Julianne Moore values a director's distinct point of view and their ability to tell a story uniquely. She is particularly drawn to directors who also write their own scripts, as she feels the language and vision are clearer. She emphasizes the importance of understanding where her character fits within the director's narrative and often seeks clarity through storyboards, playback, and looking through the lens during filming.
Moore finds it challenging when directors lack preparation or a clear shot list because it leaves her feeling lost and unsure of how to align her performance with the director's vision. She believes that specificity in shots and direction is crucial for her to understand her role and contribute effectively to the storytelling process.
Robert Altman's naturalistic and generous approach to filmmaking inspired Moore to pursue a career in film. She admired his love for individuality and flaws, as well as his ability to create a safe environment for actors to explore their characters. Altman's films, such as 'Three Women,' awakened her to a new kind of acting and storytelling that she wanted to emulate.
Moore was struck by how intensely personal Almodóvar's films are, with every element drawn from his life and imagination. She noted that his apartment mirrored the sets of his movies, and even the crew members appeared in his films. Almodóvar's vision was so clear that Moore felt her role was to fulfill his pre-existing vision of the film.
Moore dislikes watching the final product of her films because she feels she can't change anything at that point. However, she enjoys watching playback during filming as it helps her adjust her performance based on the frame, camera movement, and lens. She finds the process of making the film exciting but prefers to leave the final product behind.
Moore's early work on the soap opera 'As the World Turns' taught her to be prepared, know her lines, and quickly adapt to the fast-paced environment. She also used it as a learning tool by watching herself on television to identify areas for improvement, such as her stiffness and voice control. This experience laid the foundation for her later work in film.
Moore is fascinated by ordinary lives and the emotional dilemmas that define them. She finds these stories compelling because they reflect universal human experiences, such as how we live, who we love, and where we belong. She believes these narratives offer a deeper understanding of what it means to be human, which is why she gravitates toward domestic and everyday stories.
Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar’s first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I’m really drawn to ordinary lives,” she tells Schulman. “I’ve never been, like, I’m going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that’s the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”
New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts).