Did you ever doubt yourself? Oh, hell no. I know that I'm not the best looking guy in the world or the smartest or anything, but I will walk into any room and I will walk out with your girlfriend. There's no doubt in my mind. Simmons and Kiss revolutionized rock in the 1970s and 80s. One of the most influential rock bands of all time. 30 gold records, 14 platinum records. Kiss, Gene Simmons. Don't ever take from anybody
Just roll up your sleeves and go to work. Wow. What do all great champions do? They psych themselves up. I'm going to win it. I am the champion. I am the greatest. I heard Muhammad Ali doing that. I never heard a human being talk like that publicly. Like, who is this guy? Actually, he was stating fact.
It's our problem that we thought, well, you're not supposed to say that. Why not? Why not set greatness in front of you and then work towards achieving it? Yeah, that's true. What have you learned about fame that you wish everyone knew? If you become famous...
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Hey everybody, Ted Danson here to tell you about my podcast with my longtime friend and sometimes co-host Woody Harrelson.
It's called Where Everybody Knows Your Name, and we're back for another season. I'm so excited to be joined this season by friends like John Mulaney, David Spade, Sarah Silverman, Ed Helms, and many more. You don't want to miss it. Listen to Where Everybody Knows Your Name with me, Ted Danson, and Woody Harrelson sometimes, wherever you get your podcasts. And I heard an interesting story or a very powerful story that
When you and your mother were trying to get to America and trying to come here and migrate to America, what was the lesson you learned from your mom and the courage to get over? My father had gone, so the provider was no longer there because my mother stayed at home while he worked. So once my father left, my mother was forced to leave.
to go out there and, you know, while I went to school. So when I'd come home from school at three, four, whatever it is in the afternoon, I was alone at six, seven years of age and, you know, would cry myself to sleep because my mother would
work until late at night, six days out of the week. There was no such thing as five days, two days off. And in Israel, it's the Sabbath, Saturday, that you take off. Sunday, you go right back to work from 6 a.m. until 7, 7.30 p.m. And so both of my mother's brothers became successful in America. They already came to America. Yes, right before World War II. Hmm.
my mother and my father went to israel nineteen forty nine and both brothers had already started working in america and the stories i could tell you about my uncle george until the day he passed he loved wonder bread in those days you could for twenty-nine cents you could buy a whole loaf he would buy a whole loaf
with water and sit in a park bench in Central Park. And to him, it was like eating cake from Kings. He would just eat the bread and drink water because you didn't have it in Europe. There was barely any. The fact that he could eat an entire loaf of bread by himself and nobody would kill him to get a slice of bread was beyond anything.
Because Europe never really recovered from the 1929 stock market crash. People were killing each other all the time. And in concentration camps, if you had a loaf of bread, they'd kill you for that. It's a different world. In America, the land of plenty, even during World War II, people ate, you know, we grew wheat. So her brothers were already here. And successful. And successful. So they said, hey, you come over and stay with us? That's exactly right.
Was it that easy to kind of, you know, leave the country at that time? So when my mother came to America, she had to work, you know, the whole time. And I was, I remember going into my Uncle Larry's house and they had their own house with a basement and stuff. I mean, I just couldn't, and you'd look out the door and they were paved streets and cars going everywhere and people were fat everywhere.
And I never saw a refrigerator. We had a box, and if you had a piece of ice, you'd stuck it in there so you can have milk. By the way, not branded. They'd give you a sheet of newspaper, and your week's piece of meat, and your week's butter. It was a new country. There was nothing. There were no stores. People can't fathom that. I remember all that. And I remember just everything was new. You know, you have branding cups, and
And canned food. I never saw canned food until I got our first, until we got our first care package from the UN. And we opened up the box and there was a, I get choked up when I, and there was a can of peaches. And I never saw a can, I know people are going to think, well, he's exaggerating. No, I never saw a can of food. There were no supermarkets or grocery stores. Nothing. You lived in hills.
And I remember taking the can and there were a full color picture of peaches dripping with the stuff. And I remember at about seven years of age looking at it and my mother grabbed that out of my hand and she took a big rock. There's no such thing as can openers. And she put it on the ground and banged into it and then peeled back the metal
So the sharp stuff was going there, and she gave it into my hands, and my little hands grabbed it, and I looked and saw the yellow peaches inside, and my mother said, you know, in Hungarian, because I spoke Hungarian, Hebrew, Turkish, Spanish, and those stuff. And I remember tasting it, and I—sorry, I'm getting a little verklempt here. I'll give you.
