His mother, Magdalene Herbert, was a strong spiritual guide who taught him how to write and use language effectively. She also ran a socially active household that exposed him to influential figures like John Donne and William Byrd. Her devotion to the family's spiritual and educational upbringing was unparalleled.
Latin was the international language of the time, essential for advanced knowledge in science, philosophy, theology, and other fields. It was also the language of education and the medium of instruction in schools and universities. Herbert's use of Latin allowed him to engage with a broader, international literary culture.
Music was deeply integrated into Herbert's life, influenced by his mother's emphasis on musical education and family worship. He associated music with divine harmony and saw it as a way to connect with God's order. His poetry often reflects this, blending the theoretical and practical aspects of music.
Herbert's poetry reflects the tensions within the Church of the early 17th century, balancing radical Protestantism with the beauty of liturgical worship. His work sits between these extremes, exploring both the simplicity of heartfelt devotion and the elaborate beauty of religious music and ceremony.
'The Temple' is a collection of English devotional poems published posthumously in 1633. It is structured as a three-part exploration of the church, with sections representing the church porch, the church interior, and the church militant. The collection contains over 160 short lyrics, widely regarded as some of the greatest devotional poetry in English.
'Love' is celebrated for its complex stanza form and layered meaning. It depicts a dialogue between the speaker and God, represented as love, and explores themes of guilt, redemption, and the Eucharist. The poem's simplicity and depth have made it one of Herbert's most beloved works.
Herbert's chronic illness, likely tuberculosis, influenced his poetry, which often reflects frustration and affliction. His physical struggles seemed to mirror his spiritual conflicts, as he grappled with his limitations and sought to fulfill his calling as a priest.
Herbert's poems, like a modern book of psalms, offer a range of emotions and experiences, from joy to despair. This variety resonates with readers and believers, providing comfort and reflection on the complexities of faith and life.
Herbert's relationship with God was deeply personal and reciprocal, often depicted as a monarchical yet intimate bond. His poetry imagines a dialogue with God, where divine intervention mends his rhymes and reasserts order, reflecting a complex and dynamic spiritual journey.
Herbert's Latin poetry included more public-facing works, such as panegyrics, polemics, and scriptural reflections, often engaging with contemporary debates and figures. In contrast, his English poetry, particularly 'The Temple,' focused on personal devotional themes and spiritual conflicts.
Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world’. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns.
With
Helen Wilcox Professor Emerita of English Literature at Bangor University
Victoria Moul Formerly Professor of Early Modern Latin and English at UCL
And
Simon Jackson Director of Music and Director of Studies in English at Peterhouse, University of Cambridge
Producer: Simon Tillotson
Reading list:
Amy Charles, A Life of George Herbert (Cornell University Press, 1977)
Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993)
John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)
George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)
George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)
Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)
Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)
Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)
Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)
Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)
Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)
James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)
Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021)
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