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cover of episode THE RED ROOM: Terror Is Not In The Darkness – It Is The Darkness! A Classic Horror by H.G. Wells!

THE RED ROOM: Terror Is Not In The Darkness – It Is The Darkness! A Classic Horror by H.G. Wells!

2025/7/4
logo of podcast Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

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Man with the shade
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Man with the withered arm
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Darren Marlar: 我最初不相信鬼魂,并自信地进入了红房间,决心证明闹鬼的说法是错误的。我认为理性的思考和科学的视角可以驱散任何迷信的恐惧。然而,随着时间的推移,房间里的灯光逐渐熄灭,我开始感受到一种无法解释的恐惧,这种恐惧并非来自任何具体的鬼魂,而是来自黑暗本身。 我试图通过点燃更多的蜡烛来驱散黑暗,但黑暗似乎有自己的意志,不断地吞噬光明。我开始感到恐慌,意识到真正的恐怖并非来自超自然的存在,而是来自内心深处的恐惧。这种恐惧是如此强大,以至于最终我失去了理智,在黑暗中迷失了方向,最终昏倒。 醒来后,我终于明白,红房间的真正恐怖并非鬼魂,而是潜藏在黑暗中的恐惧。这种恐惧可以吞噬人的理智,让人陷入绝望。我承认,这个房间确实闹鬼,但闹鬼的不是鬼魂,而是恐惧本身。 Man with the withered arm: 我多次警告主角,进入红房间是他自己的选择,暗示了房间的危险。我的话语中充满了暗示,似乎对房间的恐怖心知肚明,但并没有直接说明。我只是不断重复“这是你自己的选择”,让主角自己承担选择的后果。 当主角最终承认房间闹鬼时,我并没有感到惊讶,而是像一个失去朋友的人一样悲伤。这表明我并非恶意,而是出于对主角的关心。我似乎对房间的恐怖有着深刻的理解,并对主角的遭遇感到同情。 Old woman: 我也多次暗示了红房间的危险,尤其强调“今晚,所有夜晚中的这一夜”。我的话语充满了神秘感,似乎预示着今晚会发生特别可怕的事情。我与Man with the withered arm一起,试图增强房间的恐怖气氛,让主角对即将到来的夜晚感到不安。 当主角最终得出结论,房间里闹鬼的不是鬼魂,而是恐惧时,我似乎并不认同。我认为房间里闹鬼的是被吓坏的伯爵夫人,这表明我对超自然现象的理解与主角不同。 Man with the shade: 我也对主角进入红房间表示怀疑,并多次用奇怪的眼神打量他。我的存在本身就给人一种不祥的感觉,似乎预示着即将发生的可怕事件。我认为红房间里潜藏着一种黑暗的力量,这种力量诅咒了一个女人,并永远存在于房间里。 我强调了恐惧在房间里的存在,以及它如何影响人们的行为。我认为这种恐惧是黑色的,会一直存在,只要这座罪恶的房子存在。我的观点与主角的观点相似,都认为红房间的真正恐怖并非鬼魂,而是潜藏在黑暗中的恐惧。

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A skeptical man accepts a challenge to spend a night in Lorraine Castle's haunted Red Room. Despite warnings from three eerie old caretakers, he enters the room, leaving the door open until his candle is lit.
  • A skeptic challenges a haunted room.
  • Three caretakers warn him.
  • He enters the room confidently.

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Translations:
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Hold the kaleidoscope to your eye. Peer inside. One twist changes everything. A woman awakens in a grotesque, human-sized arcade game. A mysterious cigar box purchased at a farmer's market releases an ancient jinn who demands a replacement prisoner. An elderly woman possesses the terrifying power to inflict pain through handmade dolls.

An exclusive restaurant's sinister secret menu includes murder-for-hire and harvested organs. With each turn through these 20 tales, Reddit NoSleep favorite AP Royal reshapes reality, creating dazzling patterns of horror that entrance as they terrify.

The Kaleidoscope, 20 Terrifying Tales of Horror and the Supernatural by A.P. Royal, narrated by Darren Marlar. Hear a free sample on the audiobooks page at WeirdDarkness.com.

