Hey Clockface.
Winds, cello, piano, and drums.
He realized the traditional model of making a record and then touring to promote it was no longer viable.
He described it as an outlandish adventure, starting with flying to Helsinki to record songs spontaneously without demos, followed by a celebration in Paris with 30 people, and then a tour in England.
He recorded in Helsinki, a place where he didn’t know anyone, which allowed him to focus purely on the music without distractions.
He had to cancel the remainder of his tour as the pandemic worsened, recognizing the risk to his crew, band, and audience.
He created 'Fifty Songs for Fifty Days', a series of songs that he described as not political but rather as an installation addressing societal issues.
He prefers to explore angles that others aren’t covering, aiming to avoid the simplistic nature of political slogans.
He notes that many of the issues people are outraged about today have happened before, and songs can serve as reminders of this cyclical nature.
He has spent uninterrupted time with his 13-year-old sons, something he hadn’t done since they were infants.
Elvis Costello’s thirty-first studio album, “Hey Clockface,” will be released this month. Recorded largely before the pandemic, it features an unusual combination of winds, cello, piano, and drums. David Remnick talks with Costello about the influence of his father’s career in jazz and about what it’s like to look back on his own early years. They also discuss “Fifty Songs for Fifty Days,” a new project leading up to the Presidential election—though Costello disputes that the songs are political. “I don’t have a manifesto and I don’t have a slogan,” he says. “I try to avoid the simplistic slogan nature of songs. I try to look for the angle that somebody else isn’t covering.” But he notes that “the things that we are so rightly enraged about, [that] we see as unjust . . . it’s all happened before. . . . I didn’t think I’d be talking with my thirteen-year-old son about a lynching. Those are the things I was hearing reported on the news at their age.”
Costello spoke from outside his home in Vancouver, B.C., where a foghorn is audible in the background.
This segment originally aired on October 16, 2020.