Released in 1991, 'Thelma & Louise' is hailed as a feminist classic because it centers on two women navigating a patriarchal society, ultimately choosing freedom over submission. Its exploration of female autonomy, resistance to male oppression, and the portrayal of women's solidarity resonated deeply with audiences, especially women, while challenging traditional gender roles in cinema.
Thelma and Louise's journey begins as a weekend getaway but takes a dramatic turn when Louise shoots and kills a man attempting to rape Thelma in a parking lot. Fearing they won't be believed due to societal biases against women, they flee, setting off a chain of events that leads to their ultimate decision to drive off a cliff rather than face capture.
Thelma starts as a naive, dependent housewife, but throughout the film, she transforms into a confident, assertive woman. Her evolution is marked by her decision to rob a convenience store and her ability to take charge in dangerous situations, culminating in her final act of choosing freedom over surrender, showcasing her complete awakening and independence.
The ending, where Thelma and Louise drive off a cliff rather than surrender to the police, symbolizes their ultimate rejection of a society that oppresses them. It's a powerful statement of their choice to die free rather than live under the constraints of a patriarchal system, leaving a lasting impact on audiences and feminist discourse.
The film does not promote violence or crime; rather, it portrays the protagonists' actions as responses to systemic oppression and violence against women. The use of violence by Thelma and Louise is depicted as a last resort in a society that fails to protect or believe them, highlighting the lack of alternatives available to women in similar situations.
Male characters in the film range from overtly antagonistic, like the would-be rapist and the lecherous truck driver, to more complex figures like Jimmy, Louise's boyfriend, who exhibits possessive tendencies. The film critiques male behavior and societal norms that perpetuate women's oppression, though it also includes a sympathetic male detective who attempts to help the protagonists.
全新系列节目登场:了不起的双女主!在这个系列中我们将关注影视中的双女主,她们可以是朋友、恋人、家人、同僚、甚至仇人,而我们通过她们的故事和形象,探索多种多样的人性联结的可能性。
「了不起的双女主」第一弹,我们不约而同想到的名字就是《末路狂花》(又名《塞尔玛和路易斯(Thelma & Louise)》)。这部1991年上映的公路犯罪片绝对是女权影史上绕不开的佳作,讲述了两个因自卫杀人而踏上逃亡之路的女人,是如何在逼仄的父权体制中周旋、出走,一步步驶向「疯狂」、驶向自由。
本期我们走进塞尔玛与路易斯的人物世界,看看为什么一个悲剧收场的电影却能激励着一代又一代的女性(剧透预警!):
两个截然不同的女主是如何擦出火花的?
在逃亡途中她们经历了怎样的转变?
如何看待电影悲怆而振奋人心的结局?
这部电影是在宣扬以暴制暴并鼓吹犯罪吗?
电影中的男性角色是扁平化的恶人吗?
《末路狂花》让我们看到了女人的「疯狂」、女人的「冷酷」,以及女人之间一个眼神就能懂的温柔。不自由,毋宁死——塞尔玛和路易斯在三十年前用尽全力给我们刻下的印记,会继续传递下去吗?接下来的漫漫长路又该怎么走呢?
【时间线】
[01:40] 开场白:新系列介绍
[04:09] 横空出世、开创先河、石破天惊的双女主
[09:23] 急转直下!极致P人与极致J人的公路假日
[16:34] 打响逃亡之旅的第一枪背后的原因与暗示
[23:38] 率性的塞尔玛为什么像没有青春期的孩子?
[30:23] 被侵犯的女人的欲望与被剥削的女人的凝视
[36:07] 冷静自持的路易斯与不为爱情动摇的自我
[44:00] 有趣的剧组花絮与落到实处的脱美役实践
[48:57] 塞尔玛的彻底觉醒,路易斯的隔代相望
[57:37] 腾空的绿色雷鸟定格在永恒的那一刻——
[01:05:34] 女人拿起枪自卫就是鼓吹暴力犯罪吗?
[01:11:26] 从卡车司机看取材自现实的男性形象
[01:16:33] 为什么好探员不是一个可信的角色?
[01:21:44] 三十年过去了,然后呢?
[01:31:27] 结束语
【本期音乐】
Hans Zimmer - Main Title
Hans Zimmer - Thelma & Louise / End Credits
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