never tasted anything I still I still taste it never tasted anything so sweet or anything and I wanted to show my mother and she was like we were just amazed at this thing and and the fact that this and it also had a Bugs Bunny book
Colored with these going down the road and all that I didn't never heard of Bugs Bunny and a sweater that was all torn My mother put it on me and it was all you know too big But it was colorful and all that and my mother would read me the same Bugs Bunny book every night, but she had to make up the words in Hungarian because she couldn't speak in Hebrew and the words were in English so she'd make it up and I just look at the pictures and I'd go to sleep with that and
And as a matter of fact, Mel Blanc, a Jew who did all the voices for all the warrants, who did all the voices, Daffy Duck and Mel Blanc, all that, Elmer Fudd told him the story. And he said, that's one of the reasons why I wanted to do these voices for the children whose lives had changed. And which is why as soon as I got some money, I made sure that
took a bunch of money and send it to kids in need originally through the Christian child fund and then became the child fund and I to this day support 1400 kids in Africa who if they don't go to school won't get close and won't get fed that means you'll starve because there's nothing there Zambia you come to school you get fed and stuff so it teaches you that school has
So I got lost. What was the question? Well, really about your experience when you got to America. You never saw anything like this before. You never experienced the taste, the foods, the refrigerator, all these things. I was in the kitchen with my Aunt Magda, who herself survived the camps and had some problems. And she married my Uncle Larry, who was my mother's brother.
and we go into the kitchen because there was always another room there were bedrooms like a palace you can't believe and there's this big white box or something and a metal thing and my aunt magda opened it and i was uh you know i was a little kid i never saw anything like it and it's just food there's wrappers and food and cheese and things and on the side
I'll never forget it. My Aunt Magda, I was attracted to the red because it was a jar of red. I later remembered it was Schmuckers. With a name like that, it's got to be good. It was Schmuckers jelly. Out of Ohio. And my mother said to me in Hungarian, you know, have some. And my Aunt Magda opened the can. I'd never seen that before. You don't understand. In Israel, they'd give you a slab of
whatever butter never jelly and that would be it for the week you'd have to make it there was no refrigeration or anything so my aunt magda gave me a spoon and in broken hebrew she must have said taste it because she was fascinated that i didn't wasn't quite sure what it was i'm only halting because if you weren't here
I'd start bawling. And I thought she said, eat it, because she gave me a spoon. So I started like a Christmas goose. I just started my mouth full of jam with the jam falling off, you know, just eating it because I never tasted anything like that, the entire jar. And both my mother and my Aunt Magda were laughing so much, you know, they were in tears. And I didn't know what was going on. I just said, this is the best thing I ever had.
and America just kept and then I was afraid of crossing I still have the marbles I was afraid of crossing the street because cars were going by you know people crawling I didn't understand it so I walked around the block and I saw other houses next to each other I said this is like where are all these houses this everybody's rich yeah everybody's rich and I went to the other side of the street
Then I had to come back and went a little further, then eventually went around. I thought if I went around, I'd get lost. I didn't know that came around to this. I know it sounds. Yeah, yeah, yeah. And on the other side, eventually, I saw some guys playing marbles on the grass, which would be, I don't know if you have a marble or something. And they're throwing it like this.
It's not what we did in Israel. You stood up on two legs and you went like that and you get really good because you can aim it on the ground if you do the marbles like that. You know, the ground would make the marble another thing. And what are you, stupid? Can't you speak English? I don't know. God, it's an idiot. I play, I play. They go, yeah, here. They gave me a marble or two. I won all their marbles. They didn't laugh for long. Yeah. Yeah.
I still have all the marbles I want, about 80 of them. Really? In an old Dutch master's cigar box. That's cool. To remind me, don't ever take shit from anybody. Just roll up your sleeves and go to work. Wow. Make them work for you. How did that make you feel, though, when you didn't speak the language, you didn't have any friends, when you came to America, you're in this new world? How did that make you feel? Were you more excited or more scared? I've always...
I've never been scared, not after my mother survived Nazi Germany, but I've always felt like an outsider. I still don't feel like an outsider. Maybe that's okay. Maybe...
I want to be like everybody else. I want to be an ordinary guy. No, I don't want to be an ordinary guy. I want to be an extraordinary guy. I want to excel at anything that I try to do. And I'm willing to work harder than you do. And the only thing that prevented me from getting into sports and everything else is because the pragmatism in me tells me that you've got a short life. When you enter sports or things like that, if you get an ankle, you're done.
But I can be a banker or a lawyer or a teacher, I think, forever. It made more sense and therefore more dollars. Yes, if you're lucky, because every kid in every poor neighborhood wants to be the baseball player or the football player and stuff like that because 50 million, Carmelo Anthony made it. And for a while I worked with Carmelo.
They make all this money. You don't see the tens of thousands and millions of carcasses on the side of the road that wanted to put all their eggs in one basket and achieve nothing.
You only see, you know, the tip of the iceberg. Yeah, the winners. Oh, that means anybody can do it. That's a fallacy. So when did music start to come into your life? Because I heard a story that you saw the Beatles on TV when you were 13. Was music something you were interested in before then? Or did that open your mind to a world of, oh, dreaming that maybe I could be this one day? I didn't put the two and two equals four thing together.
I was more an observer on life because in America there were so many attention deficit disorders, so many different things going by. There was sports and television and radio and all that stuff going by. And so I worked. And when I was about 13, I came home. Yes, I worked on Sundays and Sunday nights.
