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Tony Hale: Interim Banana

2022/8/25
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Literally! With Rob Lowe

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Tony Hale: 演员从只拍广告到出演电视剧的转型并非刻意为之,而是机遇使然。他早期以“不在状态”的形象拍摄广告,这与他在《发展受阻》中的角色契合。他在纽约做了六年广告演员后,才找到经纪人,开始争取电视和电影角色。广告表演和其它表演形式并无本质区别,只是社会刻板印象将广告演员归类。过去试播季的选角非常集中,错过试播季就很难获得演出机会。他在2002年底试镜《发展受阻》,当时正忙于筹备婚礼。他在《发展受阻》试镜中即兴表演的“按摩”桥段,意外获得导演青睐。在《周六夜现场》表演前,他并没有刻意进行冥想放松,而是享受表演过程。在舞台表演前,他会感到极度恐惧,但他认为即使害怕也要坚持表演。在与优秀喜剧演员和编剧合作时,演员可以更加放松自如地进行表演。在《神秘的贝内迪克特协会》中,他扮演一对双胞胎兄弟,需要在角色中找到与自身相似的点才能更真实地进行表演。 Rob Lowe: 他早期职业生涯中,一个由迈克·迈尔斯构思的试播集,经过NBC修改后,与最初设想大相径庭。他在表演时,手会颤抖。他会留意演员在表演中是否出现“杯子表演”等细节问题。他认为演员在表演中吃东西,应该真实自然。他欣赏Tony Hale在《副总统》中的表演,尤其是与茱莉亚·路易斯-德莱弗斯合作的喜剧表演。他欣赏茱莉亚·路易斯-德莱弗斯的敬业精神和为人。杰森·贝特曼在《发展受阻》中扮演的角色是完美的“直男”角色。《发展受阻》和《公园与游憩》中角色随着季数增加,表演风格越来越夸张。在与优秀喜剧演员和编剧合作时,演员可以更加放松自如地进行表演。在《白宫风云》剧组,他曾与时任总统比尔·克林顿交流剧情创意。他认为一些电视剧或电影的预告片制作得很差,无法体现作品的真正魅力。他认为亚伦·索金是一位非常优秀的编剧和导演,尽管亚伦·索金对剧本要求严格,但他也会根据演员的反馈进行调整。亚伦·索金从未执导过《白宫风云》。在漫长的职业生涯中,重要的是人际关系和回忆。

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Tony Hale discusses his journey from doing commercials in New York to landing roles in Arrested Development and Veep, emphasizing his gratitude for the opportunities and the challenges he faced in the industry.

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Hello, everybody. Welcome to Literally With Me, Rob Lowe. One of my favorite actors, Tony Hale, is with us. He's bringing all of his Emmys that he won for Veep. He's going to bring them and clank them on the microphone so you know that they're here. Listen, he's done a lot of things, but I think that Arrested Development and Veep

I mean, they might be two of the best comedies ever made. There's certainly things on par with the rest of development in Veep, but there's nothing better. That's for sure. So let's get started with Tony Hale. You, my fine feathered friend, I have to first of all just say I love your work. You're so fucking good. Same, same. You have been two of the best comedies ever, I think. I mean, I think it's like...

It's like Ty Cobb said, that's not bragging if you've done it. I mean, you look at Arrested and you look at Veep and it's kind of, what are you going to say? They're just great. And I just wanted to, I mean, you as well in the sense of it's never...

because when people say to me like, man, you've really kind of navigated that well and like, I didn't navigate, I mean, I'm just thankful that those happened to be offered to me during that time. I mean, I was, I was, I've been in this business for over 25 years and you're so thankful for a gig and the,

these two gigs just happened you know rested i was doing commercials in new york for all that time very thankful to be getting gigs and i was my type was the guy that was wasn't all there that was how i was described and it was like i was doing commercials and then arrested came around and i'm just grateful that that happened i mean it was nothing that i quote navigated you know i'm just super thankful first of all the the arrested development process for you was what was it

how did you come to it? Was it the old, just the regular way where it's out there, you read it, you like it, you meet people. Was it that kind of a thing or did they have you in mind from the start somehow? Well, no, I, cause I was, yeah, I was doing commercials and for about six,

Six years I had been doing commercials. I had so many, so many jobs before that just trying to make ends meet and cater waitering and all this kind of stuff. And then I was kind of getting to a place where I was able to do enough commercials where I was able to do that more full time. Very thankful for that.

