goat boy levitation, ice-based wolf traps, and a rainbow parrot with auctioneer energy.
Audience reactions are diverse, ranging from delight and confusion to intense nostalgia for those who grew up watching it on TV in certain European countries.
While not explicitly a Christmas movie, it has elements of winter folklore and was reportedly played annually on Norwegian TV during Christmas, known there as 'Raka Ulven.'
The main conflict revolves around the wolf's attempts to eat the goat children, with Mama Goat trying to protect them.
The song 'Mama's Home' is a secret code that Mama Goat teaches her children to identify her and keep the wolf out of their house.
The wolf falls into a trap set by the villagers in the ice, but he is saved and promises to change his ways, leading to a happy ending.
The film has a runtime of 80 minutes.
Yes, there is a native English version of the film where the songs are performed in English by the cast.
The main theme is the struggle between the wolf's predatory nature and Mama Goat's protective instincts, with a mix of musical and dance numbers.
The donkey is a conflicted character who is part of the wolf's gang but shows moments of empathy and sadness, making him one of the more complex characters in the film.
The parrot is a traveling entertainer and auctioneer who sets up a fair in the village, facilitating various dance and musical numbers.
The winter setting ties into the film's themes of winter folklore and the transition from winter to spring, aligning it with holiday and seasonal themes.
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Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. Hey, welcome to Weird House Cinema. This is Rob Lamb. And this is Joe McCormick. And today on Weird House Cinema, we are going to be discussing the 1976 Romanian-Soviet-French co-produced psychotropic children's fairy tale musical, Mothman.
AKA rock and roll wolf directed by the Romanian filmmaker, Elisabetta Boston. And I really mean it when I say this movie has everything. It is so much so fast and so wonderful. Uh,
infectiously lovable music, Russian ballet dancers dressed up like spiders and or sparrows, nearly just nonstop locomotive energy. Maybe flags a little bit in the second half of the movie, but at least the first half is like it is a freight train. It does not stop.
It's got diverse, frolicking theriomorphs in a secret village in the deep woods. It's got rooftop seesaws, bridges over nothing, goat boy levitation, ice-based wolf traps, strawberries coated in honeydew.
A rainbow parrot with like mad auctioneer energy, plaintive donkey solos, pendulum beds, secret passwords, red squirrel acorn rituals, a dangerously handsome bad boy wolf man, a gorgeous angelic goat mother, and nonstop historical smoking. Yeah.
Yes. We this is one of those where I am definitely in how have I never seen this before territory. Rock and roll wolf is so so in my wheelhouse and I can't recommend it enough. Super weird and pushes like every single sensory boundary at once.
I showed part of this to my wife at lunch after I'd finished watching it, and she thought it looked like an acid trip. And her follow-up question was, how did Joe find out about this movie? And I don't have the answer. Do you have an answer? Can you answer for this?
I wish I remembered. No, I honestly, I don't know how this movie first came onto my radar. I've like had it on a list of movies I was going to come back and check out later. And then this week I did. I looked at my list and I was like, oh, okay, what's the deal with this one? So I know one reason I became intrigued this week is that I started looking into user reviews and comments online, just how people were reacting to this movie. Mm-hmm.
And I noticed there were several distinct tranches of audience reaction. One type was pretty similar to how I'm reacting now. Like WTF, I just discovered this insane movie as an adult. My senses are overwhelmed and I am delighted and confused.
But interestingly, another type of reaction was and I think this is probably particularly common in people from certain countries in Europe. It was a reaction like I grew up watching this over and over on TV and it is intensely nostalgic for me.
I couldn't verify this, but I read a bit of unsourced trivia online that this movie was played every year at Christmas on Norwegian television, where I believe it would have been known as Raka Ulven, meaning the rock wolf. And so I don't know, I guess we are in Christmas movie territory, whether or not we meant to be this week.
Yeah. And it's when we get into the plot later on, it does seem like there is some sort of, you know, there is some winter folkloric magic going on here. Yeah. So it does seem to fit well within like the holiday movie universe.
Yeah, yeah. We get a winter fairy who comes and saves a little goat boy who has gotten lost in the wilderness. Oh, but I should mention the third major type of reaction. So we've got the, this movie is weird. I love it. We've got, this movie is nostalgic for me. I saw it when I was a kid. And then the third type is my fanatical celebrity crush is a weird pipe-smoking wolf or a heavenly goat mother or both. Yeah.
And this type of reaction could overlap with one of the other histories, possibly. But a lot of people crush in on the main sort of lead animals in this movie. Yeah. This movie has, dare I say, strong furry energy to it. If you...
If at any point in your life you've really gotten into the practical makeup effects for the Cats musical or perhaps the, I finally remember this show, Zoobly Zoo starring Ben Vereen. This was like a kid's musical dance show, very Broadway, and all the makeup was very Cats style.
I've never seen Zubily Zoo, but I watched part of this movie with my wife and she compared it to Zubily Zoo as well. Yes, strong Zubily Zoo energy. And yeah, it has a lot of attractive people dressed up as these animals. So I did have to...
wonder at times, like, if I was bringing that energy into it, if other people were having that reaction as well. Because I just came off a couple of viewings of 1976's Werewolf Woman. So I don't know if I'm letting, like, the Werewolf Woman experience taint my viewing of a family children's Christmas story from, you know, from several countries away. No, I mean, it's not the only movie of this sort, but I think from what I can tell...
everything explicit about it is, you know, very, it's very family friendly and it's, you know, it's, it's a children's movie. It's a fairy tale movie, but there's sort of a second level of interpretation that a lot of people, I think, look back on it with after they, they grew up watching it. And, and in fact, regarding that first type of reaction, like all the people who were saying, Oh, I watched this so many times as a child, like maybe on Norwegian TV or in Norway somehow, like,
Um, this connects to another interesting thing I found online, which was a trailer for a live musical stage adaptation, uh, which played at the Norwegian national theater in 2011. And I so wish I could go back in time and see this. I would fly to Norway if, if they do a revival, I don't know, maybe they keep doing this thing, but.
kind of interesting thing about it is the movie, I think, is firmly aimed at kids. It's extremely weird, but it is a family fairy tale adventure. Just from the trailer, this stage musical looks to me more explicitly aimed at adults. It has slight, slight Rocky Horror energy. Yes, yes. Soft, but yes. I see what you're saying. The little clips in the trailer feel like
in one sense, aimed at adults who have passionate nostalgia for a movie they loved as children, but with a sense of irony about the weirder aspects. For example, a few of the clips from the stage version really seem to press on the sexual tension between Mama Goat and Mr. Wolf. Like, I pulled out a few screenshots for you to look at, Rob. Again, this is not from the movie. This is from the stage version where we've got Mama Goat here spanking the wolf, uh,
them just like making weird faces at each other. And then here's this one scene where suddenly Mama Goat has had a costume change and she's no longer in her Romanian folk dress and is wearing some kind of black leather thing with a bunch of metal rivets. Yeah, at this point, I feel like we're in a meatloaf video. Yes. Yeah.
But no, again, to be clear, this does not happen in the movie. I think adult viewers will find it impossible to miss the weird tension between the wolf Titi Suru and the goat mother Rada, but it's not explicit in the movie and it's not played for laughs like it seems to be here.
So technically, this movie is a film adaptation of one version of the fairy tale known as The Wolf and the Seven Young Kids in the Brothers Grimm catalog. And we'll get to the details of that story later on. I'll summarize it when we get to the plot. But overall, the movie is quite loose on plot. Rock and Roll Wolf is, like many musicals, more of an experience. It's kind of hard to communicate everything
how much experience is packed into this 80-minute movie. The kind of time I personally had with it, the runtime just flew by, especially in the first half, with the song and dance numbers just coming so fast, and the tone and the visual and sonic texture constantly switching up with this kind of rapid shuffling deck of cards kind of feeling. I loved Rock and Roll Wolf.
And I think it's a real shame that as far as I'm aware, there is not like a high quality Blu-ray of the English version available today. I really, really want that because this is a gem of a film. Oh, and I guess, sorry, that brings up a second impressive thing about this movie.
It is a film where the main creative inputs were Romanian and Russian, but there is a native English version of the film. So not just subtitles, not even just a dub. There is a version of the movie where the songs have lyrics in English and are performed in English by the cast. Now, it might be different voice actors than the...
than the people playing the characters on screen. I'm not sure because I did listen to snippets of songs from the different versions. There's at least one in Romanian, one in Russian, and one in English. I don't know if there are any other language versions. And the voices sound kind of different to me. So I think it might be different singers.
But like one example was that I recall in the Russian version, the wolf sounded a lot less suave than in the English version and more kind of rascally. Yeah, I did notice that the English track was recorded in London. So, I mean, that kind of leads me to believe it is a different vocal cast for the English cut. But the English cut's the version we watched. That's at least a version that as of this recording is floating around out there.