I'm pretty sure it was the Ed Sullivan Show. Unlike any show that's ever been on TV. At that time, in 1963, 64, population of America was 170 million people, about that. Now it's double that. It's 330 million. And the Ed Sullivan Show was so big, they had pooping elephants and comedians and puppet guys and, you know, one rock band for the kids.
And I remember coming home from work and my mother got one of those TV dinners. People have no idea what that is. But you buy them frozen because poor mom had to go work. She couldn't. And it was like this kind of like old shoes crunched into like burgers, peas and some mashed potatoes. And you pour the gravy and that was it.
and i didn't know anything i liked it so i was eating it and ladies and gentlemen the beetles and i'm going what is that and by the way
I've met the biggest stars in the world, especially musicians. They all point to that pivotal moment. Scientists call it a singularity. All of a sudden, these feminine-looking guys with hair over their ears, because in those days, even shorter than your hair, you'd see the meat between the ear and the hairline above it, or like crew cuts.
and these guys talk like that here i work my fingers to the bone like all what is that and they're small compared to ed sullivan and everything
you know, kind of feminine in a way because Americans were bigger and fatter and stuff. And these guys were all, you know, like bone thin and spoke strangely. I didn't understand. I was watching and I thought, gee, they look weird. And I remember my mother coming in and saying, gee, I think they look weird. And bango, at that moment, I said, no, they're cool because my mother thinks they're weird. You want your own thing.
You don't want to do Lawrence Welk. You never heard of Lawrence Welk? Oh my God. Kill me now. Lawrence Welk was on every Sunday and it was mom and dad music. And now we're going to do the polka. So since your mom said it was weird,
And you're like, that's cool then. Right. And it's different. And different is better than... Different is good. Yeah, different is good. But you were... I mean, you're a branding and marketing genius when it comes with...
- That word genius is not right. I've been careful, so I win. - Well, you've been a branding and marketing master at studying and executing it. - A success. - Yeah, at studying and executing how to brand yourself. I mean, your book, "Me, Inc." You built a personal brand before personal branding was a thing. You studied how to be unique and different from seeing the Beatles and other people, I'm assuming. - Well, more specifically, how to be Disney without the overhead.
But it's not as difficult as people think it is because unlike other countries, all information is available for free to anyone who wants to put in the time. And it's the house of God, otherwise known as the library. Don't forget that second R in the middle. It's not library, it's library. And I used to go to the library every day after yeshiva. I was studying to be a rabbi.
But then I discovered girls. So I was in school, yeshiva, which means the sitting, the whole day. And afterwards, I'd go to the library, which was only a few blocks down. And I'm the only guy I've ever met or talked to who's actually read the Encyclopedia Britannica, cover to cover. Wow. I am the corniest, most boring guy at a party. ♪
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When did you feel like you were able to really monetize the artistic gift that you were developing? Take it more either in the country, globally, like when did that start to happen? You said, oh, this is more than just weekend parties. Yeah. In 19, even during college, I went to the State University, upstate New York, took out my own bank loan, paid for it myself and all that.
So afternoons, I'd be the lifeguard at the Pines Hotel up in the Catskill Mountains, otherwise called the Jewish Mountains, literally. Because every weekend you'd have Jerry Lewis there and like all these guys, Milton Berle. And so I worked right after I'd finished classes and I'd go make some more money. And on the weekends, the Wicked, not Wicked Lester, but what was it called? Bullfrog Beer.
That was the college band, and we played covers and some of my original songs, which by then I learned how to write my own songs. Not very good. Two of them or so wound up being Kiss songs. And during one weekend, I'd make more money with the band having fun with the chicks and the attention and all that than I would the whole week working. It started to make more financial sense
yes i had more fun and then graduated nineteen seventy two from the state city university at richmond college and started teaching sixth grade in spanish harlem segue to being the assistant to the editor of vogue magazine assistant to the director of the puerto rican interagency council a government-funded research and demonstration project
where I saved $23,000 by the time I was 23 years of age. I lived at home. Makes more sense. You want to meet in Chicago? Go to the Holiday Inn. Otherwise... Save your money. Yeah. Save your money. Lived at home when I didn't need to spend money. But of course, I contributed a little bit. And we... I met another guy who shared...
the love of English music, which is really American music, anglicized. We were anglophiles, the Beatles and the Stones and Zeppelin and, you know, all that, and made our own pastiche, our own thing, like they did their own thing of American music. And by 1973, we got signed to Casablanca Records, a new record label. How old were you then?
This time, roughly? Just after college? 23. Okay. 22. And this wasn't, was this called KISS at the time or no? Yes, it was. We became KISS. And you're doing, you got signed, but how big were the venues where you were playing before you got signed? We played clubs. 100 people. From nothing to everything. Really? Yes. We played New Year's Eve, 4th on the bill at the Academy of Music in New York City, 1973-74.