But it took me six years to find an agent to send me out for TV and film because I was just seen as a commercial actor. Wait, wait. I love this. This is the best. Let's unpack that because it's such a great...

notion that an actor, because they're only on commercials. Okay, so what style of acting is commercial acting? Well, I mean, I would venture to say there's no difference. I mean, you got it from everything you know. You got to try to come from a place of truth because people aren't going to buy a product if you don't come from a place of truth. So I don't think there is a difference, but because

someone or I was doing so many commercials, they, just like our society, just kind of puts them in a category. They put me in a category of, well, he does commercials. That's a commercial actor. It used to be there was a TV actor. Yeah, it used to be there's a TV actor and it's like that person just does sitcoms that they can't obviously go over into film. Or if you have a film actor, that person obviously can't do comedy, all this kind of stuff. And obviously, thankfully, those lines are really blurred right now. But back then, it was very much in compartments.

So insane. I mean, I remember it like it was yesterday. Oh, yeah. Looking back on it, it's like once a domino falls in society, you look back on it and go, wait, did we really think that way then? Oh, yeah. Yeah.

I mean, remember the pressure of just pilot season? There was a time when it was January. I mean, granted, back then I wanted to be in that pressure because I couldn't even get in the door to be seen. But there was months of like January to about maybe March that was considered pilot season. If you did not get seen in those months, then the rest of the year you did not have an option to get on a show. Like it was just that those were the only months that they were casting for sitcoms.

And was arrested one of 10 in that pilot season or something like that for you? Yeah. So I was, this was 2000, I guess it was around end of 2002. And I was doing commercials. I just got engaged. We were going to get married in May of 2003. And so I was really focused on the wedding and this audition thing.

And this casting director, Marcia DeBonis, who cast a lot of commercials, she brought me in for this Arrested Development. And the character was described as kind of checked out and not all there, which, you know, fit my profile, my commercial profile. Yeah.

And I went in and did the, and I actually, I had been a part of a sketch comedy group called King Baby. And I had done this character named Singing Billy, where he would just walk into a room and just randomly, awkwardly start singing. Amazing. And when I did the audition, Buster, for those who have seen the show, he would massage people a lot. Like he would just randomly start massaging somebody.

And in the audition, Mitch Hurwitz, who created the show, who really is, I think just, I mean, I think the word genius is thrown around a lot, but he really has a touch of it. Like, but he created the show. And when he, when I was, he said that when he was watching the tape, that when I was supposed to be massaging, I was massaging.

In person, I was massaging my knees, but he didn't know what I was doing down there because the camera cut off at my chest. And he was like, what is he doing down there? And I don't know if that like... He was like, well, that's interesting. Let's bring him in. Might have been titillated. Yeah. So they brought... So they flew me out to LA for the callback. And man, that had never happened to me. And I was like...

blown away. And then I ended up shooting the pilot when I was out there. And I remember specifically running out of underwear because I didn't pack right. So I had to go to Old Navy to get underwear. And then I shot the pilot and just kind of a whirlwind of like, what's going on. And then 10 days before I got married, the show got picked up. And I told my wife, I was like, sweetheart, I think, I think we're moving to LA. And she was a makeup artist on SNL at the time. And, you know, really made a huge sacrifice to move out to LA with me.

We both married makeup artists, you and I. Oh, yeah. That's right. That's right. I'm telling you. That's the... Dude, we're so far ahead of the game. Where did you... Wait, where did you guys... Did you meet on a gig? We met actually on a blind date. Well, semi-blind because she knew it was me. But a mutual friend put us together. And then...