I asked around about this movie at Videodrome here in Atlanta, the video rental store. And John, one of the guys who works there, is quite knowledgeable. He was looking around, looking stuff up. And he pointed out there is a DVD version of this film or a DVD-R. I'm not sure on the technical specs there. But there is some sort of disc you can buy there.
You might have to go on eBay to get it, he said, but it does exist. But in terms of like a really nice like Blu-ray edition, which clearly a film like this deserves, he said, you know, a good place to watch out for it would maybe be the Deaf Crocodile guys. That company puts out a number of great films, some, you know, some Russian films for sure. And so that those would be the guys to pester with your with your request.
for Rock and Roll Wolf, a.k.a. Mama. Well, yes, I fully endorse that. Please put this out because this is, you can tell, you can just look through the core visual assets here are fantastic. This is a movie of beautiful production values. It has these great sets. It's
set in this fairytale animal village in the middle of a forest with all these, you know, strange, like these Romanian folk cabins and weird sets. But it's also got like some disco kind of sets. Oh, yeah, for sure. So, yeah, the psychotropic elements dominate as well. The costumes and the makeup are just, you know, pushed to 11. It's almost constantly something beautiful to behold. Yeah.
It is definitely a 1970s musical. There's absolutely no doubting that. If you have ever seen the original film adaptation of Godspell, indeed, Rocky Horror Picture Show, or a movie we've talked about on the show before, The Apple, which came out in the 1980s but is still a 70s movie.
rock musical, like this has all of that energy. The rock and rolls there, the disco elements are there. And also that kind of like bohemian vibe, you know, these troubadours and bards floating around in a troubled decade, but still keeping some of that energy of the late 1960s alive in their art.
Yeah. Hey, hey, hey, Wolf's on the way. So, like, I can see that comparison with the Apple and all that. And another one I saw people, a comparison I saw people making online was Tommy, you know, the adaptation of the Who album. So, yeah, I absolutely see that, though something about this does feel a little...
It has common aesthetic elements, but it feels less decadent than a lot of your Western 70s rock operas. It feels more wholesome and kind of forest magic based. Yeah, yeah. It is ultimately angling for children and features a lot of child characters. So, yeah, it's it's it's managing to be all these things at once.
But on the other hand, don't want to oversell the wholesomeness or make it sound bland. Like it does have strong mother goose drops acid energy. Is that your elevator pitch? Yeah, that's got to be. Mother goose drops acid and joins the spiders from Mars. Yeah.
All right. You know, I'm not sure we actually have any trailer audio for this one, given the nature of the picture. We'll hunt around a little bit, and if we can find something, we'll throw it in here. If not, maybe we can get JJ to sample just a tiny bit of the audio. If not, you know, you'll never hear this part because we'll cut it out. I shall say like no. Now you can open the door.
Don't be afraid now, not anymore. Here's Suru's closest friend. Terror's our occupation. Helping hand in Suru's operation. Hee-ho, hee-ho-ho. I'm the donkey pet drinker. Hee-ho, hee-ho-ho. I'm rather a good kicker. Ha, ha, ha.
All right. If you want to see this film for yourself, we already discussed ways you might be able to find it and perhaps find it in the future. Who knows? But as is always the case, we do urge you to watch it in the best quality possible, however you obtain it.
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All right, let's get into the people behind this picture.
All right, starting at the top, we have Elisabetta Bostan, born 1931. The director, Romanian film director and screenwriter, whose credits include 1964's Memories of My Childhood, 1968's Kingdom in the Clouds, 72's Veronica, and 73's Veronica Comes Back. She's been involved in various stage and screen projects over the course of her long career, as well as in academia concerning film.
Apparently these Veronica movies she did are also sort of wild sort of fairy tale fantasies aimed at children. And I'm interested in checking those out because, oh, and we didn't, I guess we didn't mention this yet. But one of the appeals of getting into this movie this week is that, of course, every Christmas season, Rob and I get in mind the mind of Jack Frost or Morosco. The great, you know, Christmas tale of the Russo-Finnish taiga. Yeah.
But that one, I saw little echoes of that in the movie we're talking about today. And in the screenshots I saw from the Veronica movies, I saw some comparisons one could make to Morozov as well. So those are going to be on my radar. I want to come back and check them out.
All right. As for the writing here, we have two screenplay credits. One is a Russian and the other is a Romanian. We have Yuri Intin, born in 1935, Russian author and musician, whose other credits include various other children's pictures. And
And then we have Vasilika Istrade, lived 1934 through 2002, Romanian producer and writer who worked several times in a writing capacity with Bustan. And this is as good a time as any to add a usual caveat. My apologies for any mispronunciations of the various Russian, Romanian, and French names that are going to be involved in this multinational production here.
All right. This film, there's no doubt about it, stars Lyudmila Gurchenko playing Rada the goat. This is the titular mama from the versions of the film you'll find with the title Mama. And she lived 1935 through 2011.
Radiating goodness and light, even when the forest is dark. She has strong, you know, she's the paladin. She's the heroine character. And she comes off as so good and so pure, even when she's like flirting with the wolf who's going to eat her children. Yeah.
I mean, you very well may think that you were immune to the wiles of various satyrs and Baphomais and even Mr. Tumnus. But, you know, you need to watch this film and see how Radha hits for you because her charisma, her brightness, her just absolute goodness shines through. Yeah.
And also something about, you know, she has this little button nose that seems to just work so well with the big goat horns and all. Yeah. Yeah, she does have goat horns. And they do the...
It feels like a very Eastern Bloc style of makeup effects, though I think the makeup in this movie might have been done by the French. I'm not sure. Yeah, I think I saw at least some French credits for the makeup. Yeah. Well, anyway, it's something I recognize from Morosco as well. The freckles she has, which are just done, it looks like with like a black felt tip pen, just black felt tip little freckles on her cheeks. Yeah.
Well, Grishenko was a Ukrainian-born Russian and Soviet actress, singer, and overall entertainer. While she at times was seen as too Western by Soviet entertainment tastemakers earlier in her career, she went on to be a highly regarded actress in Soviet and post-Soviet Russia, receiving the highest acting honors during both eras. She worked well into her 70s on stage and in TV and film. She put out several albums in the 70s, 80s, and 90s,
And her best-known films include 1956's Carnival Nights, 1979's Sibera Day, and 1976's 20 Days Without War, which was apparently suppressed to some degree due to its anti-war themes and wasn't released until 1981. And that was after the success of 79's Sibera Day. So, you know, at that point, there was no stopping her.
I was exploring her filmography a bit. This isn't the only film I've seen starring her, but clearly she's a huge name and a number of prestige pictures. She's not an actress that you find in any sci-fi and horror pictures. But of note, there's 1991's
Sex Casca, which I think translates to sex story. And it's a fantasy mystery picture. It looks like it has some like sexy aspects to it, but also seems to have a very almost kind of noir quality to it, to the filmmaking. The only other two films that I think fall roughly into a fantasy genre for her were 1961's The Man from Nowhere and 1971's Tin Man.
So, yeah, this is my first time seeing her in a film, but it seems based on what I was reading and like the obit that ran in The Guardian when she passed, it seems difficult to overstress how successful she was as an actress in Russia.
It seems hard to believe that she didn't do more like sci-fi and genre type movies. When you look at some of her press photos, there's one you share. I don't know what this is from, but there's one photo you shared with me. It's clearly from some kind of magazine shoot or something.
where she's, I guess she's having a picnic. She's sitting out in the middle of a field with a blanket spread out under her. And she's got, you know, kind of like a rattan-lined wine bottle there. But she's got several daggers in ornate sheaths
She's wearing one of those like felt mountaineer hats with feathers in it. She's got a flask of some guy next to her, just some kind of bunches of grapes lying around and then a falcon in her hand. Like it's, she's got one of those leather gloves and just, yeah, falconing.
Between this image and the still I shared with you from Sex Story in which she's wearing like some sort of like she got crazy makeup on and this big furry hat, like both of these images and I read really to an extent also the screen cap here we have from today's movie is
If I encountered all of these in like a Google image search, I would be like, get this AI stuff out of here. Nice try mid-journey. But I'm not believing that this is a real image of a woman with a falcon and a ceremonial dagger and a big flowery hat out on a picnic. Yeah, somebody put into the prompt like a Russian actress as Edward Scissorhands. Yeah, but these are all real. These are actual photos. I think I found the bird one on a blog about like Russian pop culture.
All right. So that that is our star. That is Mama. But on the other hand, this film was also known as Rock and Roll Wolf. So who is our wolf? Well, the character is Titi Suru, played by Mikhail Boyarsky.
