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so much
Hi, everyone. Welcome back. This is part two of a two-part recap. If you're wondering where part one was, well, go check in the feed and be sure to subscribe. So that way you always get your episodes. But enough of that. Let's get right back into the episode.
So then we go to Britt with her sister Cher, who we're going to see this relationship and how Britt's a total victim of all of this. So Cher is late, I guess. And Britt's like, wow, look who decided to join us for lunch.
on dinner now so shara's like okay hi okay well hi so there's this they're saying hi and brit's like oh my god like like how she's like how are the kids and shara's like well you know like one of them's like six three at this point she's like no no no no i don't go that long without saying it's probably been like a month since i've seen them and that's like now
You haven't seen them in like a year. Let's get, let's be honest. That's you're trying to cover on camera. So she's like, you know, my sister always took care of me. She always fought for me when the girls were bullying me for being hot, future real estate agent and a denim top. And, you know, I just can't believe we can't be friends. And,
And then they talk about their mom and Cher's mad at the mom and she's probably got her blocked. 'Cause Cher's always fighting with everybody. But then we find out Cher has like severe depression issues and that she used to be best friends with Brit, but then Brit found a man and ditched her, which I think we've all experienced that.
And she's like, but that's my husband. And she goes, yeah, but then, you know, when I want to have a private conversation with you and talk about my depression or how I'm feeling like shit, she starts crying. And she goes, well, I don't care. That's my husband. He has to be there. I'm like, okay, so you're a bad sister too. Because really, your husband even has to be there like at her darkest times. She can't ever have a moment alone with you because you're married. Give me a fucking break. This girl sucks. Team shit. Yeah.
And Cher's so nice. She was so nice to the server when the server came by. She's like, thanks, babe. And Cher's like, look, I get it. It's your man. I'm not hating. I love him. But I need one-on-one time. And
You know, and Britt's like, you know what? Cher loves Mike and Mike has been like a big brother to her. But I think she takes out her issues with me on him. Like, no, she probably is just sick of him being there. He probably doesn't want to be there either, by the way. I don't think he is one of the more disinterested house husbands that we've seen in a while. He's like that dog. He's like, please let me just go. It's like, no, you and Mimosa are going to sit here and judge Cher with me.
So, Britt's basically, like, saying, you know, "Mike's been great to her," and she goes, "You know, I don't have a lot of friends, and it's just always been, like, me and family." If you don't have a lot of friends, you may want to examine that. Like, just— No, everybody's jealous of her. She's just, like, so hot, man. Like, it's really hard. Yeah. It's really hard being her. She's just one of those people that's like, "It's so hard to be so hot." People are jealous. People are so jealous. I was in music videos in high school, okay?
But they get to a nice place and they, they do, you know, they reaffirm that they love each other. And, you know, and then, and Brit makes the ultimate sacrifice, which is that her, she gets like three texts and a phone call. And she's like, no, you know, it's real. Cause by the way, Mike is trying to text me. I'm not, I'm not answering his text right now. Like, oh wow. Thank you for that major sacrifice that you're making.
So then I have to say on a completely unrelated note, Cher's also very good on camera. Like Cher came ready. She was like a natural. Like she's been on TV for 15 years. She did a great job. I say fire Brittany and bring on Cher. I want to hear more about Cher and her issues. I want to see Cher fighting with her mom. You know what I mean? That's what I want. Get rid of Britt. Her name isn't Chaz. It's Cher. Okay. She was meant to be a star.
Oh, poor Chaz. He's like, what do I ever do? Listen. Besides nothing. Scoreboard. Yeah. So then next we go to Dennis in the studio with the hot dog king. So Drew comes in and she's like, hi.
everybody and he's like wait a minute are you performing tonight she's like I'm always performing in the booth don't I always oh god I'm so excited about this record 80 songs god we're the new Taylor Swift a live poet society a live hot dog society how about we call okay how about we call our album
Noons. You know, because like Taylor's is like midnight. So ours will be noons. See what I'm going for there? It's going to be huge. Taylor Slow. Dress Ripper Slow. Dress Ripper Slow.
