The song serves as a thesis for the album, encapsulating its themes and characters, exploring both the glamorous and grim sides of power, including sex, drugs, and sadness.
The album explores themes of power, its alluring aspects, and its darker sides, delving into subjects like sex, drugs, and sadness.
She needed to radically reorganize her life to clear a path for creativity, avoiding depression that could have swallowed her completely.
She has been an anxious person since childhood, and during the album's creation, she relied on pills to manage anxiety and depression, though she doesn't overstate this reliance.
She is less interested in guitar playing as a display of pride and more focused on using the guitar to create uncomfortable, disruptive sounds that serve the song.
Performing can be transcendent, allowing her to relive the heartbreak of her songs, but it can also feel like work, requiring structure and focus on the audience's experience.
She was approached by Lionsgate to adapt the story with a female protagonist in modern times, and she accepted only if she could work with screenwriter David Burke, known for 'Elle'.
It involves a mother hiding her dead husband's body in a bear suit during her daughter's birthday party, leading to a comedic yet dark reveal.
She rarely performs covers because she doesn't know how to play other people's songs, though she occasionally does, like 'I Dig a Pony' by The Beatles.
She believes art, music, and theater change people's minds, make them more human, and remind them of their own and others' humanity.
Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.” They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.
This segment originally aired on October 13, 2017.