Born 1949, Russian actor and singer, apparently best known for some adventure films he did, especially a 1979 Soviet Three Musketeers movie in which he played the lead role of D'Artagnan. In fact, I think the name of that movie, this may be in translation or, you know, international releases, but I saw it referenced as D'Artagnan and the Three Musketeers. So it must have stood out from the rest of the bunch. Yeah.
Well, wait a minute. No, is D'Artagnan one of the Three Musketeers? I think he might not be. He's not. It's been a long time since I've done Three Musketeers. I've got to look this up. I'm not going to be able to rest until I know. Yeah, as a kid, I watched at least one of the versions that had Oliver Reed in it. But yeah, it's been a long time since I interacted. Because sometimes there are four of them, right? There are Three Musketeers. That's right. Yes, there are. That's right. It's D'Artagnan, Athos, Aramis, and Porthos. I just looked it up. Porthos was Oliver Reed.
Okay. I didn't know that. But yeah, that's right. It's like D'Artagnan appreciates these other three guys, the three musketeers. All right. Well, there you go. Well, this is apparently his big role that skyrocketed his career. I believe he's currently retired from acting, but apparently remains an active voice in Russian politics.
So this guy is obviously a big part of the impression this movie makes on people. Like, I think there's a reason that one of the release names, like the international title was rock and roll wolf because people,
People online have thoughts about this guy. Yeah. I mean, he's a tall, slender, really has kind of lichen aspects to his body and face already. But yeah, he's wearing all black. He's constantly smoking a pipe. And I mean constantly. I don't know if there's a single scene where he isn't smoking a pipe. Just puffing. He's always creeping around. Yeah. Yeah.
He has a real rock star energy. I was reminded at times of Frank Zappa. Yes, a little bit Frank Zappa because he's got a strong mustache and part of a little beard with the dark hair and the heavy eyebrows.
Uh, I'm thinking a cross between somewhere between, uh, Jareth, the goblin King. And, uh, you remember in, uh, almost famous when Billy Crudup plays a rock star, there's a little bit of a resemblance there. The guy is the one I'm a golden God, right?
Yeah, I think that's right. Yeah, so there's a good bit of that, but he is just a rascally gyrating rock star in the middle of this fairy tale village with a twinkle in his eye so bright it would be like registered on telescopes and other star systems. Like, he is up to no good. Oh, and I almost forgot to mention...
This is true of most of the characters in the movie, but it's especially notable in his case wearing an Amadeus-style wig, gigantic, voluminous wig, in his case with just these, you know, kind of swishes of curly, wavy hair going all over the place. Everybody's got their own type of voluminous wig, but his is, I don't know, it looks really good.
Yeah, so we'll have a lot more to say about this performance. But at this point, we're going to get into some of the supporting players and animals. Playing Donkey, we have George Mihaitse, born 1948. This is a Romanian actor and director, apparently a pretty big name in Romanian cinema. His films include 1968's Reconstruction and 2008's Silent Wedding, as well as the sci-fi comedy A Fantastic Comedy from 1975.
This was, I thought, one of the creepier characters in the film. I don't know. Every time Donkey was on screen, I was at least a little creeped out. In part because he falls in with the gang that is supporting Mr. Wolf, that's supporting Suru in his various schemes. But I don't know. There's something about his face. He puts out this calm, serene voice.
um kind of clown face uh but he's like actively supporting the main villain and and he's a donkey like not this is not an animal that i would necessarily think of as oh yeah the donkey's gonna definitely fall in with the wolf he's the only herbivore in the wolf gang yeah what does that mean
Maybe it gets into, I don't know, could be something cultural. We've talked before about donkeys and how sometimes they are associated, at least in ancient Babylon or ancient Sumeria, with various demons and so forth. So I don't know. His emotional key is strange. He's like a morose gray clown where we were just talking about everybody's wigs. His wig is gray Nigel Tufnell wig.
And he's got big donkey ears on top, though he strangely has a lot of soul at a few moments. Do you remember the hee-haw song, like the part where he's just plaintively singing, hee-haw, hee-haw, hee-haw? Yeah, yeah. And Andy gets a love interest later. I don't know why, but it was decided we needed that, so...
So, yes, Donkey. We'll come back to Donkey. Fascinating character in the Rock and Roll Wolf universe.
Another character, this is one we're introduced to right off the bat. We have the character Parrot. It is kind of a stretch to see him as a parrot. At first, he seems like maybe he's some sort of a clown, but yeah, he's a parrot, played by Florian Pitis, who lived 1943 through 2007. This is a Romanian actor, a folk musician, and in general, entertainer.
They mainly signal that he's a parrot just by giving him a very colorful outfit and wig. But yeah, he doesn't have a beak or anything. And the role of the parrot here is interesting because he's a kind of entertainer slash vendor slash auctioneer. He's kind of a traveling bard or something. Yeah.
Perhaps a music man. Perhaps, I don't know, at times I was like, was this guy up to no good? Is he a con man or something? But no, he's just here to tell stories and sing songs and gather everyone together inside the magical disco ball. Yeah, it's interesting the level that they go to communicate
what animal each person is. So I'd say, you know, Radha, I mean, she looks very human in one sense, but you can tell she's a goat. She's got the horns in the ears. There's, there's no mistaking it. Parrot here. I don't know. Yeah. He could just be like a human clown. Uh, and the,
There's another one, like the bear family. They don't work that hard to make them come off as bears. They just look like humans in strange makeup. They just look like human clowns. And in fact, I don't think the next character, Father Martin the bear, is named in the English version that we watched.
But Father Martin the Bear is played by noted Soviet and Russian clown and circus artist Oleg Popov, who lived 1930 through 2016. Not to be confused. I think there's an Oleg Popov MMA fighter right now. This is a different dude. This guy's a lover, not a fighter.
And a laugher, not a fighter, maybe. Mostly worked in purely Russian film, but also appeared in 1976's The Bluebird. I wasn't familiar with this, but this is apparently an American-Soviet co-production, an American-Soviet co-production made during the height of the Cold War, starring Elizabeth Taylor and Jane Fonda. Oh, okay.
I did not know there was such a thing. Yeah. I don't know much about it beyond that, but that's fascinating. As for Oleg Popov, I'm not sure, but I feel like this is a name I'd heard before. I don't know if in the past someone like I ran into a clowning enthusiast at a
party or something and they decided to tell me about the great oleg popov but i feel like this name has come up for me before and this is also by the way a guy when you see him in the film you're like this guy's a pro clown there's no doubt about it not at all in how he physically looks but in the way that he is dressed here and the way that he acts like his physical comedy reminded me of harpo marx yes
All right. Next, we have Savely Kramarov playing the young wolf. Let's see. There's another, they refer to him as something else, like little young wolf, nephew wolf, something. Yeah.
But he's definitely part of the villain gang, obviously. I mean, he's a blood relative. But yeah, he lived 1934 through 1995. A Soviet actor who then ended up immigrating to the U.S. in 1979 at what was apparently the height of his popularity in the USSR. And his subsequent U.S. films included 1984's Moscow and the Hudson starring Robin Williams.
2010, the year we make contact. 1986's Armed and Dangerous. 1988's Red Heat and 1989's Tango and Cash. I don't have to tell you that he generally played supporting Russian characters and or Russian bad guys in these pictures.
One of these days I got to watch Red Heat. Not that I expect it to be good. It just seems like one of those that would be a kind of history lesson. I think of those, the films I just named, 2010 is the one I need to see. I haven't seen that one. And I've heard that while it's no 2001, it is...
interesting in its own right. Yeah, I've seen it. It's not bad, but it's, I don't know, I just don't know if I feel like 2001 needs a sequel film, but I don't know, you know, go for it. I saw Moscow on the Hudson, though, at a very young age, way too young. It has, as I recall, there's like a lot of naked Robin Williams in it.
But I don't remember its quality beyond that. I don't think I was at an age to understand what this movie was even about.
Let's see. Moving on. Okay, this is just a very supporting character, but she stands out all the time in the scenes because she's our hot squirrel lady. She is played by Marina Polyak, born 1951, Russian actress, best known for this film. Maybe she was a squirrel woman. I don't know. And if so, it's hard to get work in serious cinema. You mean in real life? She was part squirrel. I don't think she's in makeup here. She's just a humanoid squirrel person.
there are near constant squirrel antics in this film. You know, there'll be a scene where you're trying to focus on what the main characters are doing, but then a squirrel just like runs through the frame. Yeah.
All right. The next character is the swallow. I thought she was a spider when I watched the film because the spider people like she kind of looks like a spider woman. I don't know. Like she lives in a tree and dangles from threads. Yeah. Like she doesn't have a beak and she also doesn't have like mandibles or anything. But
But yeah, I thought she was a spider. She's played by Violetta Andrei, born 1941, a Romanian actress whose credits include the East German sci-fi film The Dust of the Stars, which I believe I've seen. And it's one that's been on the Weird House Cinema list for a while to come back to. Okay.