So we hear some lyrics, "Ladies, if you sick and tired of it." Okay, so she gets up there to sing. This is where she can't like stay with the music or anything. And she's like, "Ladies, if you sick and tired of it, slide on him, glide it, slide on him." Ew, I don't want a song produced by a hot dog person.
with these lyrics. I don't like it. Slide on it, glide on it, slide on it. It is how you put a hot dog in a bun. No, give me a dry bud.
Wait a second. I'm not sure if I understand the motivation. Ladies, if you're sick and tired of it, add some relish or some onions. Is that new slang? Is that new slang, Dennis? He's like, just trust me. Put some chili on it. And put some chili on it. Steam it. Relish it. Ketchup. Ketchup. Do you want your bun toasted? Toasted. Toasted.
So, Dennis is like, so, I mean, now that you're single now, you've got to give the guys a little, you know, uh-huh, uh-huh, uh-huh. And she's like, well, I'm not technically single. I haven't signed on the dotted line yet. And she tells us,
Dennis is an intricate part of the album, which I think she meant to say integral, but she said intricate. He's very intricate. He's so intricate on this album. The album artwork is just Dennis' face, but done in a mosaic. It's very intricate.
He's serving as my executive producer. He's placing me with various award-winning producers of hot dogs, sure, but they've won things, and that's the point. We are so honored that we have a representative from the Heinz Corporation writing some of our lyrics for our ketchup song. I actually have a tune done by the Coney Island producer. Coney Island producer. It's huge.
So we just have a great partnership to put out an incredible body of music and also hot dogs because, you know, it just works. It is going to be awkward that an entire song has to be done in Hebrew, but you know what? We're trying to cover all the bases with every brand. I think Hebrew really needs a sexy song kind of referencing penises and hot dogs at the same time. Yeah.
We're going to change the world together. I was really hoping we could find a producer named Nathan just to really just see it all the way through. But unfortunately, he was booked. Yeah. So she's like, y'all trying to get me in trouble, huh? And he's like, trouble with who? And she goes, yeah, I've been in a lot of trouble these days with you know. And he's like, oh, with Portia. He's like, I don't even know what's going on with that. Do not pull me into more Portia shit, even though I'm sitting here right on her show. Somehow I managed to be on five seasons of television. God, I hate this. Yeah.
He's like, I don't even know what you're talking about. And then it's like, rewind to two weeks ago. Borscht would be like, when you show up anywhere on these cameras with anybody else, it's going to be a problem. And he's like, yeah, I don't know. I have no idea.
so drew says to be honest there wasn't drama with dennis and i working together until now i don't know how genuine it is because porsche is going through a lot of things but this isn't affecting porsche well yeah there wasn't drama with you and dennis working together until now because there weren't cameras until now and that is porsche's big issue she doesn't want dennis to be able to have a platform to talk about her yeah and
And so she's like, when I go hang out with my girls, you know, it's a little stressful of an environment. I go, okay, Drew, just... It's stressful of an environment. Yeah.
It's not a stressful environment, but it's stressful of the environment. Yeah. He's like, I get it. It's intricate. It's intricate. So he's like, you know, she told me she was good with it, but now it's not okay. And he's like, yeah, but when we started this, to be fair, she was in Nigeria. So I didn't have to be like, hey, this is what I'm doing. But now she's not in Nigeria. Now she's here and she cares, you know?
And she's like, well, can you bridge the gap and let's just clear the air? He's like, well, you do that. So she says, you know, me and Portia at this point, it's like a closed door for me. You know, like much of the music industry. And I've made several attempts to try to talk to her. And you have to just let Portia be Portia. And we'll talk on Portia's time. And if not, it is what it is. She's acting like she's totally unbothered by the fact that Portia isn't calling her back. But you know it's killing her on the inside. Because she's trying to hitch onto that Portia star.
And I like Dennis because he's as unhelpful as he's always been. Like, it doesn't matter. Just change the woman out and he's still completely unhelpful. She's like, well, you know, this is an issue with you and Portia, so it would really be nice if you spoke with Portia. And he's like, no. Good luck with that. No, I'm in the middle of writing a really good song about Oscar Myers. The most important part is my mother is loving the storyline.
