Calvino turned away from realism because he found it difficult to capture the complexity of reality through linear narratives. His experiences as a partisan during World War II and the disillusionment with strong ideological commitments led him to explore fantastical and metafictional dimensions. He believed that fantasy and metaphor could better convey social and political realities.
The Path to the Spider's Nest disrupts realism by focalizing the narrative through the eyes of a young adolescent boy named Pin. This perspective introduces a fable-like quality and elements of adventure, providing a unique take on the resistance novel. Despite its fantastical elements, it is considered an early example of Italian neorealism, engaging closely with the post-war experience.
Calvino collected and wrote fables and fairy tales because he was influenced by their narrative models, which he found to be succinct and rich in values. He saw them as a way to reduce narratives to their essential elements while enriching them with diverse themes. This approach helped him develop his own voice and move beyond traditional genres.
Invisible Cities is significant because it uses a frame narrative to describe 55 cities, each with a unique theme. The cities are described by Marco Polo to Kublai Khan, and the structure allows readers to explore the cities transversely. The work reflects on the nature of cities and human society, and it showcases Calvino's ability to blend fantasy with philosophical inquiry.
Calvino moved to Paris in the 1960s to escape the provincial intellectual debates in Italy and to engage with the avant-garde of European culture. Paris was a hub of revolutionary and innovative approaches to literature and other arts, and Calvino became friends with key intellectuals like Roland Barthes, which influenced his writing and experimental style.
Calvino struggled with depicting fully formed female characters because he felt that writing from a female perspective would not be genuine. He believed that his fiction should come from his own self and that he could not authentically enter the self of another gender. This limitation is evident in works like If on a Winter's Night a Traveller, where female characters lack the agency and independence of male characters.
Calvino's works are still relevant today because they are experimental and philosophical, addressing the complexity and multiplicity of reality. His precision in language and his ability to blend fantasy with social and political commentary make his writing enduring. Additionally, his interest in the natural world and the environment resonates with contemporary concerns. His humor and the timeless nature of his themes ensure his appeal across generations and cultures.
Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.
With
Guido Bonsaver Professor of Italian Cultural History at the University of Oxford
Jennifer Burns Professor of Italian Studies at the University of Warwick
And
Beatrice Sica Associate Professor in Italian Studies at UCL
Producer: Simon Tillotson
Reading list:
Elio Baldi, The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)
Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino’s Invisible Cities Around the World (Routledge, 2024)
Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters’
James Butler, ‘Infinite Artichoke’ (London Review of Books, vol. 45, no. 12, 15 June 2023)
Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders’ Nests (first published 1947; Penguin Classics, 2009)
Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)
Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023)
Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)
Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)
Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)
Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016)
Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014)
Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)
Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)
Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)
In Our Time is a BBC Studios Audio Production