And we kind of had, we had a couple of dates and it was great, but you know, whatever, we both kind of had other things going and forgot about it. And then, um, I did a movie years ago called bad influence and she, I walked on the set and she was the makeup artist. Oh, I love that. And, and then that just sort of began it, um, from there. And, you know, we're 30, uh,

31 years we've been married. Oh, dude, that's fantastic. But, you know, makeup artists, it's, listen, it's a thing because they see you at your most sort of vulnerable every day. They're literally right up in your face. And they, they look, I really do. I'm not trying to like gild the lily, but I think the good ones anyway, um,

They look at a person and see them differently than other people see them. And their job is to make them the best version of themselves. And you think about that, what a great foundation. Oh, it is. And it's, as you know, the hair and makeup trailer is kind of a sacred space. Like it's the space where-

there's your, what you said, you're coming in with a tremendous amount of, especially when she was on SNL, like these people would come off sketches and it was, it was a place where they didn't need notes. They didn't, they needed calm, assuring spaces to kind of let their mind rest, you know? And that's, that's typically the hair and makeup trailer. Well, and SNL even more than any place, Jesus. And I can't even imagine she must be so good. SNL. It's like,

They need to know that the person knows what they're doing because they might have 90 seconds to get their act together. Wow. Have you hosted? Yeah, and she must have worked with me. I haven't done it in years, though, so maybe not. The last time I was on SNL was, I want to say, like, 2001. Yeah. 2000, 2001. She was probably there. Was it the Molly and Will thing?

Molly and Will were still there. Yeah, yeah, yeah. That was her. Ana Gastar was her. She did Ana's makeup. Because each actor has a little team of hair and makeup. Yeah, I was really lucky because I feel like I did it three times and I kind of feel like

each time was a new iconic cast. And we talk a lot about, everybody says, Lauren says, I said, Lauren, who's the best cast? He goes, it's whoever you grew up watching. And it really is, it kind of is the truth. Like, everybody today who's young and watches SNL is going to say it's Pete Davidson and Kate McKinnon, and they're great. And, you know, it's hard to argue. But I do think it's a little bit of like who you grew up with. Did you, that moment when you're

Obviously, you get better as you do it more. But that moment when you're about to step out and do your monologue, do you just have to go through mindful, kind of calming meditation? By the time I did SNL, it was late enough in my career

And I was such a fan. I was a fan of us. And I watched the first season as a 12-year-old. Yeah. And I was so thrilled to be there that I just took it in. But I will tell you that

I don't think anything in my life, certainly in my professional life is, is full of adrenaline. Yeah. And whatever that juice is, when, when they went, when Don Pardo, who was alive at the time, the famous and the band is going berserk and you make that, Oh God, it's the absolute greatest. And the most terrifying. I mean, you just, I would think you just have to just go. You,

You just totally commit and then it's over. Literally like he says your name and the show's over and you don't know what happened. Oh my gosh. That's crazy. I did a one-man show two years ago up in San Francisco called Wakey Wakey by Will Eno. And every night before going up, I had that.

just absolute terror and my wife we would talk about kind of that snl like just that moment before because it's i mean it's like in stand-up i mean i've never done stand-up but i'm sure it's very similar but it's just you you know and it's like i i don't i'm not falling back on anyone and it's terrifying and you just have to there's a there's a this um woman named joyce myers she was this this preacher i used to listen to years ago and she always said uh

shoot with anxiety. You just got to do it afraid. Just do it afraid. And I love that because for so many years I had in my head of like, oh, I got to be in this peaceful kind of courageous space. It's like, no, you might be just losing your shit and you just got to keep walking. That's right. I mean, the scaredest I've ever been and, you know, careers,

Always have periods of fallow. There's feast and famine, I think, every long career. And I was in sort of a famine phase. It was right before I got the West Wing. And I did my first... It was going to be my first TV show, and it was a pilot. This is the best. So I'd finished working with Mike Myers on...

all the SNLs, the Wayne's worlds. And we had just finished Austin powers together. And he had an idea for a TV show for me. And it was based on, cause I played young Robert Wagner and Austin powers, young number two. I did it. And he was like, you and Robert Wagner should play father and son. He plays basically himself.

