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cover of episode S3 Ep. 28 - Bringing Up Baba

S3 Ep. 28 - Bringing Up Baba

2025/7/1
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Dungeons and Daddies
AI Deep Dive AI Chapters Transcript
People
A
Anthony Burch
B
Beth May
F
Freddie Wong
K
Kelsey Grammar
M
Matt Arnold
M
Matthew Arnold
W
William Campos
Y
Yvonne
Topics
Freddie Wong: 我扮演深思熟虑、说话慢吞吞的水管工Blake Lively，并分享了Blake在通风口爬行的经历，以及对通风口大小变化的观察。 Matthew Arnold: 我扮演快乐的学校老师Kelsey Grammar，分享了Kelsey的愿望清单和口头禅。 Anthony Burch: 我扮演努力的孩子Francis Farnsworth，并介绍了Francis喜欢写漫画的爱好和关于X战警的漫画创意。 Beth May: 我扮演家庭主妇机器人Trudy Trout，并分享了Trudy最喜欢的电影是《蛇穴》。 William Campos: 我是地下城主，介绍了Britannica Blue是保龄球队的赞助商。

Deep Dive

Chapters
This chapter sets the scene by introducing the main characters and their situation. The group has infiltrated Building 21 and rescued Moth Jesus, triggering a facility-wide alarm. They now face pursuit by scientists.
  • The Screams escape Building 21.
  • They rescued Moth Jesus.
  • A facility-wide alarm is triggered.
  • Laika is introduced as a potential ally.

Shownotes Transcript

The Screams (plus a moth and a dog) make a daring escape from Building 21… and cross paths with a foe from Blake’s past.

This episode contains Profanity, Violence, and Sexual Content.

Info and tickets for Beth's solo show "Beth Wants the D":

Edinburgh Fringe: www.pleasance.co.uk/event/beth-wants-d)

Support the show on Patreon!)

Get merch and more at our website!)

Follow us on Bluesky @dungeonsanddads)!

Check out the subreddit!)

DM is Will Campos 

Kelsey Grammar is Matt Arnold 

Francis Farnsworth is Anthony Burch

Trudy Trout is Beth May 

Blake Lively is Freddie Wong 

Theme song is “A Hole in the Stars” by Maxton Waller

Annissa Omran is our Content Producer

Ashley Nicollette is our Community Manager

Kortney Terry is our Community Coordinator

Cindy Denton is our Merch Manager

Ester Ellis is our Lead Editor

Travis Reaves, Omar Romolino, and Brian Fernandes provide Additional Editing

Cover art and episode art by Alex Moore (@notanotheralex))

Get in contact: https://www.dungeonsanddaddies.com/contact)

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

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