He's like, okay, Drew, we wrote a song about someone who choked on a hot dog. So we need you to go in there and start singing the lyrics. So she gets in there and she's like, bitch, I need to breathe. Bitch, I need to breathe. Heimlich, Heimlich, Heimlich, Heimlich. Can you go a little bit deeper with your voice? Heimlich, Heimlich. Okay, just a little bit deeper. Heimlich, Heimlich. Okay, hold the Heimlich out like you're going Heimlich, Heimlich.
Heimlich. She goes, Heimlich, Heimlich. Just burned down the studio. She's like, okay, well, this song is really kicking my butt. Her music video is a jumping coaster in the back of a diner. It's just like... That's the choreo. Put your palms on the little corner of the chest and push Heimlich and push Heimlich.
For real, though, the lyric is, bitch, I need to breathe. And she says it about 50 times. And they're like, can you go a little slower? Can you go a little deeper? And she does the same iteration. And then she goes, wow. I mean, this song is really kicking my butt. You're making Grace Lilly sound like Tina Turner right now. And Dennis is like, it's a hit, though. It's a hit. It's a hit. Heimlich. Heimlich. People all over the country are going to be doing the Heimlich. You have saved lives today, ma'am.
Memo to our editor, Christina. I'm going to need you to do a remix of the hit song. Heimlich, Heimlich, Heimlich, Heimlich. Giving you some visuals. Heimlich, Heimlich, Heimlich, Heimlich. Heimlich, Heimlich, Heimlich, Heimlich, Heimlich. Heimlich.
So now we're getting ready for Angela's dinner and Shamia FaceTimes Portia and she's talking about how she wants to apologize and stuff and Portia's like, "Just look good." So then Britt's talking to Kelly on FaceTime and everyone's like, "I don't want to go to the hood. Please don't make us go to the hood. This neighborhood is just hood. Don't make us go there." And she's like, "What are you talking about? It's Bankhead." No one wants to go to Bankhead. I don't know anything about Bankhead. Me neither.
Except Tallulah Bankhead, right? Isn't that someone? But apparently Bankhead is not the safest place and they all do not want to go there. So Shamia is asking Portia if she's talked to Drew and Portia's like, no, it's not going to happen tonight because it just needs to be one-on-one and I don't know. I kind of heard a demo of her song and it really fucking sucks. I just don't want to be near that mess. I'm like, damn, it's catchy.
She's basically like, no, I'm not going to talk to Drew. I'm so sorry. I'm trying to see if Swinging Richards was located in Bankhead. Oh. Because just so I can stand up for Bankhead for a minute. Because that was an amazing place. Ronnie, how did your fucking Heimlich song get so catchy? It's just two words. It's not even barely sung. I'm sitting here going, Heimlich, Heimlich. I'm going to become a pop master!
So then they're talking about, Shumi and Portia are talking about Drew. Did you already do this while I was Googling? Yeah, they just talked. Basically, Portia's like, Portia will have a one-on-one with Drew, but she's not going to do it in a group scene. That's what she basically says. So then he's like, tonight the theme is black excellence. I wanted the ladies to wear all black, just super sexy. So she's really excited about, you know, an all black party, which is kind of...
every party and then so we go into this bank and it looks really cool it's like all it's like a huge vault door that you have to open it'll look kind of they do a big transition shot oh they had so much fun and final cut on this episode because they had this giant vault door like you just said and this guy opens the vault door and opens it very slowly and on the other side of the vault was a close-up shot of angela's face i was like wow he's walking confidently
I was like, oh, wow. Walk into Angela's mouth. That's what this is. Because they just had her face right inside the vault like this. But I also kind of wanted to see what that restaurant looked like when you opened that giant door. I wanted to see a view of the restaurant. But you know what? Angela works too. And it was a cool edit. So then she's like, I don't care. What did you say? I said it was a good use of masking. A little shout out to the
Post-production team for where they're using the magnetic mask and final cut pro. Can you tell I've been watching a final cut pro tutorials? I'm like great use of the magnetic mask guys. Uh, can we get a little more soupy on that? Can we use a new filter? Oh, it's Carl. Call your editor now. Oh,
So everybody arrives wearing black. And they're like, oh my God, you're wearing black. I'm wearing black. Oh my God, you look so good in black. You look good in black. I'm wearing black too. And then Kenya comes in and she's, of course, wearing bright, like baby blue. Like a Statue of Liberty kind of. It was like the background of our screen here. She's wearing Krappen's blue, aka Statue of Liberty green. And Britt's like, I thought we were all wearing black.
