Dostoevsky explores the contradictions of Russian nihilism and the consequences of rational utilitarianism and egoism when taken to their natural ends in the real world. The murder serves as a site to delve into these themes through Raskolnikov's internal struggle and guilt.
Raskolnikov is not an Übermensch because he is a product of the reactive and inauthentic ideas of his time, lacking the self-awareness and genuine creativity that Nietzsche values. Nietzsche's Übermensch transcends traditional moral categories, while Raskolnikov attempts to recreate them.
The two main problems are utilitarianism and rational egoism. Utilitarianism fails to accurately predict the consequences of actions, and rational egoism places Raskolnikov at the center of decision-making, leading to a deep lack of self-awareness and isolation from the relational network he is part of.
Raskolnikov's belief that he can create his own morality and become a 'superman' by rejecting traditional moral order reflects the crisis of faith and the rise of nihilism. His actions and subsequent guilt show the consequences of such a worldview when applied in the real world.
Sonia represents an alternative to Raskolnikov's rational egoism. Despite her dire circumstances, she chooses to prostitute herself to care for her family, showing a self-sacrificing love and consent to her role in the network of being. This contrasts with Raskolnikov's denial and rationalization of his actions.
Confession is essential because it allows Raskolnikov to admit his wrongdoing and find a limitation of his ego. It also requires him to submit to an authority that can absolve him of his guilt, which is necessary for genuine atonement and personal salvation.
Dostoevsky critiques the idea that utilitarian rational calculations can lead to moral truth and a utopian society. He shows how such calculations can lead to disastrous outcomes and how they fail to account for the unpredictable nature of the real world.
Dostoevsky believes that religion can be a way to affirm life by being truly aware of one's position in a relational network and consenting to one's role within it. This is not about renouncing oneself but about finding a genuine connection and purpose within the community.
Today we talk about the philosophical themes that Dostoevsky had in mind when writing Crime and Punishment. We talk about Russian Nihilism and it's consequences. Rational Utilitarianism and Egoism. A common misunderstanding of Raskolnikov as an embodiment of Nietzsche's work. Confession. Guilt. Affirming life through consent. And much more. Hope you love it! :)
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