And two months after that, the first album came out. We were fourth on the bill. Kiss, Teenage Lust, which was a local band, Iggy Pop, and Blue Oyster Cult. And on the first, by the third song, I'm spitting fire. We were full makeup. My hair catches fire. And we're on the covers of all the magazines and everything. New band out of here from Hellfire. And you know, all this kind of stuff. I was just glad to be alive.
but within a year and a half of coming out before mtv before cell phones we had still rotary calls superman was still going into that booth and changing of course people can't see him taking off his pants because he's in a phone booth while all this was happening within a year and a half
were headlining Anaheim Stadium in Los Angeles. Wow. Yeah. Just that overnight thing. We had no hit singles, nothing. Really? Yes. It became what the Germans called Zeitgeist, the water cooler conversation.
The way you spread your brand in those days were rock magazines, circus and raves and all these colorful magazines that had posters. And we were always on the cover because the rest of the band's just boring. Yeah, they're not visual. So our brand and people, you know, the fans, we started selling out multiple days in arenas before we even had a gold record.
It went ass backwards. So you guys developed a brand almost before you developed the music. That's right. It's like you were like, let's create the image of us. Let's create the persona. You're giving us too much credit. We didn't know anything. You weren't thinking about it. No. But that's what happened. You were just rock and roll gypsies. Right. You were glad you didn't have to do nine to five. Right.
and be in the same cubicle doing the same thing. That's interesting. Did you intentionally think about let's be so different so that people pay attention? Or were you just like, let's have fun and just be playful? Or how did this character develop? None of that. Scientists either call it a singularity or an anomaly. We were rehearsing doing these songs that Paul Stanley and I wrote, Stanley Eisen, Eisenberger. And I started writing and then Ace Fraley came
contributed a song or two and as we're you know this kind of sounds pretty good and we had peter chris on drums and everybody could sing everybody could play and then instead of doing in a market analysis or anything i recall clearly because i never got high or drunk one of us and i can't tell you who said let's go down to woolworth's which was like a department
And it was around Halloween, I believe, and they had a lot of gimmicky things like plastic ice cubes with fake flies in the middle that you could stick in your girlfriend's strings. Or whoopee cushions. You know what a whoopee cushion is? Yeah, yeah. You sit on it and make it part. Yeah, yeah. And we went down there and said, let's buy clown makeup.
and we literally almost like our hands were being directed bought stein's clown white stein's clown black black stick paul bought red lipstick a few other things and we went up to the rat infested loft where we rehearsed and found ourselves hypnotically looking in the mirror and putting on makeup without anybody
telling anybody what to do or what to think or do. It just happened. It sounds suspicious. And then when we looked around the room, we were fascinated by, wow, that kind of... That kind of school. Different. Yeah, different kind of cool. So much so that, and because I'm kind of a make a list, check it twice, find out I'm that kind of a guy. I worked in offices all my life. There was no manager, so I was calling local gigs,
clubs to try to get us and then booked ourselves in for, I don't know, $35 a night to Coventry. And there was nobody there. We had my girlfriend, somebody else. There was like five people. But for us, we were at Madison Square Garden. And then the second show was at The Daisy in Amityville, where they had Jaws and all that. And the Amityville Horror and all that in Long Island.
And shortly thereafter, we got signed. We barely played any shows. That's crazy to think about. And then a year and a half later, you're selling out arenas. Breaking so much so that within two years of that, we're breaking the Beatles record in Japan and playing five days, I think, at the largest arena, Budokan. And before bands were playing stadiums, we're doing multiple days in Australia in stadiums.
1980, 1980. Where do you think you'd be if you guys didn't put makeup on that first day?
You mean if I wasn't in a band or would KISS have done as well without the makeup? Without the makeup. Like if you guys didn't go to that store and say, hey, let's start putting a makeup on, where do you think the band would be if you never did it like that? But you just said, we're going to go out there and play and wear cool, you know, jeans and look like rock stars, but not put on the makeup or the... Yeah, jeans is so boring. If I'd have to say...
Not as big. Really? You could ask the Beatles, what would you have gotten as far with the same songs and everything if you didn't have the matching haircuts? It's always pieces of the puzzle that somehow fit that make the whole bigger than the sum of its parts, which are fancy words that says...
All of it helps. It did, yeah. And if you take like a house of cards, if you take any one of those, it's just one card, maybe all of it comes down. Interesting. It's so interesting to think about. I get paid a lot of money for this kind of stuff. Yeah, that's fascinating. I'm kind of a big deal. I know. I know you are. Now, when did you... Was there ever a moment in your career where you said early on where you said...