And Portia's like, what are you wearing? She's like, Versace, honey. And they're like, you're supposed to wear black. She goes, I didn't get the memo. But they're like, it's obvious. It was like, right. We see the imitations like right up there, right in the center. It's like, you are cordially invited to chic black dress code at a bank. Yeah.
And she's like, I don't own black stuff. Sorry. I was expecting, I'm expecting her to show up in the next scene wearing black because that's very Kenya. Yeah, she will. So then she comes in and she says,
Yeah, black. So she comes in and says hi to everybody and says hello to Britt. And Britt's like, oh, wow, that was a pat. That wasn't a hug. And she's like, that's a hug without getting makeup on me. I can't stand people like that. I cannot stand people. We've all met people who are like, okay, I guess that was a hug. Or like, are you not going to say hi to me? And you just haven't gotten over to them yet. Britt is that person. She's needy as fuck. It's her insecurities. And why should we all have to deal with
the shit in your life because you haven't been able to deal with it properly. And this has nothing to do with her dad. I'm just saying, she's just one of those insecure people who the moment you don't give them a hard enough hug, they suddenly are triggered into thinking that they are being...
They're alienated from the group. Like, relax. It was a hug. I don't even think it's that. I think she's just so, like, trying to start a fight over nothing. It's like, can we just have appetizers? Like, you don't have to try this hard. You fucking try hard. She's so ridiculous. So she's trying to start a fight and Kenya's not taking the bait. She's like, okay, well, I didn't mean it like that. Whatever. It's time for a commercial. It's time for a Crappin's commercial.
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And she's like, my love language is gifts. And, you know, I just want to say, Angela...
I don't want you to cook with this. I just want you to know I'm sincerely sorry for attacking your visible appearance when I could have been attacking your rancid inner dark crystal soul. So please take this olive oil with the stick hanging out of it. And Angela's like, wait, just don't leave that on the countertop or Charles won't talk to you and then I won't be able to talk to you.
Please make sure this doesn't leave a little oil ring somewhere. So Shamia's saying, yeah, her love language is gifts. And she was happy that Angela accepted it. So that was a nice moment for the two of them. So now Angela kicks off the evening by welcoming everyone. And they're getting their food. And Kenya's like, what are those? And Portia's like, egg rolls. And she's like, but what's on the inside? And Portia's like...
Um, peach cobbler egg rolls, you know, everything's sunny Southern, so, you know, collard green egg rolls! And they're joking like it's chitlin' egg rolls and like, they have like a little like "yes and" bit about the egg rolls, which was really funny. So then Kelly sees Drew and she's like, "So, you know, Drew, you brought some extra guests to my event last weekend." And I was like, "Well, she said she was bringing her sister, but now she's brought guests. And wow, they didn't buy anything either!"
Well, you know who else didn't buy anything? All those children. She's so silent movie star in the look she gives. I know. I love that Kelly did this, though. I know. And then we see Drew's makeup artist, Artez. He walks in and then Kelly says, well, he stayed and he didn't buy anything. Meaning that after Drew left, Artez just hung out and was in there for all the goss and tried to get new clients.
So Kenya's like, didn't he buy something? Didn't everyone buy something? And then Kelly says, no. And Kenny's like, well, who didn't? And then Kelly does like a swivel and just stares at Drew, which of course, of course, Drew didn't buy anything. And she's like, what? That's just not true. It's not true at all. I got a blazer for my son. And Kelly's like, I did not see you walk out of the store with a bag. Yeah.
So then Drew was like, no, well, it's being delivered. And then she pulls out her phone cause she's gonna, she has proof. And she's like, here's the proof. And it's a text. Oh, I, oh, she gets a text while, while she's showing the proof. And it's a group text with Dennis on it. And,
And Kelly's like, I see Dennis texting. Portia, it's Dennis texting. And she's like, it's a group text. Hello, it's not private. There are other people on there. And Drew insists that the Balmain jacket cost her $2,000, which is why I really believe that she didn't buy it.
