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cover of episode Italo Calvino

Italo Calvino

2024/12/19
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In Our Time

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B
Beatrice Sica
G
Guido Bonsaver
J
Jennifer Burns
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Melvyn Bragg: 本节目讨论了意大利作家伊塔洛·卡尔维诺,他以其富有创造力的故事和对写作的热情而闻名,其作品在意大利和世界各地广受欢迎。他的作品融合了奇幻和现实元素,并对后世作家产生了深远的影响。 Guido Bonsaver: 卡尔维诺的父母都是科学家,这影响了他的早期生活和教育,他最初甚至选择了农业科学作为大学专业。二战改变了他的人生轨迹,他加入了游击队,成为了一名共产主义知识分子。他的早期作品《蜘蛛巢的路径》反映了这段经历,并打破了传统的现实主义描写。 Jennifer Burns: 卡尔维诺对强烈的意识形态承诺持怀疑态度,更倾向于无政府主义而非共产主义。他的作品中体现了他对社会进步的承诺,但同时也反映了他对意识形态的怀疑。他早期尝试现实主义写作,但最终转向了奇幻和寓言,认为这更能表达社会和政治现实。 Beatrice Sica: 卡尔维诺的写作风格在不断变化,从早期的现实主义到后来的奇幻和实验性写作,他不断尝试和创新。他编辑了意大利第一部童话故事集,并认为童话故事为叙事提供了宝贵的模型。他的《看不见的城市》采用框架叙事结构,探讨了城市与人类社会的关系。他的作品中也体现了他对语言的精益求精,以及对现实世界复杂性的深刻理解。他作品中女性角色的刻画存在不足,这可能是由于他个人视角和当时社会环境的局限性。

Deep Dive

Key Insights

Why did Italo Calvino turn away from realism in his writing?

Calvino turned away from realism because he found it difficult to capture the complexity of reality through linear narratives. His experiences as a partisan during World War II and the disillusionment with strong ideological commitments led him to explore fantastical and metafictional dimensions. He believed that fantasy and metaphor could better convey social and political realities.

Why did Calvino's first novel, The Path to the Spider's Nest, disrupt realism?

The Path to the Spider's Nest disrupts realism by focalizing the narrative through the eyes of a young adolescent boy named Pin. This perspective introduces a fable-like quality and elements of adventure, providing a unique take on the resistance novel. Despite its fantastical elements, it is considered an early example of Italian neorealism, engaging closely with the post-war experience.

Why did Calvino collect and write fables and fairy tales?

Calvino collected and wrote fables and fairy tales because he was influenced by their narrative models, which he found to be succinct and rich in values. He saw them as a way to reduce narratives to their essential elements while enriching them with diverse themes. This approach helped him develop his own voice and move beyond traditional genres.

Why is Invisible Cities considered a significant work by Calvino?

Invisible Cities is significant because it uses a frame narrative to describe 55 cities, each with a unique theme. The cities are described by Marco Polo to Kublai Khan, and the structure allows readers to explore the cities transversely. The work reflects on the nature of cities and human society, and it showcases Calvino's ability to blend fantasy with philosophical inquiry.

Why did Calvino move to Paris in the 1960s?

Calvino moved to Paris in the 1960s to escape the provincial intellectual debates in Italy and to engage with the avant-garde of European culture. Paris was a hub of revolutionary and innovative approaches to literature and other arts, and Calvino became friends with key intellectuals like Roland Barthes, which influenced his writing and experimental style.

Why did Calvino struggle with depicting fully formed female characters?

Calvino struggled with depicting fully formed female characters because he felt that writing from a female perspective would not be genuine. He believed that his fiction should come from his own self and that he could not authentically enter the self of another gender. This limitation is evident in works like If on a Winter's Night a Traveller, where female characters lack the agency and independence of male characters.

Why are Calvino's works still relevant today?

Calvino's works are still relevant today because they are experimental and philosophical, addressing the complexity and multiplicity of reality. His precision in language and his ability to blend fantasy with social and political commentary make his writing enduring. Additionally, his interest in the natural world and the environment resonates with contemporary concerns. His humor and the timeless nature of his themes ensure his appeal across generations and cultures.

Chapters
This chapter explores Calvino's early life, influenced by his scientist parents, and his pivotal experiences as a partisan fighter during World War II. It highlights his initial pursuit of science and his later commitment to literature as a means of social engagement, reflecting the shift from fascism to neorealism in post-war Italy.
  • Born in Cuba to botanist parents
  • Initially studied agricultural science
  • Became a partisan fighter in WWII
  • Early novel, "The Path to the Spider's Nest", reflects war experiences
  • Shift from fascist to neorealist literature post-war

Shownotes Transcript

Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.

With

Guido Bonsaver Professor of Italian Cultural History at the University of Oxford

Jennifer Burns Professor of Italian Studies at the University of Warwick

And

Beatrice Sica Associate Professor in Italian Studies at UCL

Producer: Simon Tillotson

Reading list:

Elio Baldi, The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)

Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino’s Invisible Cities Around the World (Routledge, 2024)

Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters’

James Butler, ‘Infinite Artichoke’ (London Review of Books, vol. 45, no. 12, 15 June 2023)

Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders’ Nests (first published 1947; Penguin Classics, 2009)

Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)

Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023)

Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)

Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)

Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)

Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016)

Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014)

Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)

Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)

Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)

In Our Time is a BBC Studios Audio Production