Mozart demonstrated extraordinary musical talent from a very young age, composing his first keyboard concerto at four and performing for Empress Maria Theresa at six. His genius was recognized across Europe, and he wrote masterpieces like 'The Magic Flute' and 'Don Giovanni' before his untimely death at 36.
Leopold Mozart was instrumental in showcasing his son's talent, taking him on tours across Europe to perform for royalty and aristocrats. He saw Mozart as a 'gift from God' and leveraged his precocity to secure financial gains, though their relationship became strained as Mozart sought independence.
Initially, Leopold was Mozart's manager and mentor, but their relationship soured as Mozart grew older and sought independence. Leopold disapproved of Mozart's decision to go freelance and marry Constanza Weber, leading to a strained and resentful dynamic in their later years.
Mozart faced financial instability, reliance on aristocratic patrons, and geopolitical shocks like the French Revolution and wars with the Turks. His health issues and personal tragedies, such as his mother's death and his wife's illness, further complicated his career.
Contrary to the romanticized myth, Mozart was not forgotten or penniless at his death. He died of rheumatic fever, not poisoning, and was mourned by large crowds in Vienna. While he faced financial difficulties, his opera 'The Magic Flute' was a commercial success, and his funeral's simplicity reflected his personal piety rather than neglect.
'Don Giovanni,' premiered in 1787, is a masterpiece that explores themes of defiance and morality. It tells the story of a libertine who refuses to repent, ultimately dragged to hell by a statue of a man he killed. The opera reflects Mozart's artistic boldness and his ability to push musical boundaries.
Mozart's opera 'The Marriage of Figaro' critiques aristocratic privilege, with Figaro, a servant, challenging the Count's abuse of power. The aria 'Aprite un po' quegli occhi' directly addresses the hypocrisy of the aristocracy, mirroring Mozart's own frustrations with his patrons.
Mozart's Requiem, commissioned anonymously, became one of his most haunting works. Though unfinished at his death, it cemented his reputation as a genius. The myth that he wrote it for his own death added to its mystique, though it was actually commissioned by an eccentric count.
In 1756 a musical prodigy was born in Salzburg, Austria: Wolfgang Amadeus Mozart. Thanks to the efforts of his exacting father, Mozart's genius was exhibited and celebrated in some of the greatest courts of Europe from a young age. At four years old he wrote his first keyboard concerto, at six he was performing for the empress Maria Theresa. Soon he and his father were touring Europe, and the young Mozart's exploits proved increasingly lucrative for his overbearing parent. But, like all young men, Mozart was growing up and becoming increasingly uncontrollable. Feeling stifled and professionally frustrated, he began to disobey his wealthy patrons and went freelance, risking financial security and the favour of his family. Yet, it would also see him falling in love, and writing some of his most glorious works. Nevertheless, time and life was running out for the young composer, as he began to write the powerful Requiem, which may prove to be for his own death...
Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, they explore one of the most famous musical figures of all time: Mozart. What was the origin of his genius? What are the stories behind some of his most famous works, such as The Magic Flute and Don Giovanni? And, what is the truth behind his tragic and much mythologised death, young and penniless?
Academy of St Martin in the Fields
Orchestra
Philharmonia Chorus
Chorus
Oliver Zeffman
Conductor
Stephanie Gonley
Leader & Violin Soloist
Mishka Rushdie Momen
Pianist
Nardus Williams
Soprano
Katie Stevenson
Mezzo
Andrew Staples
Tenor
William Thomas
Bass
Twitter:
@TheRestHistory
@holland_tom
@dcsandbrook
Producer: Theo Young-Smith
Assistant Producer: Tabby Syrett + Anouska Lewis
Executive Producers: Jack Davenport + Tony Pastor
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