And Kelly is like, well, you spoke on buying something and you even went as far as showing me a text message of you speaking with the sales associate, but you're not sending me a transaction. You didn't purchase anything. You're drinking champagne. You're eating hors d'oeuvres and you're not buying anything. Clearly, she's not used to being in these rooms supporting a car. Yeah, because normally you go to Balmain and they're not like guilting you into giving 10% of money to somebody to buy their purses. Normally, Balmain can stand on its own. It doesn't need a...
charity crutch. Yeah. Um, yeah, but, uh, Kelly is basically just saying that drew just doesn't hang around in a high end waffle circles. And it's a pretty damning accusation. Um,
I don't think you're supposed to have. I mean, this is a classic housewives thing, though, right? You have a charity and then you shame people based on how much they give you. But I'm showing up to work, ma'am. I have to shoot scenes here. And it's not fair that you have a scene that cost me money. Fuck off with that. I mean, bullshit. I'm not going to go in there and spend five grand because you decided to have a charity that gets 10% back to an important cause. Fuck off. Have it at the hospital next time. You want my money? You better have some Make-A-Wish kids tap dancing.
Earn it. Well, I really like that Kelly did this thing as Balmain and then shamed Drew afterwards because that is classic Housewifery. And it's like we are getting... This show has really desperately needed some...
some rich bitch to come in here and be snobby for a while because let's be honest in the previous seasons it's been like let's go to archive and shop in marlo's leftovers so it's nice to get back into like a proper store red dresses to people who are six foot four and that's it
My size. Yeah. It's nice to get out of tags and archive and get back into Balmain. So I'm going to support this entire endeavor. Yeah. By the way, I was thinking today, and she's not as ridiculous. She has not had as ridiculous moments yet, but I believe in her. I do get a little Marlo energy from Angela. I don't know what it is. I don't know if it's the voice or the affectation. I really don't know what it is yet.
but I'm just putting that bet down now. I think she has way, she, she comes off as someone who has like way more confidence. Like Marlo acts out in a way that you just feel like, Oh, this is someone who's like desperate to be loved. And Angela's like, I got a little bit of full. Yeah. But I, we haven't seen Angela really pushed over the edge yet. So I want to see what she gets like when she's pushed over the edge. Cause I'm just going to be a slight bit of Marlo. They're just slight. It's just a hint.
Well, listen, she had a great comeback last week when she called Shamia Flava Flav. So, like, if that's a sign of what's to come, I'm very, very excited. Yeah. Okay, so now they order food and they're talking about the hair spa and Kenya's going to have a party. You're all invited. We have movie screens. And so, basically, they're all talking about how they're going to go. And Portia's like, well, I'm going to take my weave out because I'm going to get a massage on my head.
And she's joking about it. Better read for free. So then Angela's like, Shamia, bring us up to speed with everything that's going on in your life. And she's like, well, thank you so much. Well, the first thing that's happened in my life...
She's like, "I want to play you my new single. So here's my phone, everybody." And she holds up her phone and she starts playing it. She starts singing along with it. It's like, "Yeah, yeah. Leaf blower, leaf blower. Whoa, leaf blower, leaf blower." I'm going like, "That is great." Heimlich, Heimlich. Yeah. Just singing along on the side. That's going to sell twice as much as your last single.
Yeah, and so she's singing and Portia starts being such a... Portia's... She's being a dick. She's like, um, when do you start singing? She's like, it's me. No, that's not you. That's Drew. When do you sing? No, I am singing. That's Drew. What are you talking about? That's not your voice. She's like, uh, I'm singing. You think I don't know your voice?