All right, and then coming to the musical credits, we have two. One's French, one's Romanian. The French composer that's credited is Gerard Bourgeois, who lived 1936 through 2016. Not to be confused with the French silent film era director of the same name. This guy was a composer, a songwriter. He composed a few songs that were made famous by Brigitte Bardot in the late 60s, and he also had a singles run as a musician in the early to mid-1960s.
And then on the Romanian side, we have Temestocole Popa, 1921 through 2013. He's a Romanian composer who worked with the director of this film on numerous projects. I think he scored Veronica. I could be wrong on that. But if it wasn't Veronica, it was one of the other pictures that she'd done.
As I said earlier, I think the music in the movie is quite strong. And constant. This is, so, you know, there are different types of musicals and, you know, I don't even know that I have the terminology in my head for the different types, but this is one where there are a handful of songs that,
But we keep coming back to them again and again, different characters, singing them, also different renditions of those numbers. And it's nearly constant. It's not one of these where, all right, we've had a little dialogue and now it's time for a full-blown song so much.
but it's also not opera you know yeah and is and it really varies in terms of genre like parts of this are full-on like rock opera they're like rock songs almost prog rock others feel more like traditional kind of stage musical numbers yeah and at times it's a little like we've got some almost kind of like a caribbean drum beat going on at times you know and then the parrot songs yeah the parrot songs which i guess that makes sense like what's a parrot doing here like it
It came in from somewhere else. Maybe we brought some different drum beats with it. And then other times there's certainly what feels like more of a, I don't know, you know, Russo or Romanian, like folk music kind of mentality there. Certainly in some of like more lullabot eccentric songs we hear. Yeah, agreed.
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Congratulations to Easterseals Southern California on their first place win for innovation in customer service at this year's unconventional awards by T-Mobile for Business. Easterseals has used T-Mobile 5G to create immersive VR development tools that aid people with autism in addressing transportation barriers.
These tools are shaping the way safe and personalized skill building is delivered. And for that, T-Mobile congratulates Easterseals Southern California for their unconventional thinking. Can Botox, onobotulinum toxin A, help if I have chronic migraine? 15 or more headache days a month, each lasting four hours or more?
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This is Jonathan Strickland from Tech Stuff with a tech gift suggestion for yourself. You like listening to podcasts, right? Well, you should elevate that experience and check out the Sonos Ace headphones. The sound quality is amazing and the noise cancellation feature will block out external noises, which
which for me is incredibly helpful. If I need to focus on work, I put on my Sonos Ace headphones, I turn on noise cancellation, and I listen to this awesome synth wave channel while I work. Or if I'm walking my dog, I actually switch it to aware mode so I can stay alert to my surroundings and keep me and my doggo safe. And all the while, I get to enjoy the highest quality sound I could ask for. They're the perfect present for the audio lover in your life.
Even if that's you, Sonos has great gifts for everyone on your list. Visit Sonos.com forward slash tech stuff to save 20% on select products. That's Sonos.com slash tech stuff.
So I figure when we start off talking about the plot, we should talk about the folktale this is based on. I mentioned earlier this is based on a traditional fairy tale. And so the Grimm's fairy tale's rendition of this story is known as The Wolf and the Seven Young Kids. Here I'm going to be drawing on a translation that's available online by D.L. Ashleman.
And the story goes like this. So you've got a mother goat who has seven children and they live together in a house in the forest. And one day mother has to leave home to forage for something to eat. She warns her children that there is a wolf in the woods. And while she is gone, the wolf of the woods will come to the door and ask to be let inside. And if they let him through the door, he will eat them all up. So they better keep the door shut.
The children ask, how are we to know if it's you coming home, mommy? And so she says, if the young goats here are knocking at the door, they'll be able to know that it's their mother by listening for her soft voice and looking at her feet either under the door or through the window. And the wolf will have a rough voice and will have furry black paws. And so she goes out. She leaves the house.
And then the text reads, quote,
So after this, the wolf is like, hmm, okay, thwarted. So he goes to a shop and he buys a piece of chalk and then he eats the chalk and that makes his voice soft. Don't know how that works, but that is what the story says. He goes back to the house again and pretends to be the mother goat once, uh, once again. Uh, this time the kids, they hear the soft voice, but then they look out the window and they see the wolf's black paw and
and they know he is a wolf and they tell him to go away. And then the text reads, quote, So the wolf ran to a baker and said, I have sprained my foot. Rub some dough on it for me. After the baker had rubbed a dough on his foot, the wolf ran to the miller and said, Sprinkle some white flour on my foot for me. The miller thought this wolf wants to deceive someone and refused to do it. So the wolf said, If you will not do it, I will eat you up.
That frightened the miller, and he made his paw white for him. Yes, that is the way people are. Moral's in the middle of the story. That is the way people are. So anyway, now that he has swallowed the chalk to make his voice soft and gotten the flowered-up doe foot, the wolf goes back to the house and tries again. This time, he does trick the young goats, and the little goats let him inside, and he eats all of them except for the youngest one, who hides inside a clock.
Then, satisfied, the wolf goes off, takes a nap in a meadow. Meanwhile, Mother Goat comes home from her foraging, and she finds the house all in disarray and her children missing. And then she finally locates the youngest goat hiding in the clock, who tells her what happened. And together they run to the meadow and find the wolf sleeping off his meal. But they see something moving and jiggling inside the wolf's belly.
And then the text reads, quote, The mother goat sent the kid home and to fetch scissors and a needle and thread. And then she cut open the monster's paunch. She had scarcely made one cut before a little kid stuck its head out. And as she continued to cut one after the other, all six jumped out and they were all still alive. They were not even hurt for in his greed, the monster had swallowed them down whole.
How happy they were! They hugged their dear mother and jumped about like a tailor on his wedding day. But the mother said, Go now and look for some big stones. We will fill the godless beast's stomach with them while he is still asleep.
So the kids go gather the stones, they bring them back, they put the stones in the wolf's belly, and then they sew him up again. And the wolf wakes up thirsty, and he decides, well, I'm going to go to a nearby well and get some water. But when he begins to walk, he cries out in pain. He cries out, quote, "'What rumbles and tumbles inside of me? I thought it was kids, but it's stones that they be.'"
And so the story finishes, quote, when he got to the well and leaned over the water to drink, the heavy stones pulled him in and he drowned miserably. When the seven kids saw what had happened, they ran up and cried out, the wolf is dead, the wolf is dead. And with their mother, they danced for joy around about the well.
So how much does this overlap with the plot of the movie? I would say medium, moderately. Unfortunately, in this movie, they never cut the wolf open and fill him up with stones. But the major conflict of the film is the same. And I guess because the plot here is very loose, we should just sort of summarize up top and then we can go and fill in some texture when we talk about individual songs and scenes. But
The general plot is that Mama Goat, a.k.a. Mrs. Radha, lives in a house in the forest with her goat children. In this case, it's within a kind of animal village where one house is full of rabbit people, one house is sheep, one house is squirrels and so forth. And there's also a donkey.
And there is a pipe-smoking wolf in this village named Titisuru, who, he lives in town, and he spends the first quarter of the movie telling Radha that he is going to eat her children, and she tells him no, and then they dance and make eyes at each other.
Yeah, there's a lot of like, no, for real, I'm going to eat your brats. Like he calls them brats, essentially. And he is pretty clear, like, I'm a predator. They're baby goats. I am going to eat your children. And she's like, oh, no, you won't. But there's kind of a wink there. Yeah, yeah.
And so in the movie, kind of like in the folktale, there's a secret code that Mama Radha uses to enter the goat castle. But in the movie, it's a song. It's a song that Radha teaches her children and she has to sing it note for note perfect to be granted access.
And I'm sure anybody who's seen this movie will have this song burned in their brain forever. You hear it many, many times in both its correct form and in its incorrect form when crudely attempted by the wolf and his companions. But it goes, Mama's home, now you can open the door. And it goes on with this whole thing about like, I've brought you strawberries covered in honeydew and stuff like that.
And so the idea is the kids will listen. It's like, is that is that mama? I don't know. Let's hear. Yep, that's her. Her voice sounds perfect. It's beautiful. Then you open the door and she comes in. Right.
Uh, now, Suru spends much of the movie trying to learn to sing this song correctly. He's, like, outside the house eavesdropping and writing out sheet music quickly as he hears it. Yeah, yeah, yeah. So he spends a lot of time, like, workshopping it with his, uh, his buddies, the, the donkey. Yeah. Um, the, uh, what, the, um...