I'm actually going to use that this is working. You know, wearing the makeup, putting on the outfits in this way, it's working. I'm going to make it a character. I'm going to make it an alter ego. I was always aware that character was not the right thing. It's persona. Persona, not alter ego? Alter ego. And by the way, I know people get so upset when I keep bringing up the Jew stuff.
but the idea of the alter ego was created by them also all the superheroes superman yes batman the hulk fantastic were all created by jews who dress british think yiddish the idea of the weak man and the secret superman der ubermensch well that's nietzsche
And all created by disenfranchised people who never felt powerful. So the superhero was created by those guys who were never lifting weights, couldn't dribble a basketball, but they owned the teams. Yeah, or they built the IP or whatever it might be. So did you think about building the persona or the alter ego as you were developing the band then? No, it happened very quickly.
quickly and you react to market. The smart people react to the market. And immediately, we didn't think about it, but fans started to make homegrown t-shirts. Oh, they want t-shirts. Let's make t-shirts. And they wanted... We were aware that if you were a, I don't know, a Joe Cocker fan or somebody, you didn't necessarily want to look like Joe Cocker. And Joe's a fantastic artist. It was music.
and somehow we didn't plan it we want to be unique and all that's true but we didn't quite understand the cultural significance of the idea that you may not be able to be in kiss but you can feel like it
How many more tennis rackets did we sell because people bought those and put on Kiss makeup and pretended when they were 13 that they were in a band? Because just as soon as you... And I'll show you photos of...
Lenny Kravitz when he was 13, like all down, a lot of these people going, what did I do? He was kicked out of school for at 13 coming to school dressed like that. That's interesting. But you wouldn't be kicked out of school for coming to school dressed like George Harrison. Right, right. Yeah. But that's not cool. No, it is cool, but it doesn't, there's nothing negative I can say about the Beatles, but market research, market research is a strange thing
It makes assessments based on the way things actually are. Yeah. So Mount Rushmore, you've heard of it. Could you tell me who the four faces are? I've been there. Yeah, you've been there and you still don't know. Washington, yeah. It bears noting that market research says the four kiss faces are more well known on the entire planet than Mount Rushmore. That's great.
That's great. You can go to Africa and as soon as they see one of the four faces, they say, it's Kiss. Yeah. If you show them one of Mount Rushmore's faces, they wouldn't know what it was. Yeah, yeah. That's astonishing, isn't it? It is.
Hey, everybody. Ted Danson here to tell you about my podcast with my longtime friend and sometimes co-host Woody Harrelson. It's called Where Everybody Knows Your Name, and we're back for another season. I'm so excited to be joined this season by friends like John Mulaney, David Spade, Sarah Silverman, Ed Helms, and many more. You don't want to miss it. Listen to Where Everybody Knows Your Name with me, Ted Danson, and Woody Harrelson sometimes.
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Did you feel like you were becoming a different person when you would step on stage in that persona? And what did that feeling, what was that feeling experience like for you on stage in that persona versus Gene Simmons in life offstage?
I was a regular, normal guy with regular appetites and nothing out of the ordinary and never veered towards self-destructive behavior. Never. I'm curious about how you started to brand yourself even bigger because Kiss became something much bigger than a band. After the first few years, it was big, obviously, but for decades, you elevated it to... I can't say you, it's not fair, but...
to Paul. The band elevated itself to another level. Because sometimes, of course, an idea will come from left field and they go, why don't you, yeah, you know, you're right, we should be doing that. So no matter who you are. How did you all decide to continue to elevate the brand or maximize the brand? Especially in light of the fact that
Times change, tastes change, and different generations come into it. Cool is a moving target. So I give ourselves kudos to be able to be flexible and move around and do that stuff as hair metal bands came in, thrash came in, new romance came, like all through all the different things. So we started co-branding.
Like Hello Kitty is one of the largest brands on the planet for young girls, for little girls. So Kiss Hello Kitty had about 1,500 co-licenses. Everything from training bras to tissue paper to potato chips, you name it. And then we co-branded with Family Guy and Archie. We had Kiss Archie Comics and
Astro Boy from Japan and just a lot of... What was the biggest licensing deal that Kiss did? Kiss? Beyond the band, what was the biggest co-branded or licensing deal? Yeah, or deal beyond. Yeah, Old Kitty would probably be the biggest. Because they were endless. And then they changed CEOs. Actually, the CEO flew in to LA and we had dinner.
And he and I are sitting next to each other and we're talking about the future. Okay, we got to ramp up this clearly working and everything. And he said, as soon as I get back to Japan on Monday, it was the weekend coming up, I'm going to draw papers and we're going to do some big, big, big stuff. And then he passed away. And the new CEO just, you know, didn't see it. Oh, that's a bummer.
Where is the biggest revenue come from these days then with the brand? Is it licensing? Is it still royalties? Is it still music? All of it. Music less because entire generations of fans don't pay for music. They download and voucher. Both of our kids, Nick and Sophie, are massive on Spotify and Schmodify and all the other childlike words. Yahoo! Google! And
Sophie, for instance, is a manager, co-writes. She's co-writing a song right now with the writer who wrote, Do you believe in love? You know, for Cher. What a small world. Small world, that's a Disneyland. It's a what? It's a small world, that's a Disneyland. It's a small world after all.