your singing voice. That's not you. You're not singing right now." Shamia's getting so annoyed at her. Yeah, Portia's just being an asshole because Shamia had the nerve to kind of stand up to Portia on camera, and Portia no likey. She's like, "Okay, I'm the one who brought you on this show. I've kept you on this show for all these years, and now you're gonna come take my show over and be rude to me, or like stand up to me?" Because Portia deserved it. And Shamia didn't even do anything that bad. She was just visibly
not pleased with Portia. And so now Portia is going to completely turn on Shamia. I mean, wow, that didn't take long. Portia also is, she is pretty controlling about
how she films. I mean, this whole Dennis thing, that is a full-fledged example of it. We've seen her leave vacations early. We saw that she dropped the news about Simon the day after part three of the reunion that season ended. So she is really good about... She puts a lot of time and effort into
into plotting what comes on screen, what is not on screen, how it is on screen, and who is it with. And so this is all to say, Shamia has been sidekick, a sidekick for years on this show. And now suddenly Shamia is not only a full-fledged cast member, she is initially being seen as the glue for this cast in the first few episodes. I don't think Portia likes that personally. We already see that she's uncomfortable with Dennis, uh,
having scenes with Drew. And obviously she's in a better position with Shamia, but I don't think she's comfortable with Shamia having a peach. Yeah, exactly. And she's going to make her pay for it. And if you don't believe that Portia is a controlling diva nightmare, watch her spinoff show. Yikes.
It was so good. What a mess that show was. Okay, so... And I like that the producers are keeping a bit of that in because they're making Portia look so stupid. They're just editing it and after she does... You know, she says something she thinks is smart. I mean, they're kind of coming for her and I like it. So, let's see. So...
Shami is not. She's just, she's like, okay, so now you're saying you don't really think that's me. That's great. Thanks. And Portia tries to back, she tries to back, backtrack. And she's like, when I say it sounds like Drew, it's because I think it sounds good. I generally thought it was Drew singing.
No, no, no. That's too late. Too late. You were being shady. Now we play a game with deposit slips, which they write, you know, it's just another way of that. Let's ask each other questions in order to start fights at this dinner. We don't know each other that well yet. So they do that. And the first question is, Shamia, what did you first do to earn that? What did you do to thank your husband for that Rolls Royce he bought you? And she's, you know, does her like...
twerking, twerking, twerking, shaking, clapping her butt cheeks like, ah, ah, ah, ah, ah. Okay, next. Has Angela had a threesome? And she's like, hell no. My God. One time we tried that and someone actually got up on the counter and they were almost murdered. Gotta watch that in my house.
And then someone says, I did hear your husband was spicy. And Angela's like, he can be. And Portia's like, well, now I've heard something else about Charles because they're sort of alluding that there's stories about Charles that are out there. So then Britt is like, I heard something about Charles. And Britt's like, wait a minute, Portia, you've got tea? And Portia's like, oh, wait, I'm going to wait. And Angela's like, well, what did you hear about my husband? She's like, I'm going to wait. Okay, next question.
So the next question, well, Angela's like, Portia doesn't even want to speak about her own marriage and her own relationship, so why are you mentioning my husband? Like, don't even say Charles' name. Don't even get it out. I'm sorry, stupid bitch. The producer goes, what? And she says, nothing. So now Kenya, what color panties do you have on? So she throws her panties. She shows her panties. Oh my God, that's the biggest vagina. It's going to eat all the food.
And then we get to... We get to shady questions. It's the silly questions, which, by the way, thankfully, the silly part was really brief. It wasn't like Potomac or Beverly Hills where they draw out the... Or Real Housewives of New York. What's your favorite sexual position you've had while eating ice cream? And then it's like 10 minutes of them talking about it and then 10 minutes of interviews of them reacting like, vanilla ice cream? I don't think I can eat vanilla ice cream ever again.
So this is just like a quick thing. And then they get to the shady questions. So, so then they're basically, they come for Kenya. And by they, I mean, Brit. So Brit says,
To Kenya, can you speak to Brit kindly and not with an attitude? I didn't write it, I promise. Well, the first was, there was a first question that says, that Drew read, that was like, Kenya, why are you so worried about a happily married woman? And Kenya just kind of laughs it off. She goes, uh-huh, it's a habit.
And Kelly's like, "A habit." She goes, "I'm just being silly." And so now Britt's asked the question you just said. Can you speak to Britt kindly and not with an attitude? I didn't write that, I promise. I didn't write it, but it's hilarious. Are you mad because Britt's gorgeous and wears denim tops?