The lynx, the little nephew wolf, and the donkey. Yeah, so they're all working on it. And at times it's just, you know, it's too rock and roll, you know. He is a rock and roll wolf after all. So it takes him a while to really refine their performance to the point where he can attempt to pull off this scheme.
Yeah. Now there's a subplot in the middle here where one of the goat children, the older boy Matei wants to escape the house and go to the fair while mama is out, even though it's dangerous. The wolf is prowling around. So he runs out and then he gets into trouble and he gets pursued by the wolf and his allies. But that's just sort of a B plot in the middle of the movie. Eventually the wolf and his goons kidnap a couple of the goat kids and
And even though early on it was suggested that the wolf would eat the children, he doesn't eat them. It seems what he really wants is to hold them for ransom so that Mama Rada must pay him a bag of gold. He's like, give me the gold. He has this short speech about how much he wants gold.
of what use is gold to a wolf i don't know but he wants gold gold gold well i think one of his cronies asked him like what are you going to do with the gold and he's like i'm going to do what everybody does with the gold baby uh which is spend it but i mean again what's he going to spend it on i guess i don't know food um the wolf in the brothers grim story does buy something remember he goes and he buys chalk and then eats it okay all right so open question then
So anyway, yeah. So a couple of the goat children get kidnapped, but then Radha comes up with a plan to get her children back and get revenge. So she first, there's a lot of dancing, like ice skating and dancing around on the ice. The whole village comes out to the frozen pond in the wintertime and ice skates around and dances and stuff. And then Radha dances with the wolf and they're, you know, it's very flirty dancing, but then also he's like, give me the gold. I want the gold. Yeah.
And so she eventually uses what I don't know if it's actually a bag of gold, but it's something made to look like a bag of gold. She uses it as bait to trick him into falling into a trap that the villagers have made in the ice of the frozen pond.
So the wolf falls into the water, and while he's drowning in the freezing water, his co-conspirators, again, the younger wolf, the lynx, and the donkey, they sort of have a change of heart, and they bring Radha's children back to her. And then Mr. Wolf is pulled from the water and allowed to live, and he promises he is a changed wolf. He will never kidnap her children again, and everyone lives happily ever after.
That's it. That's how it goes down. Nobody is cut open. No stones are implanted in anybody's body. And everyone learns their lesson. But we cannot stress how much dancing and, dare I say, prancing occurs on the road to this conclusion. Oh, unbelievable amounts of gambling and gyrating about.
Oh, and I haven't mentioned this anywhere else, so I guess I'll just throw it in here. I mentioned that the visual textures of the movie are good, like the costumes and the makeup and the sets and all that are great. But I just really want to emphasize again how much landscape texture there is in the village set, which is a great...
is a great complement to the choreography and the dancing. So it's in this lovely natural setting in the forest, but there are just all these interesting little things for the dancers to kind of move around and react to. All these little pathways and gates and staircases and ladders and railings and little bridges. And it's all very rustic and pretty. And it makes for a...
perfect landscape for these rambling dance numbers that lead the characters from one edge of the village to another absolutely yeah it really the environment feels very authentic you know like it's almost like they these actors as these animals lived here for months or something leading up to the actual filming yeah okay you want to talk about the individual scenes and musical numbers
Yeah, let's start with the beginning because, you know, Joe, they pull a reverse Holy Mountain on us here, which is kind of interesting. Yeah, yeah. So we start outside of the story with the credit sequence taking place over shots of the actors being introduced with credits as they get into costume and have their makeup applied. Interesting choice. Yeah.
Yeah. And for some reason, for me, this really drove home the 1970s musical quality. I don't know why. Maybe it's just because you're seeing, you know, guys and gals who are clearly denizens of the 1970s, like in their casual clothing, being transformed into these timeless woodland creatures. Yeah.
There is a softening kind of humanizing element to it because, for example, one of the things we see is the actor who plays the villain, who plays Mr. Wolf, is like sitting in a chair in his makeup chair and the
kids who play the goat children in the movie are like play they're like putting funny makeup on his face and they're all laughing about it so it's like oh okay he's the bad guy in the movie but in real life they're all friends yeah it's all in good fun children yeah don't don't be stressed out by anything you're about to see kind of interesting cinematography choice here in this scene where we're meeting all the characters is that most of the
Most often, sometimes we just get like a headshot where they smile at the camera. But more often we see performers making eye contact with the camera through a mirror. So the camera is over their shoulder and we're looking into their makeup mirror and connecting with them that way. Yeah, yeah.
Also, did you notice how in this part, basically everybody is smiling as they meet the camera, except the actor who plays Donkey, who's just grimacing and looking like, you know, why go on with this masquerade of a life? Well, he's method, you know. He's Donkey from the get-go. He showed up this morning, Donkey, before he even put the makeup or the ears on. He looks like he has just about had it with this job. Sick of playing Donkey. Yeah.
Okay, but let's go into the world now. We go into the forest, into the village of fantastic magical creatures. And what's our first song?
Oh, the first one is, I honestly don't remember what the song is, but this one is by Parrot. And it's kind of an upbeat prancing tune set to some furious, kind of almost Caribbean drumming, you know? Yeah, yeah. This is the one that goes, ladies and gentlemen. Yeah.
So before the song even starts, I think one of the first things we see is like the squirrel lady. She's looking out at the road leading to the village and she screams like, here he comes. And then Mr. Parrot, a twee-voiced master of ceremonies type presence in a teal tuxedo jacket, a red cravat, and a rainbow wig is riding into town on this rag and bone shop velocipede singing a song called
I had this is one of the many parts where when I went back and I listened to the lyrics more closely, I was like, wait, what is this about? It sounds like the song is about artifacts he has stolen from various places around the world. He says that he went to Tehran where he got a rock that shows the future. And from Bali, he took something referred to as the ancient magic tree.
Well, I've got news for Mr. Parrot. I feel like those artifacts and tales of their exploits are going to be lost on this crowd because these animals are a little more down to earth in their needs and aspirations. Yeah, I think they would rather have like some cakes and stuff. Yeah. This is the Shire.
In fact, this is exactly, this is the Shire because the other thing is the implication in this song is that everybody loves Parrot. And it's like when Gandalf arrives at the Shire in his cart, the children are all running around screeching with joy. Parrot here does not set off any fireworks, but he might as well. We
We also get several close-up shots of the various, like, lady animals of the village watching parrots arrival with rapturous admiration. Like, we see the lamb lady looking at him like, what a honk. Mm-hmm.
But anyway, the whole number has this traveling medicine show quality to it. He comes in on his velocipede cart, and then they set up a kind of stage where he stands there singing to the crowd. And Parrot's arrival is presaging a fair that will be held, I think, the following day. Now, he doesn't particularly have any role in the plot. He's just here to facilitate dance numbers, though. So unlike Gandalf. Yeah, yeah, yeah, that's right.
Anyway, while all this is going on, we also see another major character, the wolf. He's up in his tower. I don't know what you would call this building he lives in, but he's in this building that's like got a view up and over everything else. And he's standing, standing, watching the celebration suspiciously through a wooden spyglass.
Yeah, up in his wolf tower. So he's there with his flowing mane of hair, a strong eyebrows, strong mustache. He makes an impression the first time you see him. And also he's keenly peering out at things going on. He has a predator's gaze. You know, he's ready to eat some of the herbivores of the village.
And, uh, Wolf begins to watch a single family among the crowd that of mother goat, uh, Mrs. Rada and her children who are on their way home. Uh, the children are begging to be taken to the upcoming fair. And this leads into the second song, which is performed by the Wolf.
Yeah, this is a bold, sauntering number that it occupies that place where comedic brass and seductive brass meet. It's also it's basically his his allow me to introduce myself to where he tells you who he is and what he's all about. This got funnier once again when I went and transcribed the lyrics. He got he's saying.
How do you do? I'm T.T. Suru, friendliest wolf you've met. You'll hear the strangest things about me for it's been said that I could be responsible for incidents unexplained. People do invent the oddest tales.
That's not what I would put in my cover letter. The first thing you're hearing from him is, people tell little lies about me. Yeah, people will try to pin various unsolved murders on me, but there's actually no connection. My alibi is pretty solid. Yeah, it's not a convincing start. It's great when the first thing somebody says when you meet them is like, my haters are all lying. Yeah.
Anyway, Titisuru goes out dancing through the middle of the village with his posse, which includes his nephew, the young wolf. And as we mentioned earlier, also a lynx and the town donkey, who is a kind of dolorous clown. And Mr. Wolf greets people in town and they mostly seem to regard him with naive trust. Is that how you took this in the beginning? Like everybody seems to be like, oh, Mr. Wolf. Yeah, he's handsome. He's a nice guy. He says he's nice. Yeah.
