Zeng Meihuizi described her first scene in 'Blossoms' as feeling like a grand fireworks display. The scene was shot at night on Huanghe Road, with the area brightly lit and the set glowing. She felt a mix of excitement and awe, especially when a tall, sunglasses-wearing person turned around and acknowledged her presence, making her feel that her vision had come to life.
Zeng Meihuizi sees acting as a trinity of being the creative material, the creative process, and the creative result. She compares it to conducting an experiment, where actors prepare themselves for their roles, adapt to the environment on set, and follow the director's instructions while engaging in improvisational interactions with other actors.
Zeng Meihuizi advises against entering any room weakly. She emphasizes the importance of self-belief and confidence during auditions, suggesting that actors should express themselves boldly and trust in their abilities, as well as in the people present during the audition.
Zeng Meihuizi draws inspiration from her mother, who has a strong interest in physics and a rational approach to life. She admires her mother's resilience and vitality, which she attributes to her Shandong heritage, and believes that her initial understanding of the world and love was shaped by her mother.
Zeng Meihuizi describes the transition between the set and real life as a blurry line where actors can sometimes confuse reality with the dream-like state of being in character. She finds this aspect of acting both fascinating and enchanting, as it allows actors to sculpt time across different spaces and scenarios.
2024年走到尾声。新旧交替之时,我们渴望停下脚步,打捞过往的故事和声音,于喧嚣中倾听和回望,带着沉淀后的眼睛面朝未来。
今日头条、澎湃新闻联合出品《当我们讨论2024时》年度演讲,演讲者有奥运冠军张雨霏、金像奖影后曾美慧孜、复旦教授梁永安、影评家毛尖、作家陈年喜、经济学家姚洋,与三百位观众一同进行一场精神的求索。正片视频请在今日头条、澎湃新闻app上线。
我们将在《涟漪效应》陆续刊发讲者音频实录,听听时间给他们答案。