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cover of episode 周一早上好 | 改变马格南摄影师一生的照片 01/53

周一早上好 | 改变马格南摄影师一生的照片 01/53

2025/1/12
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Patrick Zachmann
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Patrick Zachmann: 我在1984年受委托为马赛的辍学儿童进行摄影教学。这些孩子大多是移民后裔,面临家庭和社会困境,许多人卷入毒品和帮派问题。我为他们提供小型相机,鼓励他们用摄影表达自我。这项持续六个月的经历让我深入了解这些封闭甚至危险的社区。我意识到,只要被拍摄者把我视为老师而非仅仅路过的记者,我就能获得他们的信任,进入他们的生活。这段经历改变了我对摄影的理解,让我从单纯的‘索取’转变为‘给予’。我开始把摄影视为个人的视觉日记,用以填补记忆的空白,并积极回访我拍摄过的社区,与他们建立深厚的情感联系。我的摄影风格并非一成不变,我更注重表达意图而非风格的一致性。 老潘: 帕特里克·扎克曼是一位真诚的摄影师,他把摄影视为个人的视觉日记,用以填补记忆的空白。他对拍摄的每个社区都充满了感情,并积极地与社区居民互动。他的摄影风格不受限,他更注重表达意图而非风格的一致性。他强调摄影创作中技术的重要性,并结合罗兰·巴特的理论进行教学。在与帕特里克·扎克曼的接触中,我感受到他真诚的态度和对影像创作的执着。他鼓励学生们通过自己的方式去寻找摄影的意义,并不断尝试和调整自己的创作风格。 Robin: 我选择帕特里克·扎克曼的照片作为系列的第一张,是因为他对我影响最大。他强调要警惕风格,不要重复自己,并身体力行地践行这个理念。他的作品风格在三十年中不断变化,这让我受益匪浅。他不仅是一位伟大的摄影师,更是一位真诚的人,他积极回访社区,与拍摄对象建立深厚的情感联系。

Deep Dive

Key Insights

What was the significance of Patrick Zachmann's 1984 project in Marseille for his photography career?

The 1984 project in Marseille, where Patrick Zachmann taught photography to dropout children from immigrant backgrounds, marked a turning point in his career. It shifted his approach from merely taking photos to giving back to the community. By acting as a teacher rather than a transient photographer, he gained access to closed and sometimes dangerous communities, fundamentally changing his perspective on photography as both a medium of expression and a tool for connection.

Why did Patrick Zachmann emphasize the importance of not being confined by a single photographic style?

Patrick Zachmann believed that being confined by a single style limits a photographer's ability to adapt and express diverse narratives. He practiced this by constantly evolving his techniques and approaches across different projects, such as his work in Naples and Marseille. This philosophy allowed him to explore various communities and stories without being restricted by a fixed visual identity, making his work more dynamic and responsive to the subjects he photographed.

How did Patrick Zachmann's approach to photography influence his students and peers?

Patrick Zachmann's approach to photography, which emphasized community engagement and the avoidance of a fixed style, deeply influenced his students and peers. He encouraged them to use photography as a medium for personal expression and to engage deeply with their subjects. His method of revisiting communities and maintaining long-term relationships with them also inspired others to consider the ethical dimensions of photography and the importance of giving back to the communities they document.

What role does technology play in Patrick Zachmann's photography according to his teachings?

Patrick Zachmann stressed the importance of technical skills in photography, a somewhat rare emphasis among contemporary photographers who often focus more on conceptual aspects. He believed that mastering technical elements like composition and exposure is crucial for effectively communicating through images. This approach ensures that the technical quality of the photograph supports its narrative, making the story more compelling and accessible to the viewer.

What is the concept of 'personal diary' in Patrick Zachmann's photography?

Patrick Zachmann views his photography as a 'personal diary,' a visual record that fills gaps in his memory and captures his interactions with various communities. This concept reflects his deep engagement with the subjects he photographs, treating each project as a chapter in his life that documents not just the external realities but also his personal experiences and emotional responses to the environments and people he encounters.

Chapters
This chapter delves into Patrick Zachmann's life-changing photograph, selected from a series of Magnum Photos. The discussion covers the context of the photo, a project involving Marseille's underprivileged youth, and how this experience transformed Zachmann's approach to photography.
  • Patrick Zachmann's photograph chosen for its pivotal role in his career.
  • The project involved teaching photography to at-risk youth in Marseille.
  • Zachmann's shift from 'taking' to 'giving' in his photographic practice.

Shownotes Transcript

***本期「小方片」来自 -- Patrick Zachmann ******(帕特里克·扎克曼)***)

1984年,我29岁时,我收到一个委托任务 — 我需要为马赛当地一些辍学儿童提供摄影教育。这些孩子几乎都是移民背景的青少年,正在遭受着家庭或社会困难,很多人都涉及毒品和帮派问题。按照委派任务,我需要为他们提供一些小型的袖珍相机,并向他们介绍摄影,这倒不是为了他们成为摄影师,而是为了让他们能够将摄影作为一种媒介来表达自己。

“这段令人着迷的经历持续了约六个月,在这段时间中,我选择让他们专注于探索自己的身份、他们所处的街区、他们的家庭以及朋友。而在他们拍照的过程中,我决定也跟随他们每一个人,记录他们的日常生活,并拍摄我自己的摄影作品。多亏了这项文化性的任务,我发现,只要让被拍摄者明白我并不是一个只是路过、拍几张照片就走的记者,而是一个“老师”,我就能够进入那些非常封闭、有时甚至危险的社区。这一切改变了我!在摄影中,我不只再是‘索取’什么,我也在给予一些东西。”

-- 翻译:Pan

- 主播 Roban 的收藏展现场(2017年)

@Photo Reason 2025