Yeah, yeah, they have kind of this, I don't know, this kind of like passive response to the predator in their midst. It's like, well, he's not actively attacking anyone right now, so I guess we'll keep grazing. But then Wolf comes up, he squares off with Radha and her children. Radha, the way she reacts to him is complex. It's like she sees through this and she knows better than to trust him. So there's no...
She doesn't have the naive reaction that the other villagers have. She knows immediately what's up with this guy. She's too wise. And so she rebukes him, but there is also a constant simmering underlying element of hubba hubba. Yeah, I mean, it's basically like, I know you're a bad boy, but I kind of like bad boy. And that's basically their tension throughout the picture. But with the added detail that said bad boy wants to kill and eat her children.
Yeah. Yeah. So he explains in the song, uh, well, he doesn't say that at first. Instead, at first he says your children, uh, number one, they make too much noise and they tease me and I can't tolerate that. So he says, this is your final warning. Uh, and also I am a wolf and my wolf instinct will not be suppressed. Yeah.
But then almost as if to play down the danger, Subaru just kind of like dances off. He does like a little tap dance number with his goons and he's running around the village dancing. And while he's off with his guys, he starts singing about how, ooh, of all the children I've ever seen, Mrs. Rada's kids would be the finest cuisine. So he's like, I am going to eat those goats.
So this leads almost immediately into the third song, I guess. This one's performed by Rada, basically putting the wolf in his place, saying, let my children be. Basically, we're going to go into and out of a lot of songs in this picture at the drop of a hat, but sometimes just for less than a minute even, and then sometimes for longer. You never know how long they're going to sing a particular song.
Which keeps you on your feet. You know, you don't get that. It's easy to get worn out with musicals where it's like, oh, I hear another song coming on. Well, yeah, you're going to get hit with them constantly, but some of them are very short.
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Brought to you by Public Investing, member FINRA and SIPC. Yield to worst is not guaranteed. Not an investment recommendation. All investing involves risk. Visit public.com slash disclosures for more info.
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Congratulations to Easterseals Southern California on their first place win for innovation in customer service at this year's unconventional awards by T-Mobile for Business. Easterseals has used T-Mobile 5G to create immersive VR development tools that aid people with autism in addressing transportation barriers.
These tools are shaping the way safe and personalized skill building is delivered. And for that, T-Mobile congratulates Easterseals Southern California for their unconventional thinking. What is chronic migraine? It's 15 or more headache days a month, each lasting four hours or more. Botox, onobotulinum toxin A, prevents headaches in adults with chronic migraine. It's not approved for adults with migraine who have 14 or fewer headache days a month. Ask your doctor about Botox.
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This is Jonathan Strickland from Tech Stuff with a tech gift suggestion for yourself. You like listening to podcasts, right? Well, you should LMS.
should elevate that experience and check out the Sonos Ace headphones. The sound quality is amazing and the noise cancellation feature will block out external noises, which for me is incredibly helpful. If I need to focus on work, I put on my Sonos Ace headphones, I turn on noise cancellation and I listen to this awesome synthwave channel while I work.
Or if I'm walking my dog, I actually switch it to aware mode so I can stay alert to my surroundings and keep me and my doggo safe. And all the while, I get to enjoy the highest quality sound I could ask for. They're the perfect present for the audio lover in your life. Even if that's you, Sonos has great gifts for everyone on your list. Visit Sonos.com forward slash tech stuff to save 20% on select products. That's Sonos.com slash tech stuff.
Okay. Where are we in the plot to kidnap the goat children? Well, I think there isn't a plot yet. We've just had the conflict between, uh, between Wolf and Rada. Like they've had their, their square off. It's kind of flirting, uh, but also threatening each other.
Radha is seeing through the wolf's suave exterior, but she's wary of him, but she's also kind of into him. And so that's strange. But yeah, yeah. So far, that's where we are. And here we get into a medley that was one of my favorite parts of the movie because it's just sort of a string of songs that are mostly sung by the bad guys, but then interrupted by some good dance numbers by the good characters.
But the string of songs by the Wolfs gang goes on for like 10 minutes. And it's just one wacky, hard-hitting, Tommy-style rock opera song after another. And I was thinking about how sometimes people say that a Batman movie is really only as good as its villain. Like, you know, Batman's always, you know, I don't want to discount differences, but Batman's always just sort of Batman. So it's really the villain that defines the film.
Yeah. Yeah. I mean, I think that translates into musicals too. Like in Disney musicals, the villains always have the best songs. Uh, in Rocky Har, all the best songs were sung by the villains. Uh, I mean, I guess they're villains. Uh,
And so forth. I mean, yeah, if you're going to have a musical film like this, Phantom of the Opera, he's got all the great songs, obviously. Absolutely. So I was going to say, I think the same thing is often true about musicals, musicals and especially rock operas. The villains get the best songs. And so it's the villain songs that end up kind of sticking with you and defining how the musical feels. And that is definitely how I feel about this part of the movie.
So the first tune in this bad guy medley is the Wolf's gang singing a song about the confrontation between Rata and the Wolf. And we see all like the townspeople running and hiding, slamming their doors shut after watching the altercation. The squirrely squirrel lady is very upset. You can see she's nervous.
And it's the song, it's the one that goes where they're singing like, Wahoo, TT Suru's furious. Yeah. This is the one where they're like, Mother Goat, Rada, better run away, that kind of thing. Yeah, yeah. Okay. Yeah, Rada's future is dubious. It's sort of like there has just been a rap battle and their guy lost. And so they're walking away being like, oh, next time it's going to be really bad. We're going to get you. Yeah.
But interestingly, while everybody else runs and hides, Radha and her children do not hide at all. They're not afraid. And they do a frenetic dance number on their front lawn. They're very happy. They're like sliding down this extremely splintery looking wooden plane and playing on all kinds of stuff. They go swinging all seven of them on one wooden rope swing, all seven at the same time. And then they get on the rooftop seesaws, which... Oh my God.
What? Yeah, like I meant to go back and rewatch this sequence because my recollection is there's no way they faked this. I mean, there may not be actual children up there, but there might be. I don't know. It looks like a sizable building with kids on seesaws up there, you know, at the most extreme height. They're what?
20, 30 feet off the ground or something like it's intimidating. Yeah, it's at the apex of the roof is the fulcrum of the teeter totter and the kids are just going up and down and maybe it's adult stunt performers, but it looks not faked. Yeah.
Does not look like a model. So Radha is not one of these safety-obsessed helicopter parents. She's like, children, we will now be playing on equipment that is illegal in most countries. And also, you're going to have to defend the goat house on your own against wolf attacks while I am gone at the fair. Yeah.
But anyway, while the children are playing, the bad guys kind of peep over the fence and watch the goats at play. And there is an interesting moment here where we see a lot of this throughout the film, where we get a close-up on Donkey. And at first, he's smiling. It's like he's having a lot of fun watching the goats play. Oh, isn't it nice? And then suddenly his smile just fades. It melts into the saddest face you've ever seen. Eeyores, if you will. Yeah, exactly. Exactly.
And so this is kind of establishing a theme. Upon rewatching, for me, I didn't catch it as much the first time, but Donkey was really emerging as one of the most interesting and subtle characters.
But from here we get into one of my favorite tracks, which is a rock number where the members of the Wolf's gang introduce themselves and sing about their loyalty to Titi Suru. I think it starts with kind of a chant where they say, like, one for all and all for Suru. So it's very top-down, you know, leader-oriented kind of friend group. Yes, yes, big followers of Suruman here. Yeah.
Oh, yeah, we have lynx, donkey, and oh, yeah, little bad wolf, I believe he's referred to either one way or another in this bit, the nephew. And, yeah, there's a lot of snarling, moderate cartwheels added to the general prancing. And, yeah, there's some great lyrics in here, like, "'Tears our occupation, we lend a helping hand in Titusuru's operation.'"
So they're just all like trying to really get it out there that they're as close as friends. And they also throw in some added little tidbits. Like one of them's like, I've never read a book. Okay.
Well, they're contrasting that little, I think little bad wolf says I've never read a book because he's, uh, contrasting with the fact that donkey says he does read books. Hmm. Yeah. I think they're getting a little off track in their, um, commitment to speech here, but okay. Uh, so we hear from, uh, the links. He says, I am Rasul, the links. My missions are nocturnal. When your eyes start to blink, my role becomes essential. Uh,
And then the donkey's verse goes, hee-haw, hee-haw, hee-haw, I'm the donkey, Patrika. Hee-haw, hee-haw, hee-haw, I'm rather a good kicker. And so he's bragging about how good at kicking he is, but then he also mentions, I like to read books. And so there's tension in the gang. Rasul the lynx and little bad wolf mock the donkey. First of all, because they think he's delusional for thinking he's very strong and a good kicker. They don't agree.
But they also mock him by saying, I've never read a book. The implication is like, that's for nerds. And I'm not fully grasping the significance. I think there might be some kind of cultural archetype coding going on with donkey, but like,
He's one of the bad guys, but he doesn't really fit in with them. The other bad guys mock him, and there are scenes of him with conflicted emotions that the other bad guys don't show, or at least Little Bad Wolf and Lynx don't show. You get some conflicted emotions from the main bad wolf. But anyway, I just think it's interesting the way Donkey is set apart from the other villains. Yeah, that is something to contemplate.
He seemed, I don't know, like maybe we're really supposed to put ourselves in donkey shoes. I'm not sure. Now, we eventually go back to the house here, right? And I want to point out that the inside of the goat household, it looks like a cat cafe. If you've ever been to a cat cafe, that's kind of the vibe I'm getting here. Lots of little shelves and places for cats or I guess goats to walk around on. That would make sense. You know, goats like to be up high. And then they have like cool...
what, hanging beds or loungers here? Yeah, the young goats sleep in these, like, pendulum beds. They're dangling from the ceiling like a, I don't know, like a planter. Yeah, they put a lot of thought into this. I'm actually a little bit reminded of the kids' rooms in Santa Claus Conquers the Martians, you know, where they're like, what do the Martian children's bedrooms look like? How do Martians sleep?
And so forth. But this scene also has an interesting part where one of the kids asks Radha, why does the wolf want to take us away? Oh, yeah. And the answer is, well, because he's lonely and childless, which is an interesting...
A way to view predation. But that's what she tells them. One of the children asks, she says this, and one of the children says, is it wrong to be lonely? And Radha says, no, it just makes you feel bad. Maybe something was lost in translation a bit to the English version. I don't know.
Oh, but then after this, we go straight into a psychedelic disco dance number by the bad guys. Oh, yeah. There's no singing. They're just like out inside a five-dimensional kaleidoscope doing some real Saturday Night Fever moves. Oh, yeah. This is like the dark disco scene. And I was really hoping this would erupt into vocalizations as well, but it's just...
you know, darkness prancing. It's like a rave in Mordor or something. I'm not sure. But it's fun. I like it. Some parts of the choreography here reminded me of that OK Go Treadmill video. Yeah, yeah. Yeah, they really get into it. They get some moves. But they're like standing out on some kind of bridge in the darkness with like the night sky behind them. And there's this aurora in the sky and sometimes it looks like a giant fish pig face. Hmm.
But then here we go into a lullaby sung by Radha, which we sort of go around and see all the villagers going to sleep. I got to say, I've been playing some of the music from this movie in my house, and my toddler is obsessed with this lullaby song. She asked me to play like 10 times yesterday. It's the night night song to her and she loves it.
This is the, you know, one of the great things about early parenthood is you get to choose what really obscure nonsense you inject into your child's life that will become a part of their wholesome recollection years later that no one else in their friend group will share. They'll be like, hey, did you guys watch that weird Russo-Franco-Romanian family animal picture every holiday? And they're like, no, we have no idea what you're talking about.
Yeah, out on the playground. You don't know the Tickets Tickets song? But okay, yeah, so this is a lullaby, but there is an interesting moment here where the wolf comes in and sings along at the end of the song. So it's Radha singing to her children, and she's like, close your eyes, I'm here beside you. And then suddenly the wolf is outside the house, and he's like singing at Radha. And...
I thought this maybe is playing up on the idea that underneath his wickedness, he really is just lonely, like Radha was talking about. Maybe the subtext is that if he had someone to love, he wouldn't be trying to harm the goats, which plays directly against what he himself said, which is like, I have a wolf nature and it will not be suppressed. Yeah, I don't know. I also wasn't sure if we're supposed to...
think that she can hear him and has because she has kind of like a you know winky smile thing at the end here and I don't know if that's more of her like oh Saru or if I'm just reading into it because we have been spending so much time already with their sort of teasing predator prey relationship yeah oh then we get a song about equilibrium from the children where they they're playing on a
pair of enormous seesaws. And we see a lot of other children there in this scene. There's sheep children, of course, the squirrel children, donkey grinning like an absolute maniac, donkey lynx and little bad wolf joining into the song. They dance and prance around. The dance becomes cocky and aggressive. Till finally, what one of the kids has enough energy
This may be the oldest kid, and he starts riding Donkey around, and then, like, somebody has to come break it up. This is Matei, the oldest goat son, who will sneak out of the house later. He, you know, he is up to mischief. But, yeah, he rides Donkey around, and, I don't know, Donkey really gets put in his place. Yeah, yeah. So they have to send a ref in to break it up. They're like, enough of this. It's out of hand.
Radha comes in. Radha always puts a stop to the nonsense. And then the next scene is we get one of the main themes of the movie, which is the song that Radha sings, teaches her children in order for them to know it's her at the door and not someone else. So this is the mommy's home. Now you can open the door. Don't be afraid, children, anymore. Yeah, it is a beautiful little number about stranger danger for latchkey kids.
kids, you know? It's like, don't open that door for anybody. Anybody. Except for me. Except for me. I'm here to protect you. Right. So she sings the song, and meanwhile, outside, the wolf is listening and furiously scribbling notes on how the song goes so that he can get into the house when Radha goes to the fair. So she goes off to the fair. What's going on at the fair? Oh, tickets is what's going on at the fair, apparently.
That's the main thing I got because we run back, we meet Parrot Guy again, and we're in this fun house of mirrors. We're going to spend a lot of time in this set, and it's pretty gorgeous. It feels like we're inside a disco ball. And there's, yeah, a lot of general discussion of tickets. I don't know if you were able to make sense of this when you went back through the lyrics, Joe. No, I did not understand at all. The parrot is like throwing little like ticker tape, you know, bits of paper.
you know, confetti, basically tickets are in the air and he's standing in these mirrors with silver tinsel all around. He's still in his rainbow outfit. And, uh, the lyrics are like tickets to your life, tickets to find your wife. I, I, I think maybe the idea is that, uh,
I don't know, it's some kind of commercialization or commodification. Like, Parrot is selling a kind of shallow promise of good fortune. But I don't know, Parrot is not really presented as a villain of the film. It's just kind of like, oh, here's what's going on at the fair. There's some kind of nonsense happening.
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Alright, now I have to point out that at this point, the episode's probably getting a little long, and I feel like I could probably talk about each and every little musical number, because I made notes about all the weird little things they threw in. Like, suddenly there's a trampoline for the squirrels, and I love it. So I'm going to let you drive here, Joe, and just...
I'm going to follow you through your favorite moments of the rest of this film, and I'll jump in if I have some thoughts. Well, we've already talked about the general outline. So you know that the wolf is going to keep trying to sing the song and sneak into the house. He fails the first few times. We know that Matej sneaks out of the house. He runs around outside. He gets chased by the bad guys.
Of course, while we're here at the fair, some various things will happen. There's a bunch of just like songs and big ensemble numbers where everybody's singing. We get a ballet sequence where the people that you thought were spiders, but I think are actually supposed to be sparrows. These are played by ballet dancers. I think these might be the Bolshoi Ballet or some Moscow-based ballet.
ballet dancers who do very good. I don't know. Ballet might not exactly be my thing, but you can tell that they're great at what they do and they do it in front of these very interesting painted backdrops. Yeah, yeah. The effects are very cool here. Like it's not just a performance of dance on stage. We've been seeing a lot of
actual dance performance. But here we have high level ballet with cool effects. And I think maybe in some parts of these songs, they're like balancing on tethers or whatever you call that. Tether walking. Or it's made to look like, I couldn't tell if this is effects or, yeah. Yeah.
Yeah. At the fair, there's more of a wolf following Radha around being like, hey, let's dance. And so first they don't dance and then they do dance. But one thing we definitely should mention is the sheep and donkey song. Mm-hmm. Yes, this is a mid...
movie romance between the two here. Would you characterize this song as like a seduction of donkey by the lamb character? I think so. I mean, he's into it, uh, but it kind of comes out of nowhere. Like I wasn't really, um, thinking about, uh, donkeys, you know, romantic prospects and likewise, uh, you know, uh, lamb is one of the many, um,
cute animal ladies in the film. But, you know, she's very much been in the background and we're just like, oh, there's lamb lady, you know, much like squirrel lady. You know, she's there, but I didn't know that she was actually going to do anything other than jump around and maybe do a trampoline flip.
Yeah, so I was curious, why is Lamb so into Donkey? The framing implies that Lamb is the most eligible bachelorette in town, but so far Donkey has been portrayed as a pitiable loser, like he is the outcast of the village's criminal gang. And yet Lamb is coming on to him very strong. So I don't know, what makes Donkey attractive to her? Maybe the fact that he reads books? Like, is she into a well-read ass? Yeah.