Do you like my horror-able humor episodes called Mind of Marlar? If so, and you'd like more, it now has its very own podcast. Comedic creeps, sarcastic scares, frivolous frights, macabre madness. Every week I dive into strange history, twisted true crime, and paranormal weirdness. All the stuff you'd expect from me on Weird Darkness, but delivered with dark comedy, satire, and just the right amount of absurdity.

Monsters, myths, mysteries, mirth, and more every Monday with Mind of Marler. I like alliteration, can you tell? You can find a list of where you can subscribe to the podcast at WeirdDarkness.com under the menu tab for podcasts.

Now there's a new way to share weird darkness with the weirdos in your life. It's a skill on your Amazon Echo device. Just say, play Weird Darkness, and you'll immediately start hearing the newest episode. With your Amazon Echo or smart device, you can let me keep you company all day and all night. And it's easy to tell your friends how to tune in, too. Just tell your Amazon device, play Weird Darkness, to start listening.

Welcome, Weirdos! I'm Darren Marlar and this is Weird Darkness. Here you'll find stories of the paranormal, supernatural, legends, lore, the strange and bizarre, crime, conspiracy, mysterious, macabre, unsolved and unexplained.

Coming up in this episode, it's Thriller Thursday and this time I'm bringing you a tale from H.G. Wells, a haunted house story entitled "The Red Room." It's a great short story of a man who does not believe in ghosts, planning to stay in a purportedly haunted room overnight in Lorraine Castle. After being warned by three people before entering, he confidently makes his way to the room and becomes increasingly unnerved as the night progresses.

"Now bolt your doors, lock your windows, turn off your lights, and come with me into the weird darkness." "I can assure you," said I, "that it will take a very tangible ghost to frighten me." I stood up before the fire with my glass in my hand. "It's your own choosing," said the man with the withered arm and glanced at me askance.

"Eight and twenty years," I said, "I have lived, and never a ghost have I seen as yet." The old woman sat staring hard into the fire, her pale eyes wide open. "Aye," she broke in, "and eight and twenty years you've lived and never seen the likes of this house, I reckon. There's a many things to see when one's still but eight and twenty."

She swayed her head slowly from side to side. "Many things to see and sorrow for." I half suspected the old people were trying to enhance the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself abbreviated and broadened to an impossible sturdiness in the queer old mirror at the end of the room.

"Well," I said, "if I see anything tonight I shall be so much the wiser, for I come to the business with an open mind." "It's your choosing," said the man with the withered arm once more. I heard the sound of a stick and a shambling step on the flags in the passage outside.

And the door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by a single crutch, his eyes were covered by a shade and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an armchair on the opposite side of the table, sat down clumsily and began to cough.

The man with the withered arm gave this newcomer a short glance of positive dislike. The old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire. "I said it's your own choosing," said the man with the withered arm when the coughing had ceased for a while. "It's my own choosing," I answered. The man with the shade became aware of my presence for the first time and threw his head back for a moment and sideways to see me.

I caught a momentary glimpse of his eyes, small and bright and inflamed. Then he began to cough and splutter again. "Why don't you drink?" said the man with the withered arm, pushing the beer towards him. The man with the shade poured out a glassful with a shaky hand that splashed half as much again on the deal table. A monstrous shadow of him crouched upon the wall and mocked his action as he poured and drank. I must confess I had scarce expected these grotesque custodians.

There is to my mind something inhuman in senility, something crouching and atavistic. The human qualities seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another. "If," said I, "you will show me to this haunted room of yours, I will make myself comfortable there."

The old man with the cough jerked his head back so suddenly that it startled me, and shot another glance of his red eyes at me from under the shade, but no one answered me. I waited a minute, glancing from one to the other. "If," I said a little louder, "if you will show me to this haunted room of yours, I will relieve you from the task of entertaining me."