TV icon and you're the son who can't get out of his shadow who lives in the Beverly Hills guest house and is kind of a ne'er-do-well. And I was like, that sounds like a great set. I would still do that. By the way, I'd still do that show. Yes, totally. So we sell it to NBC. And by the time we're done with the NBC notes, I am starring with Dan Hedaya,

playing his son running a sports bar in Chicago. Like, you literally cannot make that up, and that is absolutely what happened. Was it something that they kept, like, did they say, well, what about this, and what about this, or was it something that all of a sudden... You know what it is? It's like being... You know the story about frogs? You can boil a frog alive. Yeah, yeah. If you just...

gradually turn up the heat. They don't notice. They don't hop out of the pot. Because it's incremental, they just let themselves be boiled alive. That's what it was for me. I was boiled alive by the NBC executives. I didn't realize that I had ended up in a pilot with Dan Hedaya as my dad running a sports bar. I never even noticed it. I'm just seeing you wake up at 3 in the morning going, what just happened? No, what happened is I woke up when they said my name

in front of the live audience. Yeah, yeah. And that was when I was the most scared I've ever been. My knees were knocking. You know, that's a thing. Like, you know, cartoon characters when they get their knees knocked? Have you ever had your knees knocked? No, but my hands shake. So when I've done shows in the past where I'm holding something, I'll have to put something in a cup or something because my hand will just...

And I'm staring at it. I'm sounding calm. And I just, I'm like having a stroke in the hands. Well, see, it sounds like you might have been guilty of cup acting. I do not cup act well. I don't cup act well. See, I love watching for things like that in performances. Really? You like to point out shame? I will show you the best bad cup acting ever, ever, ever, ever, ever. If you're interested in cup acting out there, and I know you all are,

Um, it's when actors don't bother to actually put anything in the cup. And, and so you can just tell by the weight of it, there's nothing in it. And they, or, or they fake drink it. Um, remember, remember, do you remember? That also goes for like bags too, like luggage, all this in a while. That luggage is really light.

Yeah, they're walking through an airport and they're just twirling that shit on their fingers. They didn't really carry much on the trip. No, I love, and there's a whole thing, I don't know about you, it's a negotiation always like, how much is too much? You don't want to wear yourself out, but you don't want to look like you're luggage acting. So when Kevin Spacey released that first insane video. Yeah, in the kitchen. The worst cup acting you've ever, the fact that

that's my takeaway from that video. It tells you how bad the cup acting is. Do you notice continuity with cups too? That kind of, that can be a little crazy making too. Like, wow, they, I thought they just took a big sip and it's full. Really eating is the one that I love. I love, like I'm convinced that James Gandolfini and Tony Soprano is purely because he committed to eating and clearly ate on screen. Do you take small bites?

If you have to eat a lot in the scene? What I do when I eat is I take one massive bite, as big as I can get my mouth on camera in one take. And then in the rest of the takes, I'm just talking like that. So I don't have to, right? Because the small bites look like you're food acting. Yeah, but you got to be comfortable in the fact of your mind eating. You got to commit. You got to commit, but it's got to look real. If it doesn't look real, you're screwed. If there's...

If there's nothing in your mouth. I'll put my fake food acting up with anybody's. Because if it's not authentic, it's very apparent. Very apparent. I saw a clip of you last night. By the way, I'm convinced my... Are you going to bring up my bad acting right now? Are we going to talk about clips? No, no, no, no. This is all good acting. I've transitioned to good acting. Okay. No, no, no. My TikTok algorithm listens to me. I know it. And last... I was...

just doing research on you and last night sure enough here comes a it was just a simple little thing where you were giving uh julia a banana that's all you did was you leaned over and said something like this is an interim banana it just made me laugh so hard dude i had i i had so much even talking about that i had i have so much nostalgia with you because she i'm sure you've met julia but she's my neighbor she lives in san jose oh that's right that's right

And she...

It was just like a dance we did together, like a comic dance all the time. And we trusted each other. And I've said this many times, but it's so true. I had such a hard time holding it together and not laughing. Just a really, really hard time. And she said to me once, you know, Tony, you're not watching the show. You're in the show. And it's just because I couldn't keep it together. I mean, when you're that close to someone like that and her subtleties...

And the little grunts she does and all that kind of stuff. It's like, it's impossible. There was one scene, I think it was the first season where maybe the second, first season where she, cause I play her assistant on the show and she asks me to break up with her boyfriend. And we're just like face to face and she's whispering me to tell me to do it. And there's a two shot of us. And it's like, that's just, that's impossible. Like you can't,

Every, talk about shaking. Every part of my face is shaking, ready to, you know, let go with laughter and you got to keep it together. It's a feat. I mean, first of all, everybody knows she's great. I think at this point it's stipulated, but you look, she's never been in anything on television that wasn't hit. Her version of not a hit

is running for only four seasons. Really? Yeah. Yeah, yeah, yeah. Yeah. And the thing that I so appreciate about her is with her comic resume, some people kind of can put their feet up and be like, well, that was a good run. She works her ass off. And then crushing it as she has been. And as you say, not only does she not need to do it, but you start worrying about

And it's without saying too highfalutin, a legacy. Like Seinfeld. Seinfeld. Seinfeld.