As a matter of fact, I recorded When You Wish Upon a Star for my solo record because of how emotionally Jiminy Cricket affected my life. I thought when that little insect in the movie goes, Gene, when you wish upon, I thought he was singing to me. I was 12. Wow. I went out there like in a religious epiphany. I can do great things because Jiminy, your dreams come true.
I can do it. And that's why I like, if you're not a bad guy, that's why I like guys like you, because sometimes some someplace in Wisconsin, there's somebody who can, who's possibly might do great things. And the only thing holding himself back is himself. And if you can just light that little fire in the belly that, you know, that, that puts the light on, they'll do amazing. Yeah. Did you ever doubt yourself?
No. Really? I couldn't afford it. So you never had any insecurity or self-doubt? Oh, hell no. But I'm delusional. I'm aware of it. I know that I'm not the best looking guy in the world or the smartest or anything, but I will walk into any room and I will walk out with your girlfriend. There's no doubt in my mind.
And part and parcel of that has to do with a mindset that's really important that I was only able to recognize many years later. You're a tightrope walker, and various ideas and ideals can come into your mind before you walk that tightrope. You might say, a lot of people have tried to walk this tightrope. There's a decent chance that, like, oh, and you're hearing and thinking what you're saying.
So all the negativity is contributing to the chances of you failing. And what do all great champions do? They psych themselves up. I'm going to get out there and I'm going to do this. And who's listening? You're listening. I'm going to win it. I am the champion. I am the greatest. I heard Muhammad Ali doing that. Cassius Clay at that point. I still think it's a cooler name.
I never heard a human being talk like that publicly. I am the greatest. I'll sting like a butterfly. Like, who is this guy? Actually, he was stating fact. It's our problem that we thought, well, you're not supposed to say that. Why not? Why not set greatness in front of you and then work towards achieving it? Yeah, that's true. So I've spent time with Mike Tyson, and I hope he considers me a friend. I consider him a friend.
and when you listen to mike's story there's no logical reason in the world why he would become the most dangerous man who's ever been in the ring nobody yes i know four men and and everybody else
He's too short. His arms aren't long. He hates it when people do that thing. All the negatives you can imagine, except his unwavering belief in himself and the will to win. The will. Doctors still talk about people who are in a deathbed, and they can't explain why a week later they walk up and walk out the hospital, live another 10 years, except for the will to win. And there are other people who drop dead,
Well, they just give up. Yeah. How did you prepare your mind then or psych yourself up? There's no preparation. When you went on stage, though, did you prepare or not? No, you just, the plane doors open. Go. What have you got to lose? In America, you cannot fail.
You can't fail. If you lose all your money, you declare chapter 7 or chapter 11, and you can start all over again. And when that first chick said, would you like to go out with me? She says, no. Too many fish in the sea. There's tall, one's short, one's fat, one's thick, two. Just keep swaying that bat. You'll hit it. No means nothing. That's a good mindset.
Well, what choice have you got? As soon as you say, well, I guess I'll give up. You're done. Why do you think so many people, though, live in self-doubt or insecurity and don't go for their dreams? There's no reason for it. But why do you think so many people live in that space? Well, it's safer. Your people are lemmings because it's safer in numbers. You don't want to be that one person who says, but that's what leaders are. The leaders are the ones. Most people have a problem getting up on stage.
and speaking their mind, because you will be judged. People don't like to be judged. Get over it. It doesn't matter. Not everybody likes Jesus either. Did you ever care about being judged or being not liked? No, I think too much of myself. You think highly of yourself. It doesn't matter. Well, they're not qualified to have an opinion on
Yours truly. I'm qualified. I know where I've been, what I'm doing, what my dreams are, what I'm willing to work at. Anybody's other opinion is an opinion at first glance. Why do you think so many people care about other people's opinions? Because you don't, it sounds like. But why do you think so many of the world... Or precisely, I could give a fuck. Right. But why do so many people care about others' opinions? It's safer. It's safer to be in a group and, you know, when it's time to
put Frankenstein on fire when the guy didn't do anything. There's a mob mentality. You don't even have to say anything. You can just let the mob carry you. It's tough to be that person, but those are the leaders of the world. And they don't have to be the most qualified, by the way. Some of the people I see on television using Christ's Redeemer, they talk, there are hundreds and hundreds of millions of dollars
Some of them are not very bright people, but they have this presence. If you take a look at the most powerful people in history, good and bad, they weren't super tall. They were usually pretty short guys. But they had a presence. Excuse me? But they had a presence. Some illogical belief in themselves. Yeah. Whether it's Caesar or...
Hitler or Napoleon if they have no right to have this you know and Some of them are real bad guys small people with but on the inside Giants giant bad guys and giant good guys. I'm curious with all the you know experience the travel the people you've met who in your mind
is one of the greatest musicians or the greatest leaders in the world that you've met or seen? Let's keep it in the music world. Who's in the top in the music world that you're like, man, that guy or that gal's got it or that group has got it beyond yourself and Kiss? Who else have you seen or met or watched that you're like, wow, they really have it? Well, clearly the Beatles are above and beyond anything that anybody's seen in music over...