Perhaps, perhaps. You know, I want to throw in here because I'm looking at the still you have of Lamb Lady and the attention to the curling hair on her lamb ears, on her sheep ears here, is...
top notch. Like, these costumes, they do, you know, they're very much costumes. You're not going to believe that this is not like, you know, werewolf, an American werewolf in London here or anything when it comes to combining the animal and the human form. But on another level, it kind of is because look at these ears. Look at the amount of tension they put into this hair. There is a
This is something. This is a key part of the movie's alchemy, I'm sure. I totally agree. Yeah, the costuming and the makeup effects, they're all so wonderful. Like, you didn't have to do that for this film, but someone's like, no, no, no. These ears need to look 100% authentic. They need to be warm to the touch.
Now, I think somewhere in here is when we get that scene where the wolf is explaining to his goons that he no longer wants to eat the goat children. He wants gold. We've got to get gold. Gold, you fools. It's very out of nowhere, but I like it. I wonder if the
commercialism of the fair, like the whole tickets thing inspires Wolf to switch his switch up like his animal nature, his desire to just eat prey animals and instead become a more civilized kind of villain that wants money. Do you think that does that make sense? I
I guess so. And I mean, it ties into a number we're going to see later where we have this real after after the kidnapping's been carried out. Radha has this bit where she's like, you know, why is why is the world like this? Why do people want to hurt you? Why are they hurting you still? Why are they going to hurt you in the future? And it's got kind of this real, you know, dark, somber number. But, you know, it it.
it makes sense then that you would have the wolf change his predatory approach from something that is purely an animal world activity into something that is, you know, more akin to human crime. Yeah. Yeah. That's interesting. Okay. Just a couple of little texture observations as we go along. There's one scene that is interesting.
Obviously, this came earlier, but it feels straight out of the first Lord of the Rings film where the, you know, the Matei is hiding from the bad guys and they go looking out over the edge of the there's like an outcropping and they're looking out and he's hiding right underneath it.
Yes, yes. And I think this just must be an accident because I think the main framing of that that we're familiar with in the Peter Jackson Lord of the Rings is based on a sequence in the 78 animated Lord of the Rings. But
But we were before that here. This is 76. Yeah. So it's just, I don't know, just great framing. I don't know. There's a sad scene at some point where Radha comes home and she's been like out in a storm in the winter and she can't sing the song to get into the house. You know, she's trying to sing the password song, but her voice is all torn up.
Yeah, she sounds like she's been hitting the bottle a little bit out of grief. And they're like, that's not Mama. Mama's voice is good. I don't know what this thing is out there howling in the darkness, but we're not opening the door.
Yeah, and there's also a very sweet part where I think it's the oldest goat daughter. The child sings a song for, it's like an inversion of the mother's song to the children. She sings a song about mommy. It's extremely sweet. Oh, and then at some point we get the song about modern decline. The children today are not the same. Yes, not the same, not the same. Children today don't even know how to sit on a shovel. They don't say that, but it made me think of that moment in Jack Frost.
Now, there is a part here where Matej has run out into the wilderness and gotten lost. He's like stranded on some kind of rocky spire in the middle of nothing and the snow is falling. And it's like, what's going to happen to him? Well, what happens is we get one of the musical numbers from the Star Wars Holiday Special. It's like when the old Wookiee puts the VR goggles on and he sees Diane Carroll walking
uh singing to him it's that kind of thing or it's no it's those uh acrobats jumping around yes yes very holiday special uh stuff but what we see instead is all these like silver ice skaters who are fairies uh these represent the the presence of the winter fairy and they come and they help mate magically and send him back home yes the time has come for every star to shine on where you are um
the angels, the fairies, the stars. And I was looking this up. We have a lot of ice skating to round out the picture. And I believe this is a combination of the Moscow Circus and the Moscow Ice Ballet, according to the credits. Yeah. So skipping ahead to the final confrontation, so of course the wolf does eventually kidnap the children. We have this big showdown and this
frozen pond where everybody's ice skating. And as we said earlier, uh, Rada outsmarts the wolf in the end and tricks him into falling in into the water through the ice. Uh, and his, his lackeys give up and they're like, okay, here are your kids back. Uh, and in the end of the wolf learns his lesson. That's right. Everybody, everybody comes, comes around, but they really threatened him with cold drowning in the lake. Rod is like, uh, like, we'll just let you drown right here. Wolf, uh,
unless you come around like your cronies just did. And they're like, yeah, we've changed. And he's like, you know, I've looked at deep inside myself and I realize I need to change as well. That's right. And he does.
And we get a kind of seasonal transition as well, don't we? That's right. That's right. There's this idea that it's like we're coming out of winter now. It's becoming spring. So this alone, we alluded to this earlier, like this, I can see why this film would make so much sense as a holiday movie, even if there's nothing directly related to, you know, ideas of a
Christian Christmas and so forth or Santa Claus. Like, no, it's still getting into that deep primal idea of the winter holidays. Like, what is the magic, be it, you know, capital M magic or lowercase magic that is going to help us through to the spring? Yeah. But if the ending is a spring festival, I'm a little disappointed that we did not put the wolf in a wicker man. Yeah. You know, if you had had like the ritual disembowelment of the wolf ritual,
the removal of the children, the insertion of the stones and the throwing of the wolf into the water. Like, I guess that would have this more of a wicker man as ritualistic, uh, vision. And, you know, I can very much envision a sort of, I don't know, midsummer esque, uh, horror movie in which, uh, someone visits this small town, perhaps in, uh, perhaps in Romania, uh,
Where, hey, everyone is dressed as animals and they've made me wear this wolf hat for some reason. And what is this big festival that I've been invited to? And, you know, it's going to have absolutely horrifying results.
Christopher Lee in a big wig with pigtails. Who would Christopher Lee... Would Christopher Lee be Donkey in this? Oh, no. I think Christopher Lee would be the wolf, of course. Oh, okay. So he would get sacrificed. Well, spoilers for The Wicker Man if you haven't seen it. I mean, it's an old movie, but it is great to see it without spoilers if you get a chance. But...
Here they come. At the end of The Wicker Man, you know, the inspector, what he yells at Christopher Lee is he says, you know, this is not going to save your crops. And when it doesn't work next year, they'll put you in this thing. That's right. It's been a long time since I've seen it. I forgot about that twist. Yeah. But it is worth noting that, yeah, a film like this, as wholesome as it is, it's really only two or three degrees removed from full car. So that's one of its charms.
So that is Mama, a.k.a. Rock and Roll Wolf. I did not know how much I needed this in my life, but I love this movie. A film that I feel just inevitably spread the seeds of furry fandom throughout Europe.
To be clear, that's not the appeal for me. I'm not judging. No judgment there. No, no, no. That's not what I'm saying. But I think it has appeal beyond that as well. Yeah. So this is a film that can be enjoyed on multiple levels and is very, very kid-friendly.
All right. Well, we're going to go and close out this episode. This, yeah, I guess this was a holiday episode. We'll go ahead and make it official of Weird House Cinema. Just a reminder, let's see if you enjoy our Weird House Cinema episodes. These occur Friday in the Stuff to Blow Your Mind podcast feed. We're primarily science and culture, but on Fridays, we set most of that aside to really just dig into a weird film. And if you want to see a list of all the movies we've covered so far, go over to Letterboxd.com. You know Letterboxd. And
Uh, our username there is weird house and we have a nice big old episode list of everything we've covered so far. And sometimes there's a peek ahead at what's coming up next. There's currently a peek ahead at what's coming up next. And it is another, uh, technically, uh, technically a holiday film. So, uh, go check that out if you're, if you were interested.
And likewise, if you are on the Instagram, we are on there as STBYM Podcast. That's our main account. That's the one that gets updated frequently. You can follow us there and keep an eye on what's coming up on the core episodes, but also what's happening in Weird House Cinema.
Huge thanks, as always, to our excellent audio producer, JJ Posway. If you would like to get in touch with us with feedback on this episode or any other, to suggest a topic for the future, or just to say hello, you can email us at contact at stufftoblowyourmind.com. Stuff to Blow Your Mind is a production of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app. Apple Podcasts are wherever you listen to your favorite shows.
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Game on! Because ESPN Plus content is now available on Disney Plus for bundle subscribers. You can watch your favorites on Disney Plus, the boldest stories from Hulu, and the greatest in sports from ESPN Plus together like never before. With ESPN Plus, unwrap a full day of NBA action streaming December 25th. Then with Hulu, watch the terrifying sci-fi thriller Alien Romulus, now streaming. And on Disney Plus...
Follow a new adventure across the galaxy in Star Wars: Skeleton Crew, now streaming. Terms apply. Visit DisneyPlus.com for details.
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