So you're like, okay, now what? Now what? And I would add to that, when you have that kind of, you know, talk about financially or career, and you know this as well, you can go one of two directions. You meet people who are at that level and they've kind of dived in, dove into kind of the falseness of things and they want more of something that's not going to satisfy. Right. And it never ends. It will never be enough. Right.

Or you go the other direction, like Julia, where her priority is she knows what's real in life and what matters, and she focuses on those simple truths. And that's a person that is like, she's so kind on set. She's a team player. Like, that's the stuff that matters in life. And that's where I walk away. I'm like, oh, I'm so thankful that I got to work with someone like that. It's such a great show. Thank you.

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Let me.

I also need to circle back. I mean, so many people unarrested, but Jason. Yeah. I think Jason, that's the greatest. And when I say this phrase, it almost to people might not really understand. It sounds vaguely right.

And it's not – it's the greatest straight man part in ever performance. And he's not a straight man, but he is the straight man in that show. Yeah. But you've got to be really skilled to be a straight man and bounce off that kind of chaos and turn a joke. Because the deadpan delivery that he gives when he's – I mean, because my character, Buster, he's pretty much a cartoon character. Like he's completely –

checked out. And when you have to play that kind of neutral place opposite that and turn a joke, he was the anchor of that show. 100%. And you're right. Those characters, Will, all of them, I mean, they're cartoon characters. Yeah, fully. I think it even got bigger

As the seasons went on. It does get bigger. No, it does. That's what's insane. Where the characters got bigger and bigger to the point where I was like, am I doing a mime? Like, am I? I'm like a full-on clown. Did you get to a point where you started to, because when I played Chris Traeger in Parks and Rec, again, a cartoon character. So funny, though. Which each year, again, it got bigger and bigger. And I would go, what?

Have I given up all dignity and shame? And then you go, no, no, no. That's just, you just do it. Don't you ask yourself that all the time in this business? It's like, what is happening? Like, what am I playing right now? You know? Yes.

100%. But don't you think this is where, I mean, being on a show like Parks and Rec and doing a show like Arrested, to be in an environment of people that you trust and you trust, like I walked into Arrested and I walked into Veep. These people are way funnier than I am.

And so the writers are so gifted. And you felt like, man, the comedy is taken care of because they would just hand you nuggets like Mitch Hurwitz on Arrested. I remember coming up to him once and being like, I had a stupid idea and I'm...

I said, I thought, what about like Buster was like on Dancing with the Stars or something like silly, you know, pitch night. He's like, yeah, I think I'm going to have a seal bite off your hand. And I was like, well, you know, okay. I never ever was not even in the framework. But you feel so supported comedically. And I mean, you must have gotten that on Parks and Rec. It's like you just felt like, yeah, this is taken care of. Exactly right. I'm with people way funnier than me. And

All I got to do is not get swamped and, and, and commit and trust. Yeah. I have a question for you being on West Wing because we got this on beep. Did you constantly just being in that kind of political world? I mean, were people in DC just always, isn't it insane? Isn't it insane? It's like you're, it's like when I go to DC, it's like,

The Beatles have arrived or the Rolling Stones or whoever it would be now, Kanye West, whatever. It's, and there's a moment I'm like, they do know it's a show, right? Like I, I have such, I have multiple amazing memories of, of course. I mean, I had, I had Bill Clinton when he was president in the Oval Office and

pitching story ideas and we have to get i've been i've been waiting to get to him with to aaron sorkin and so good and you know as aaron can be a little uncomfortable in his own skin from time to time uh aaron like like got completely short-circuited by the fact the president of the united states the sitting president was pitching story ideas and