Are you Joss of insurance agents? So then Kenya's like, well, the answer is yes. I can speak to everyone kindly without an attitude and I think I have. And so Britt's like, yeah, but we're talking about me, sweetheart. So what do you mean? Why? I've got the floor, baby. You're the one with the attitude here. Kenya does not give you any attitude or any like
really significant attitude for Kenya. - And Kenya's still smiling and she's just like, "You want a moment? Have your moment." She goes, "This is not a moment." She goes, "Yeah, it's a big moment for you." She goes, "Um, you're having a moment. Do you need to step out? Do you need to step out?" And I cannot believe Drew wasn't like, "Well, thank you for acknowledging that." Because that, it's close. It's close to one of my huge films.
Yeah, the pass. It's also close to my ex-husband's book, The Step In Parenting. Wasn't she in Step Up, Drew? Oh, she was in Step Up. You're right. I thought it was a reference to the Step In Parenting. Then I was thinking about Dropping with Drew when they did Steps. Anyway, so Britt is like... Would you like a Dropping, Kenya? She's like, thank you. Thank you again. So Britt is like,
Britt's like, do you need to step... Like, you're having a moment. Do you need to step out? And Kenny's like, I am a moment. I can speak to everyone. And Britt's like, oh, well, this wasn't about everyone. You want me to read it again? Would you like me to read it again? I'm like, wow, you're really fired up about a question you, quote unquote, didn't write yourself. She's like the SNL parent or the...
The one that the bitch-sash girls did years ago, like the hot wives, where they would just be like, Pepper, you said you want pepper? How dare you? Yeah. The person's going to grasp. Right.
Yeah, like a professional reality star. So Kenya's like, okay, I'm not going to play these childish games. Peasants cannot come for queens. And she's like, what? That was what? You said peasant? Angela's like, okay, well, guys, we have olive oil over here. Olive branch. Charles is going to get mad soon if it spills. So come on. Enjoy it. I love when she goes, girls have got olive oil over here.
And so Kenny's like, "Please stop." And Britt goes, "Um, I did the same for her." And Kenny goes, "Oh yeah, thanks for using one of my catchphrases." She goes,
get out of here bitch and everyone's like okay whatever some people are trying to be the wrong ones for their moment like get the fuck out of here bitch and everyone knows like everyone sees how ridiculous she's being but she just won't stop saying oh yeah you want to come for me you want a piece of me i'm like a piece of apple pie everyone's gonna get a piece today come at me bitch and here's how you know she's wrong with you
It felt very like, it was, you know, it was kind of like Brittany Bateman trying to have a scene on Salt Lake City, you know? And like Brittany Bateman was funny because she also was just as blatant and obvious, but she just flopped so many times that we just grew to enjoy it. But Britt isn't at that level yet of flopping so many. This is just like,
she needs to do a whole bunch of flops but she is also met with the same thing that Brittany Bateman was often met with which is indifference and that's really a bad sign when she's trying to stir this whole thing up and she's starting to get feisty and just no one's paying attention everyone's like okay whatever we're gonna go now they're like Kenya's like whatever Kenya's just ignoring it she's trying to gather the veterans to like you know kiki about it etc like
She doesn't care. Yeah, I like that one. Kenny was like, "Can all the people who have been on this show come outside with me?" And so they start leaving and this is when Britt is like, "Well, hold on, let me call my husband that cares about me." And Kenny's like, "Uh," she's kinda unfortunate, she's like, "Yeah, she's being extra." So Britt's like, "Wait, let me come on this side so I can be aware of my surroundings. Oh, we're not done, we're not done. We're still catching this moment. Where are you going? I'm gonna call my husband. I'm gonna call my husband."
And my husband's calling everyone. My husband's calling. Oh, do you guys have a husband? Cause I've got a husband. He's calling right now. It's like, Oh my God, shut the fuck up. Yeah. So Drew's like, uh,
what are we doing? Can I put this gift down? It's really heavy. We didn't even see what was in the gift. Did we? No, we didn't. They got these big ass gifts and now they're all just like, literally the veterans are getting into their own car to drive away to talk smack with any of these. And I like the dirt. Drew's basically like, are we filming? Because I don't have the upper body strength to hold us. Are we are filming? Oh yeah. She's looking up and down. She's like, yeah, doing reps, not dropping it. She's like, this is hard because I want to show I can do reps, but I also need to drop it to show I can drop it with true. Yeah.
