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cover of episode Episode 32: A Flood of AI Hell, April 29 2024

Episode 32: A Flood of AI Hell, April 29 2024

2024/5/23
logo of podcast Mystery AI Hype Theater 3000

Mystery AI Hype Theater 3000

Shownotes Transcript

AI Hell froze over this winter and now a flood of meltwater threatens to drown Alex and Emily. Armed with raincoats and a hastily-written sea shanty*, they tour the realms, from spills of synthetic information, to the special corner reserved for ShotSpotter.**Lyrics & video on Peertube).Surveillance:

  • Public kiosks slurp phone data)
  • Workplace surveillance)
  • Surveillance by bathroom mirror)
  • Stalking-as-a-service)
  • Cops tap everyone else's videos)
  • Facial recognition at the doctor's office)

Synthetic information spills:

  • Amazon products called “I cannot fulfill that request”)
  • AI-generated obituaries)
  • X's Grok treats Twitter trends as news)
  • Touch the button. Touch it.)
  • Meta’s chatbot enters private discussions)
  • WHO chatbot makes up medical info)

Toxic wish fulfillment:

  • Fake photos of real memories)

ShotSpotter:

  • ShotSpotter adds surveillance to the over-policed)
  • Chicago ending ShotSpotter contract)
  • But they're listening anyway)

Selling your data:

  • Reddit sells user data)
  • Meta sharing user DMs with Netflix)
  • Scraping Discord)

AI is always people:

  • Amazon Fresh)
  • 3D art)
  • George Carlin impressions)
  • The people behind image selection)

TESCREAL corporate capture:

  • Biden worried about AI because of "Mission: Impossible")
  • Feds appoint AI doomer to run US AI safety institute)
  • Altman & friends will serve on AI safety board)

Accountability:

  • FTC denies facial recognition for age estimation)
  • SEC goes after misleading claims)
  • Uber Eats courier wins payout over ‘racist’ facial recognition app)

You can check out future livestreams at https://twitch.tv/DAIR_Institute).Subscribe to our newsletter via Buttondown).

Follow us!Emily

Alex

Music by Toby Menon.Artwork by Naomi Pleasure-Park). Production by Christie Taylor.