We're sunsetting PodQuest on 2025-07-28. Thank you for your support!
Export Podcast Subscriptions
cover of episode How Alpha Kappa Alpha Shaped Kamala Harris; Plus, Bill T. Jones

How Alpha Kappa Alpha Shaped Kamala Harris; Plus, Bill T. Jones

2024/10/29
logo of podcast The New Yorker Radio Hour

The New Yorker Radio Hour

AI Deep Dive AI Insights AI Chapters Transcript
People
B
Bill T. Jones
D
David Remnick
K
Kai Wright
Topics
David Remnick: 比尔·T·琼斯的舞蹈作品《依然在此》在30年前首演时引起轰动,如今被认为是当代舞蹈的里程碑。作品探讨了死亡和生命的意义,以及人们面对疾病和死亡时的勇气和韧性。 Kai Wright: 比尔·T·琼斯是一位著名的舞蹈家和编舞家,他的作品《依然在此》源于他个人对死亡和生命的思考,以及与患有绝症的人的互动。他举办了多次“幸存者工作坊”,与患有绝症的人一起探索生命和死亡的意义,参与者并非专业舞者。比尔·T·琼斯将工作坊中的内容融入到舞蹈《依然在此》中,舞蹈动作、手势和语言都源于工作坊参与者的真实经历。 Bill T. Jones: 比尔·T·琼斯反思了《依然在此》首演时引发的争议,作品曾被批评为“受害者艺术”。他认为艺术应该超越个人身份认同,但同时也应该与创作者的个人经历相关联。他认为《依然在此》在当时的社会背景下具有特殊意义,如今重新上演,他希望年轻一代能够理解作品的创作背景和意义。他认为艺术应该具有挑战性和自由性,并探讨了意义与死亡的关系。 Bill T. Jones: 比尔·T·琼斯认为艺术应该超越个人身份认同,但同时也应该与创作者的个人经历相关联。他认为《依然在此》在当时的社会背景下具有特殊意义,如今重新上演,他希望年轻一代能够理解作品的创作背景和意义。他认为艺术应该具有挑战性和自由性,并探讨了意义与死亡的关系。

Deep Dive

Key Insights

Why is Kamala Harris's membership in Alpha Kappa Alpha (AKA) significant to her identity?

AKA is a lifetime commitment and a community service organization that has played a crucial role in shaping Kamala Harris's identity, providing her with a strong network and a sense of purpose rooted in uplifting the social status of African Americans.

Why was Alpha Kappa Alpha founded in 1908?

Alpha Kappa Alpha was founded during a time when Black college students were barred from joining white fraternal and sorority organizations, leading them to form their own to promote self-reliance and uplift the social status of African Americans.

Why is Kamala Harris's rise to the presidency seen as a fulfillment of AKA's mission?

AKA was created to uplift the social status of the Negro, and Kamala Harris's potential presidency is seen as the ultimate fulfillment of that mission, representing the ascent of a Black woman to the highest levels of leadership.

Why does AKA focus on comportment and excellence?

AKA focuses on comportment and excellence to instill a sense of professionalism and historical excellence in its members, acting as a sort of finishing school steeped in Black self-reliance and community involvement.

Why might certain segments of the Black voting population be more excited for Kamala Harris than for Barack Obama?

Kamala Harris's experience at Howard University and her membership in AKA are seen as a more specific and deeply rooted Black American experience, which resonates more with certain segments of the Black community compared to Obama's background.

Why are AKA members effective in mobilizing the Black vote?

AKA members are effective because they are deeply enmeshed in their communities, know how to get things done, and are committed to fulfilling the mission of ensuring that Black people in their neighborhoods vote, regardless of who they vote for.

Why might Kamala Harris's reluctance to embrace her identity as a Black woman be a mistake?

Kamala Harris's reluctance to emphasize her identity as a Black woman might be a mistake because it could reduce the excitement and support from the Black community, which was more evident during Barack Obama's campaigns.

Why did Bill T. Jones create the dance 'Still/Here'?

Bill T. Jones created 'Still/Here' to explore the themes of mortality and the resourcefulness and courage necessary to perform the act of living, drawing on his personal experiences and those of others facing life-threatening illnesses.

Why did the original performance of 'Still/Here' receive mixed reactions?

The original performance of 'Still/Here' received mixed reactions because some critics dismissed it as 'victim art' and questioned its artistic merit, while others praised it as a profound and sensitive work of art.

Why does Bill T. Jones believe art should be personal and connected to the artist's identity?

Bill T. Jones believes art should be personal and connected to the artist's identity because he finds art that is disconnected from the artist's life experience to be dishonest and unengaging, emphasizing that art should reflect and transcend personal experiences.

Chapters
Kamala Harris's membership in Alpha Kappa Alpha (AKA) sorority has played a significant role in her life. AKA, far from being a typical social club, is an organization focused on community service and uplifting the social status of Black women. It provided Harris with a network of support, mentorship, and a foundation in Black identity and leadership.
  • AKA's mission is to uplift the social status of Black women.
  • The sorority emphasizes comportment, excellence, and community involvement.
  • AKA played a crucial role in shaping Harris's experience at Howard University.
  • Harris's connection to AKA resonates with some Black voters more deeply than Barack Obama's.
  • AKA mobilizes for voter registration and participation, particularly within the Black community.

Shownotes Transcript

One aspect of the Vice-President’s background that’s relatively overlooked, and yet critical to understanding her, is her membership in the sorority Alpha Kappa Alpha. “In one of the bylaws,” the writer Jazmine Hughes tells David Remnick, “it says that the mission of the organization, among many, is to uplift the social status of the Negro.” Far from a Greek party club, A.K.A. "is an identity” to its members. When Donald Trump insinuated that Kamala Harris had “turned Black,” in his words, for political advantage, “a lot of people pointed to her time at Howard, and her membership in A.K.A., [as] a very specific Black American experience that they did not see from someone like Barack Obama.”  

Jazmine Hughes’s reporting on “The Tight-Knit World of Kamala Harris’s Sorority)” was published in the October 21, 2024, issue ofThe New Yorker

Plus, Kai Wright, who hosts WNYC’s “Notes from America,” speaks with the choreographer Bill T. Jones. This week, the Brooklyn Academy of Music is re-mounting Jones’s work “Still/Here,” which caused a stir when it débuted at BAM, thirty years ago: The New Yorker’s own dance critic at the time, Arlene Croce, declared that she wasn’t going to review it. Now “Still/Here” is considered a landmark in contemporary dance, and Jones a towering figure.