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cover of episode The Hasan Minhaj Saga and Evolving Expectations of Truth in Comedy

The Hasan Minhaj Saga and Evolving Expectations of Truth in Comedy

2023/11/22
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Jesse David Fox
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专注于电动车和能源领域的播客主持人和内容创作者。
哈桑·米纳吉
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主持人:哈桑·米纳吉在脱口秀中夸大事实,引发争议,这反映了观众对喜剧中真实性的期望变化,以及对政治讽刺喜剧演员的真实性要求。 哈桑·米纳吉:在政治喜剧中,事实至上;但在故事性喜剧中,虚构和真实的界限可以模糊一些。他认为自己传达给观众的信息是正确的,只是为了增强故事的冲击力。 Jesse David Fox:哈桑·米纳吉事件凸显了公众对喜剧演员是否拥有艺术创作许可的误解,以及观众对喜剧中真实性的期望。他认为,如果事实会完全否定故事的有效性,那么艺术家的表达方式就值得思考。哈桑·米纳吉的事件也受到其政治身份的影响,因为他的节目并非非政治性的作品。 Jesse David Fox:20世纪中叶的“病态喜剧演员”是喜剧中真实性角色转变的转折点,他们开始以个人表达为基础进行表演。理查德·普莱尔是喜剧中真实性的代表人物,他坦诚地讨论种族关系和个人经历,这种脆弱性提升了喜剧艺术形式。Tig Notaro、玛格丽特·曹和玛丽亚·班福德等喜剧演员的脆弱性挑战了舞台上“无所畏惧”的传统定义,她们的勇气在于直面伤害并坚持表演。路易斯·C.K. 的故事表明,观众对喜剧中真实性的期望与对表演者个人品德的期望交织在一起,单纯的“诚实”不足以抵消道德败坏行为带来的负面影响。John Early 和 Kate Berlant 等喜剧演员对表演的真实性进行了讽刺,认为承认表演本身比伪装成真实更真实,这反映了对先前真实性定义的反弹。哈桑·米纳吉的成功源于他的真诚,但这也让他容易受到批评,米纳吉事件可能会促使政治喜剧演员更严格地审查自己的作品。政治喜剧的未来可能转向更分散的平台,喜剧演员在提供信息和处理信息方面仍然扮演着重要角色,观众对喜剧演员的信任决定了他们对事件的判断。

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The scandal involving Hasan Minhaj's embellished stories in his stand-up routines raises questions about audience expectations of truth in comedy, especially for comedians who engage in political commentary.

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In September, The New Yorker published an article by Clare Malone titled “Hasan Minhaj’s Emotional Truths,”) fact-checking moments from the comedian’s stand up specials. The article reportedly cost Minhaj the hosting gig for *The Daily Show, *and Minhaj posted a lengthy Youtube video) responding to its claims. The New Yorker has stood behind its story, even after Minhaj called it misleading. The scandal, which has been covered by almost every major news outlet, brings into question what audiences expect from comedians — especially ones who do Jon-Stewart-style political commentary.

This week, Brooke speaks to Jesse David Fox), author of *Comedy Book: How Comedy Conquered Culture and the Magic That Makes It Work), *about why the saga provoked such a strong reaction. Plus, Fox explains the changing role of truth in comedy: from the authentic acts of Lenny Bruce and Richard Pryor, to the vulnerability of Tig Notaro. Fox also notes that the fall from grace of Louis C.K., who pre-#MeToo was often proclaimed the "most honest" comedian, informs the rise of the hyper-performative, absurdist comedy of John Early and Kate Berlant.

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