"There's a candle on the slab outside the door," said the man with the withered arm, looking at my feet as he addressed me. "But if you go to the Red Room tonight—" "This night of all nights," said the old woman. "You go alone." "Very well," I answered. "And which way do I go?"

"You go along the passage for a bit," said he, "until you come to a door, and through that is a spiral staircase, and halfway up that is a landing and another door covered with bays. Go through that and down the long corridor to the end, and the red room is on your left up the steps." "Have I got that right?" I said, and repeated his directions. He corrected me in one particular.

"And are you really going?" said the man with the shade, looking at me again for the third time with that queer, unnatural tilting of the face. "This night of all nights," said the old woman. "It is what I came for," I said, and moved towards the door. As I did so, the old man with the shade rose and staggered round the table so as to be closer to the others and to the fire.

At the door I turned and looked at them and saw they were all close together, dark against the firelight, staring at me over their shoulders with an intent expression on their ancient faces. "Good night," I said, setting the door open. "It's your own choosing," said the man with the withered arm. I left the door wide open until the candle was well alight, and then I shut them in and walked down the chilly, echoing passage.

I must confess that the oddness of these three old pensioners in whose charge Her Ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper's room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase.

They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain, an age when omens and witches were credible and ghosts beyond denying. Their very existence was spectral: the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly, the thoughts of vanished men which still haunted rather than participated in the world of today.

But with an effort I sent such thoughts to the right about. The long, drafty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver. The echoes rang up and down the spiral staircase, and a shadow came sweeping up after me, and one fled before me into the darkness overhead. I came to the landing and stopped there for a moment. Listening to a rustling that I fancied I heard,

Then, satisfied of the absolute silence, I pushed open the baize-covered door and stood in the corridor. The effect was scarcely what I expected, for the moonlight coming in by the great window on the grand staircase picked out everything in vivid black shadow or silvery illumination. Everything was in its place. The house might have been deserted on the yesterday instead of eighteen months ago.

There were candles in the sockets of the sconces, and whatever dust had gathered on the carpets or upon the polished flooring was distributed so evenly as to be invisible in the moonlight. I was about to advance and stopped abruptly. A bronze group stood upon the landing hidden from me by the corner of the wall, but its shadow fell with marvelous distinctness upon the white paneling and gave me the impression of someone crouching to waylay me. I stood rigid for half a minute, perhaps.

Then, with my hand in the pocket that held my revolver, I advanced, only to discover a Gainmead and Eagle glistening in the moonlight. That incident for a time restored my nerve, and a porcelain Chinaman on a bull table whose head rocked silently as I passed him scarcely startled me. The door to the red room and the steps up to it were in a shadowy corner.

I moved my candle from side to side in order to see clearly the nature of the recess in which I stood before opening the door. Here it was, thought I, that my predecessor was found, and the memory of that story gave me a sudden twinge of apprehension. I glanced over my shoulder at the Ganymede in the moonlight and opened the door of the red room rather hastily, with my face half turned to the pallid silence of the landing.

I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft, surveying the scene of my vigil, the great red room of Lorraine Castle in which the young Duke had died, or rather in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place,

And never, I thought, had apoplexy better served the ends of superstition. And there were other and older stories that clung to the room. Back to the half-credible beginning of it all, the tale of a timid wife and the tragic end that came to her husband's jest of frightening her.

And looking around that large, somber room with its shadowy window bays, its recesses and alcoves, one could well understand the legends that had sprouted in its black corners, its germinating darkness. My candle was a little tongue of light in its vastness that failed to pierce the opposite end of the room and left an ocean of mystery and suggestion beyond its island of light.

I resolved to make a systematic examination of the place at once, and dispel the fanciful suggestions of its obscurity before they obtained a hold upon me. After satisfying myself of the fastening of the door, I began to walk about the room, peering round each article of furniture, tucking up the valances of the bed, and opening its curtains wide.

I pulled up the blinds and examined the fastenings of the several windows before closing the shutters, leant forward, and looked up the blackness of the wide chimney and tapped the dark oak paneling for any secret opening. There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantel shelf, too, were more candles in china candlesticks. All of these I lit one after the other.

The fire was laid, an unexpected consideration from the old housekeeper, and I lit it, to keep down any disposition to shiver, and when it was burning well I stood round with my back to it and regarded the room again. I had pulled up a chintz-covered armchair and a table to form a kind of barricade before me, and on this lay my revolver, ready to hand.

My precise examination had done me good, but I still found the remoter darkness of the place and its perfect stillness too stimulating for the imagination. The echoing of the stir and crackling of the fire was no sort of comfort to me. The shadow in the alcove at the end, in particular, had that undefinable quality of a presence, that odd suggestion of a lurking, living thing that comes so easily in silence and solitude.

At last, to reassure myself, I walked with a candle into it and satisfied myself that there was nothing tangible there. I stood that candle upon the floor of the alcove and left it in that position. By this time I was in a state of considerable nervous tension, although to my reason there was no adequate cause for the condition. My mind, however, was perfectly clear.

I postulated quite unreservedly that nothing supernatural could happen, and past the time I began to string some rhymes together, in Goldsby fashion, of the original legend of the place. A few I spoke aloud, but the echoes were not pleasant, for the same reason I also abandoned after a time a conversation with myself upon the impossibility of ghosts and haunting.

My mind reverted to the three old and distorted people downstairs, and I tried to keep it upon that topic. The somber reds and blacks of the room troubled me. Even with seven candles, the place was merely dim. The one in the alcove flared in a draught, and the fire flickering kept the shadows in Penumbra perpetually shifting and stirring.

Casting about for a remedy, I recalled the candles I had seen in the passage, and with a slight effort walked out into the moonlight, carrying a candle and leaving the door open, and presently returned with as many as ten.

These I put in various knick-knacks of china, with which the room was sparsely adorned, lit and placed where the shadows had lain deepest, some on the floor, some in the window recesses, until at last my seventeen candles were so arranged that not an inch of the room but had the direct light of at least one of them. It occurred to me that when the ghost came I could warn him not to trip over them. The room was now quite brightly illuminated.

There was something very cheery and reassuring in these little streaming flames, and snuffing them gave me an occupation and afforded a helpful sense of the passage of time. Even with that, however, the brooding expectation of the vigil weighed heavily upon me. It was after midnight that the candle in the alcove suddenly went out, and the black shadow sprang back to its place there.

I did not see the candle go out; I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger. "By Jove!" said I aloud, "that draught's a strong one!" And taking the matches from the table, I walked across the room in a leisurely manner to relight the corner again. My first match would not strike, and as I succeeded with the second, something seemed to blink on the wall before me.

I turned my head involuntarily and saw that the two candles on the little table by the fireplace were extinguished. I rose at once to my feet. "Odd," I said. "Did I do that myself in a flash of absent-mindedness?" I walked back, relit one, and as I did so I saw the candle in the right sconce of one of the mirrors wink and go right out, and almost immediately its companion followed it.

There was no mistake about it. The flame vanished, as if the wicks had been suddenly nipped between a finger and a thumb, leaving the wick neither glowing nor smoking, but black. While I stood, gaping, the candle at the foot of the bed went out, and the shadows seemed to take another step towards me. "This won't do," said I, and first one and then another candle on the mantel shelf followed.

"What's up?" I cried, with a queer high note getting into my voice somehow. At that the candle on the wardrobe went out, and the one I had relit in the alcove followed. "Steady on," I said. "These candles are wanted!" Speaking with a half-hysterical facetiousness and scratching away at a match the while for the mantel candlesticks, my hands trembled so much that twice I missed the rough paper of the matchbox.

As the mantle emerged from darkness again, two candles in the remoter end of the window were eclipsed. But with the same match I also relit the larger mirror candles, and those on the floor near the doorway, so that for the moment I seemed to gain on the extinctions. But then in a volley there vanished four lights at once in different corners of the room, and I struck another match in quivering haste and stood hesitating whither to take it.

