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cover of episode 			"‘Alcarràs’ Review: A Farming Family Faces Change in a Beautifully Observed, Richly Inhabited Ensemble Drama Catalan writer-director Carla Simón confirms the promise of her debut 'Summer 1993' in t

"‘Alcarràs’ Review: A Farming Family Faces Change in a Beautifully Observed, Richly Inhabited Ensemble Drama Catalan writer-director Carla Simón confirms the promise of her debut 'Summer 1993' in t

2022/11/14
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		"‘Alcarràs’ Review: A Farming Family Faces Change in a Beautifully Observed, Richly Inhabited Ensemble Drama

Catalan writer-director Carla Simón confirms the promise of her debut 'Summer 1993' in this poignant, rippling study of an extended family being forced off their farm.

You can practically sme" "--START AD- #TheMummichogblogOfMalta Amazon Top and Flash Deals(Affiliate Link - You will support our translations if you purchase through the following link) - https://amzn.to/3CqsdJH Compare all the top travel sites in just one search to find the best hotel deals at HotelsCombined - awarded world's best hotel price comparison site. (Affiliate Link - You will support our translations if you purchase through the following link) - https://www.hotelscombined.com/?a_aid=20558 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets."" #Jesus #Catholic. END AD---" "ll the midsummer fatigue that wafts through “Alcarràs” on the faintest and most occasional of breezes: a mixture of sweat, baked earth and ripe, plump peaches, inviting in the moment but suggestive of future spoiling. All simple seasonal pleasures are on borrowed time in Carla Simón’s lovely, bittersweet agricultural drama, and not just because winter is inevitably coming. For the large, garrulous Solé clan, who have spent every summer of their lives picking fruit from their familial orchard, this looks to be the last in that tradition, as they face imminent eviction from their patch of land in Catalonia. Yet as they squabble over their uncertain future — and plenty else besides — the sun shines and peaches droop voluptuously from endangered branches. There’s nothing for it but to complete the final harvest.

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Hot Marrakech Project ‘Pigeon Wars’ Lands International Producers, Readies Atlas Workshop Pitch (EXCLUSIVE) In her second feature, Catalan writer-director Carla Simón returns to the rural region that served as the backdrop to her remarkable, autobiographical debut “Summer 1993,” and the film once more benefits from her warm affinity for this alternately parched and verdant landscape. That “Alcarràs” has been granted a Competition slot at this year’s Berlinale — four years after “Summer 1993” bowed at the same festival in the far lower-profile Generation sidebar — is indicative of the global impression made by Simón’s unassuming but utterly winning debut.

Her follow-up shares and builds on many of that film’s virtues, from her subtly textured, fully inhabited evocation of place to her sure hand with non-professional actors, who this time make up the entire ensemble. A more drifting sense of narrative drive than the already mellow “Summer 1993” might make “Alcarràs” a slightly harder arthouse sell, but it confirms the strength and consistency of Simón’s directorial voice.

If “Alcarràs” isn’t as much of a memoir, it’s still rooted in Simón’s personal history, with the title referring to the small village where her family has maintained a peach farm across multiple generations. But from that native location, her latest spirals into fiction, contemplating the worst case scenario for most traditional independent farmers being crowded out by industrial development. The film balances a bristling political conscience against its tenderly observed domestic drama.

As the opening scene observes young children playing games of make-believe in the rusted shell of a vintage car — incongruous against sprawling farmland — Simón briefly wrongfoots us into thinking she has again assumed the child’s-eye perspective of her debut. As turns out, “Alcarràs” deftly hopscotches between points of view in the close but conflict-inclined Solé family. None of those is purer or more upbeat than that of six-year-old Iris (Ainet Jounou), who still sees the the farmstead, with its climbing roses and gnarled grapevines and long, inviting groves of feather-leaved peach tree