Oh, 200 years. Easily. Not since the Renaissance, which is how you say it, not the Renaissance. You have to understand they only existed seven years. And they came from a place that was a pool filled with liver. Liver pool. Where nothing ever happened. High unemployment rate. No experience. No resume. No nothing. And yet...
I want to hold your hand. What? She loves you. Yeah, yeah, yeah. And that last chord, that minor ninth, is as sophisticated a chord, if you know about music. Yeah, yeah, yeah, yeah, yeah, yeah. That thing is almost like a jazz chord, unheard of in rock music. And, okay, look, I'm going to give you something you'll be able to understand.
Satisfaction is one of the great song. It takes about 40 minutes, 40 seconds to get to the first thing. I can't get no satisfaction. Yeah. Or anything. Sunshine of your love. I did it backwards. It's a, it takes about 50 seconds to get, I've been waiting so long and all that. On and on and on. The Beatles.
I just wrote a new song. What is it called? It's called Help. How does it go? It goes like this. Help! I need somebody. Help! Not even an introduction. Nothing. Got another one for you. What is it called? It's called Yesterday. How does it go? It goes like this. Yesterday. Got another one. It's called Michelle. How does it go? Michelle. Got another one for you. It's called Hey Jude. Not only does it begin...
with "Hey Jude", the word "hey" - It's before the music, right? - Before the music. ♪ Hey Jude ♪ And then the chords come in. Those are what's called perfect songs. Not only that, but the title of the song is the first word of the song. It's the most memorable song. And it's the last word in the song. ♪ Yesterday ♪ The last song. ♪ 'Cause I believe in yesterday ♪ Who writes songs like that?
It's undeniable they're writing them. McCartney, especially, by far is the most successful songwriter in all of recorded history. There have been over a thousand different artists who've recorded just yesterday.
Hey, everybody. Ted Danson here to tell you about my podcast with my longtime friend and sometimes co-host Woody Harrelson. It's called Where Everybody Knows Your Name, and we're back for another season. I'm so excited to be joined this season by friends like John Mulaney, David Spade, Sarah Silverman, Ed Helms, and many more. You don't want to miss it. Listen to Where Everybody Knows Your Name with me, Ted Danson, and Woody Harrelson sometimes.
wherever you get your podcasts did you get to spend some time with them with ringo what was that like well there are two stories uh in the share days she used to have uh these disco roller skating parties where all the celebrities would go and i i didn't care not him i mean i appreciate you're lucky to be a celebrity but oh my god it's ursula andrews i didn't care
I don't mean to be dismissive. Sure. Just, oh, there's that person from that commercial TV show. And I'm sitting, because I didn't, you know, Jews on roller skates is hilarious. So I didn't. I just sat on the sidelines watching them. Sat on top of the bowling, anyway, on the side with my legs going like this. And as everybody's roller skating, and then I saw two teenagers coming towards me. So I got up, because one of them's wearing a Kiss t-shirt with rhinestones.
they're about 15. and they came up and uh once got a big fevios they you know speak with an english accent oh it's okay sure doing an autograph and then i look up and in back of them ringo star starts coming towards them and i'm you know and you're big at this time you're like kiss is massive at this time yeah but the beatles i couldn't shine their shoes
So Ringo comes up, puts his hand, puts his arms around him, and he says, I hope me boys aren't thinking Ringo's sons are asking me for an autograph. Wow. To slap their little putz faces and say, how dare you talk to me? Your father's a Beatle. It happened again. We were playing. Oh, one other time, we were having a party up in the...
Hollywood Hills and Ringo had a L.A. manager at that time, a guy named Eric Gardner. And Shannon, my wifey and I, and I was eating salads. I hate salads. And I'm eating salads and Ringo's coming up to say hello. And he sent me a birthday. He said, oh, happy birthday, Gene. If you can't tell me, you can't say how much that means to me. And I'm eating salad. So I give her the thing and he comes up to me and I'm much bigger than he is. So I didn't know what to do.
So I picked him up and his feet are dank. Ringo's about five, six, five, I don't know, or maybe five. I'm six too. So I picked him up, you know, because I wanted to hold, I don't know what else to do. I didn't want to shake his hand. And I'm smiling. I didn't even remember what I'm talking. And he said, would you put me down? So I put him down and he walked off. All right. And I'm smiling, looking at Chandler. She goes, you got Godzilla-sized. Oh my gosh.
Salad in your teeth, yeah. Like a big thing sticking out. And I'm like, his face is right here. And yeah, just get over yourself, no matter who you are. If you're the Pope, I know you got to poop just like I do. Nobody's, I don't have that hierarchy thing. So I've met everybody from His Holiness to Dalai Lama to Presidents Clinton and Bush and everything. And they've achieved greatness in their field.