As I stood, undecided, an invisible hand seemed to sweep out the two candles on the table. With a cry of terror, I dashed at the alcove, then into the corner, and then into the window, relighting three as two more vanished by the fireplace. Then, perceiving a better way, I dropped the matches on the iron-bound deed box in the corner and caught up the bedroom candlestick. With this, I avoided the delay of striking matches.

But for all that the steady process of extinction went on, and the shadows I feared and fought against returned and crept in upon me, first a step gained on this side of me and then on that. It was like a ragged storm cloud sweeping out the stars. Now and then one returned for a minute and was lost again.

I was now almost frantic with the horror of the coming darkness, and my self-possession deserted me. I leaped, panting and dishevelled from candle to candle in a vain struggle against that remorseful advance. I bruised myself on the thigh against the table. I sent a chair headlong. I stumbled and fell and whisked the cloth from the table in my fall. My candle rolled away from me, and I snatched another as I rose.

Abruptly, this was blown out as I swung it off the table by the wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room. A red light that staved off the shadows from me. The fire, of course! I could still thrust my candle between the bars and relight it.

I turned to where the flames were still dancing between the glowing coals, and splashing red reflections upon the furniture made two steps towards the grate, and incontinently the flames dwindled and vanished. The glow vanished, the reflections rushed together and vanished, and as I thrust the candle between the bars, darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of reason from my brain.

The candle fell from my hand. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and lifting up my voice, screamed with all my might, once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and with my head bowed and my arms over my face, made a run for the door. But I had forgotten the exact position of the door, and struck myself heavily against the corner of the bed.

I staggered back, turned, and was either struck or struck myself against some other bulky furniture. I have a vague memory of battering myself thus to and fro in the darkness of a cramped struggle, and of my own wild crying as I darted to and fro, of a heavy blow at last upon my forehead, a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.

I opened my eyes in daylight. My head was roughly bandaged and the man with the withered arm was watching my face. I looked about me, trying to remember what had happened and for a space I could not recollect. I rolled my eyes into the corner and saw the old woman, no longer abstracted, pouring out some drops of medicine from a little blue vial into a glass. "Where am I?" I asked. "I seem to remember you and yet I cannot remember who you are."

They told me then, and I heard of the haunted red room as one who hears a tale. "We found you at dawn," said he, "and there was blood on your forehead and lips." It was very slowly I recovered my memory of my experience. "You believe now," said the old man, "that the room is haunted?" He spoke no longer as one who greets an intruder, but as one who grieves for a broken friend.

"Yes," said I. "The room is haunted." "And you've seen it. And we who've lived here all our lives have never set eyes upon it, because we have never dared. Tell us, is it truly the old earl who—" "No," said I. "It is not." "I told you so," said the old lady with the glass in her hand. "It is his poor young countess who was frightened."

"It is not," I said. "There is neither ghost of Earl nor ghost of Countess in that room. There's no ghost there at all. But worse, far worse." "Well," they said. "The worst of all the things that haunt poor mortal man," said I. "And that is

in all its nakedness, fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor. It fought against me in the room. I stopped abruptly. There was an interval of silence. My hand went up to my bandages. Then the man with the shade sighed and spoke.

"That's it," said he. "I knew that was it. A power of darkness. To put such a curse upon a woman. It lurks there always. You can feel it even in the daytime, even of a bright summer's day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk, it creeps along the corridor and follows you so that you dare not turn.

There is fear in that room of hers, black fear, and there will be so long as this house of sin endures. Thanks for listening! If you like the show, please share it with someone you know who loves the paranormal or strange stories, true crime, monsters, or unsolved mysteries like you do! All stories on Thriller Thursday episodes are works of fiction and you can find a link to the story and the author in the show notes.

"The Red Room" is by H.G. Wells. Weird Darkness is a registered trademark. Copyright Weird Darkness. And now that we're coming out of the dark, I'll leave you with a little light. Proverbs 4:11-12: "Get all the advice and instruction you can, and be wise the rest of your life." And a final thought: Being an artist means forever healing your own wounds and at the same time endlessly exposing them.

I'm Darren Marlar, thanks for joining me in the Weird Darkness.