We're sunsetting PodQuest on 2025-07-28. Thank you for your support!
Export Podcast Subscriptions
cover of episode And the Oscar for Original Song goes to...

And the Oscar for Original Song goes to...

2025/2/18
logo of podcast All Songs Considered

All Songs Considered
AI Deep Dive AI Chapters Transcript
People
H
Hazel
R
Robin
Topics
Hazel: 我非常羡慕你能够为了尽可能多地观看电影而精心安排你的成年生活。我一直都对电影充满热情，并且尽可能地观看各种电影。电影对我来说就像是我的世界，我非常享受沉浸在电影的世界里。 Robin: 我过去常常每周都去电影院观看一两部电影，但我现在非常怀念那段时光，因为现在有很多事情占据了我的夜晚和周末。虽然我现在也会在家里观看电影，但通常需要好几个晚上才能看完一部电影，因为我一次只能观看30到45分钟，然后就会被其他事情打断。我一直以来最喜欢电影的方面就是音乐，包括原创配乐和歌曲，它们能够为电影增添更多的情感和氛围。

Deep Dive

Chapters
This chapter reviews the nominees for Best Original Score, including analyses of "The Brutalist," "The Wild Robot," "Amelia Perez," "Conclave," and "Wicked." The discussion covers the composers' styles, the scores' strengths and weaknesses, and predictions for the winner.
  • Daniel Bloomberg's score for "The Brutalist" is praised for its epic and gothic sound.
  • Chris Bowers' score for "The Wild Robot" is considered a bit too safe.
  • Clement Ducal and Camille's score for "Amelia Perez" is deemed incoherent and tonally bizarre.
  • Volker Bertelmann's score for "Conclave" is lauded for its effectiveness in building tension.
  • John Powell and Stephen Schwartz's score for "Wicked" is seen as serviceable but secondary to the film's existing songs.

Shownotes Transcript

With Oscar season here, we review the nominees for Original Song and Original Score, prognosticate who will win the statues on March 2, and look at the Academy's biggest snubs.Enjoy the show? Share it with a friend and leave us a review on Apple) or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: [email protected] )Hear the songs in the All Songs Considered playlists in Apple Music) and Spotify).Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)