But we all fart. Yeah. What have you learned about fame that you wish everyone knew? If you become famous, not always, but by and large makes a good living. The rest is how you can handle it or not. Because there are, I would say, lots of famous people, rappers, a lot of rappers, who surround themselves with yes men and yes women.
a posse so that, and I admire rap, don't misunderstand, so that when you go someplace, you have that cushion of support. It says publicly, I am somebody. Whereas if you didn't have the fame, they wouldn't hang out. They're parasites and vampires. They're only around you because you have money and fame and they get free booze and free chicks and free all that stuff. They're using you.
you're using them also to say look i'm somebody so why do rappers lot of rappers some sports guys why do they go to clubs with a group to advertise that they're somebody i won't play that game i drive here myself i wipe my own ass
You have no posse. Yeah, you came alone here. No. I'm just happy I can earn a living, a good living. Yeah. And the rest doesn't mean anything. Yeah. I mean, you've made a lot of money, though, at this point. What's a lot?
Made a lot more, 99% more than most people in America probably, right? Like the amount of money you've made. I would say that's true. 99% more, yeah. So you've made a lot. What number is a lot? Because it's all relative. Of course. What is driving you at this season of your life? To make more money. What's driving you to make more money when you have made 99% more than most people? As an athlete yourself, if you've broken the, if you're the fastest human being on two legs.
And after all the cameras are out and the chicks are gone and the awards are gone and the money people, you're just there by yourself. Do you wake up at the crack of dawn the next day and try to break your own record? Yeah. Of course. That's what made you a champion in the first place. So I'm going to be 76. I'm 75 now. I don't know about you, but the race is closer to being over.
than the beginning. I don't know about you, but when it looks like the race line, the finish line is coming, I run faster. Don't you? Yeah. To finish. Finish strong. Yeah. What are you going to do? Just or sit back and watch somebody else's ball game as they go by? No. That's if you appreciate life. If you love life, man, oh man, I'm glad every day I can
Have a hot foot Sunday and a good back rub, a lap dance every once in a while. And then you die. That's it. Yeah. Gene, this has been really powerful. We've been going for a while now. A lot of fascinating stories. I want to I want to close with one final question with you before I ask the question. I want people to follow you, Gene Simmons on Instagram. Oh, I hate that.
Where should we go follow you? GeneSimmons.com. Okay. You can do Instagram, but my kids take care of that. I never go on there. Okay. 30 seconds of somebody watching, 30 seconds of somebody showing how they can pick their nose. So GeneSimmons.com has got all your information because you're doing the solo tour. You've got different stuff, different businesses, projects. Home company and restaurant chains and a lot of stuff. Crushing it still. You're finishing. You're going strong. Yeah.
Start strong and finish strong. This has been fascinating, interesting, but I have one final question for you, and that's what's your definition of greatness? You will never reach greatness. You shouldn't think of it that way. The hunt is always what it should be about, not the kill. Once you kill something or once you finish the, you know, it's fine, but it's fleeting. But when your blood's pumping, your heart's pumping, it's always about the hunt.
that's what life is about and i'd like to think the very last breath i take is going to be like been there done that in fact i know what it's going to say on my tombstone thank you and good night because i would imagine to lots of tombstones i wish i could have would have should have could have and all that stuff no regrets
kissed a few girls, had a great family, made a good living, provided jobs for people, gave to charity and stuff. I was good for this planet. I made the planet just a wee bit better than it was before I was here. In fact, wouldn't it be great if all of humanity, and there's about 8 billion of us, before we drop dead,
If we could make the world just this much better times 8 billion, imagine the profound difference it would make. You don't have to give everything away, just little bits. Gene, thanks for the fascinating conversation. I have a brand new book called Make Money Easy. And if you were looking to
create more financial freedom in your life, you want abundance in your life, and you want to stop making money hard in your life, but you want to make it easier, you want to make it flow, you want to feel abundant, then make sure to go to makemoneyeasybook.com right now and get yourself a copy. I really think this is going to help you transform your relationship with money this moment moving forward.
I hope you enjoyed today's episode and it inspired you on your journey towards greatness. Make sure to check out the show notes in the description for a full rundown of today's episode with all the important links. And if you want weekly exclusive bonus episodes with me personally, as well as
ad free listening, then make sure to subscribe to our greatness plus channel exclusively on Apple podcasts. Share this with a friend on social media and leave us a review on Apple podcasts as well. Let me know what you enjoyed about this episode in that review. I really love hearing feedback from you and it helps us figure out how we can support and serve you moving forward. And I want to remind you if no one has told you lately that you are loved, you are worthy, and you matter.
And now it's time to go out there and do something great.
Hey everybody, Ted Danson here to tell you about my podcast with my longtime friend and sometimes co-host Woody Harrelson. It's called Where Everybody Knows Your Name and we're back for another season. I'm so excited to be joined this season by friends like John Mulaney, David Spade, Sarah Silverman, Ed Helms, and many more. You don't want to miss it. Listen to Where Everybody Knows Your Name with me, Ted Danson, and Woody Harrelson sometimes.
wherever you get your podcasts.