So Britt still keeps going. Now she's on the phone. She's like, somebody find my husband. Where you at, baby? And then the vets, Kenya, Shamia, and Portia go to the bathroom.
And Britt's like, I'm ready, baby. I had to let that bitch know. I mean, don't play with me, bitch. And Britt starts going off. Like, everything's fine. Everything's cool. Everything's good. Can't get her little ditzy ass. Like, bitch, play that shit in front of the cameras. Don't play that with me. I don't play those games. I don't play them. I got whips. I got a pistol. I got everything. I was like, oh, no. Really? So...
Yeah, she's really trying so hard right now. She's like, play that shit for the cameras. Don't play that shit with me. She calls you a peasant. Girl, you really have to relax. Yeah, she calls you a peasant and you're begging your husband for extra money to not have popcorn ceilings. Like, she wasn't really wrong. You know what I mean? Yeah, I'm shocked that she's not getting along with her sisters. She goes, do all that fake Hollywood shit. This is real life. This is real life. This is real life. You just had a dinner party in a bank vault. It's not real life. Yeah.
I'm telling you this right now. It's not. I don't play those type of games. You want to be respectful. No fucking peasants. You got to be respectful around here. And if you don't know, you're going to learn today. This is the day you're going to learn. See, this is why I'm sad that Kenya really screws the pooch next week. Because this is the perfect example of why Kenya...
is really like one of the all-time greatest villains because she can say one word she calls this girl a peasant and brit has now lost the thread she is spiraling in a parking lot outside of the fake bank and
and losing her mind threatening to pull out whips and pistols because she was called a a a peasant while the person who she's yelling at is in a car has already driven away i mean i think this is like that is how like kenya just says like one of those people who knows to say the right thing just to send someone off and it's so good and it makes me so mad that um she uh she
She she messed up so much next week. Well, I think it's also just that Brittany wants to fight so bad and Kenya's just not giving it to her. So she's like a little kid, you know, she's not getting her way. So she's just going crazier and crazier. And now she's just like sitting there yelling and threatening to shoot people or insinuating that she could shoot people just to keep it technical. And meanwhile, Kenya's like, whatever. So she gets in Porsche's car and they drive off, but their mics are still on.
And Britt's still going off. Oh, she's one of those types where she just wants to keep poking and being dismissive. Well, take it, bitch. I'm wearing a denim top. And I do real estate. And I'm hot. And the girl's in the car. Kenya's like, wow, what?
She's talking about guns. Really? She said gun. And Kenya's like, yeah, she was talking about she still has got a pistol on me. I mean, this girl is a problem. She's got to go. She's got to go for real. And Portia's like, yeah, she's got a little hype. So I'm going to go this way. And Kenya's like, please, please let her do something to me so she can go. Okay. Oh, but oh, look, Charles Oakley is here. I'm not going anywhere near Charles. I don't want any problems with Angela. So...
which is sort of to imply that there's something going on with Charles. But I think it just has to do with it. I didn't mean yikes to that. I just meant yikes to the Brit stuff. Yeah, no, I'm saying yikes too because I think Kenya may have spilled something in Charles's presence and that's a no-no.
Well, that brings us to the end of Atlanta. Down with Brit, I say. I think she sucks. Yeah, she does suck. I don't need any more of that. She really does suck. Like, if this is her audition, you're done. Just try too hard. We would have been like, go away. You're trying way too hard. And this is not the show for that, ma'am. Okay, you're trash. Yeah, she did okay the first few weeks. Don't be like poor and pretend you're getting lobster catered somewhere else, ma'am. I can't. Yeah. Bye. Yeah.
Anyway, thanks everyone for being here. Thanks everyone that came out to our shows over the weekend. Those were so wonderful. And we will see you on the next episode. Bye-bye. Bye.
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