And Aaron was like, oh, you seem like a busy guy. Oh, thanks so much. This is great. And like ran. And I was like, you just walked out on the president of the United States. That is so good. But I mean, the thing is, with Veep, people would come up to me and say, hey, that might, like someone said like, oh yeah, I'm that character. I'm that character. And I'm like, first of all, let's not say that out loud because Veep is not, it's not positional.

not puts the best light on politics. But they said like this stuff, like the language, the behind the scenes breakdowns, all that is happening. The other thing about Veep I loved is the, whoever was in charge of the, I don't want to add campaign, whatever, like, like it wasn't a year one or two, but like in mid run where it's kind of like, okay, everybody's won Emmys and it's a great show and we get it and you guys are good to go. They still,

managed to up their game. It was the one where Julia, it was a picture of Julia where it looked like she was at the United Nations. And it's just that kind of like, like it said her name and that plaque that we all know looks like the United in the microphone. And she was nodding off. Yes. Yes. Yes. It was the, it was the absolute. Yes. Like I'm like to laugh out loud at an, at a, at a, at a picture.

It was so subtle and so funny. I'm glad you said that because I, this is a random tangent, but my wife and I were watching Six Feet Under over again. And I was watching Michael C. Hall and it made me think of Dexter. And the thing that I think about with Dexter was the ad campaign. Yes. I was talking about her, there was one ad campaign where Dexter was on the cover of every show

It was like he was on GQ, he was on Vanity Fair, and that was the whole ad campaign. I distinctly remember thinking, man, these marketing people, they do not get enough credit because that is a kick-ass marketing campaign. And for everyone that you and I like, they're ones that repel me from watching something that's good. Yes. Yes. Like, I'm a big Robert Eggers fan. The Witch, The Lighthouse. Mm-hmm.

Huge fan. He did The Northman or whatever it is. I'm sure it's great. I've heard it's great. Those commercials made it look terrible. Yeah, the power of a trailer, man. Also, if the trailer is, if it's a comedy and that trailer is not funny and that film is actually funny, why are you shooting yourself in the foot?

Like, who's editing this trailer? Because when you see a trailer and that's not funny, and it's a comedy. I like the trailers where they have to tell you it's a comedy with like a needle drop. Like somebody tells a joke and then they put that sound effect. Oh, it's a comedy. Oh, yeah. Got it now. Got it now.

God, so gross. So damn gross. That was a pretty good impression of Aaron Sorkin, by the way. So, I love you in Veep. Oh my gosh. Because I was fortunate enough to do Being the Ricardos with him. Have you met Nicole yet? She's a lovely woman. He is so nice. And there's so much going on in his head. And I also appreciate...

He shares these really vulnerable stories to kind of connect with the actor and to kind of connect with the material. But you talking like that, that is pretty spot on. I've never been directed by him, and I'm so curious. I mean, I absolutely have my own idea of what that would be like, having spent some... I mean, we did A Few Good Men together in the West End for a year after West Wing.

And so, by the way, never seen him happier other than in the theater. Never, never an off day in the theater. Like when he says he's a play, he means it. So I'm wondering what the directing is like. Wasn't J.K. Simmons in that with...

I wish he was. Oh my God, do I love him. It was all English. I was the only American. I played the Caffey part, the Tom Cruise part. But I loved being the Ricardos. And JK was fucking amazing. Everybody was amazing. Because I feel like him and Aaron had that history through something like that. I don't know though, dude. I mean, I kind of, but I feel like they're so simple. In fact, it's funny you say that. In a movie full of showy characters,

And that Aaron writes showy stuff for actors. Mm-hmm.

J.K.'s speech, that little speech he has, is my favorite moment in the whole movie. Yeah, so sweet. And he really, and you know, obviously people always talk about Aaron Sorkin like it's by the word and stuff like that, but there's a respect for the word. You know, like everybody knows when you step into theater, there is a respect for what's on the page. When you go on TV and film, there's not as much of that respect. Why not?

And so I love that Aaron, you know, keeps that. And the other thing is like, why would you, why would one ever want to improve on something that's great? Yeah. Like I don't, I don't, I don't need to put my stamp on anything that other than if, if it needs help and, and his stuff is so good. I, I had a, um, it's funny. It was with Jason Bateman. I had a conversation where, um,

I guess there was a moment where they were talking about him doing Newsroom before Jeff. I think there was a thing of like, do we want to go as old as, you know, is there a younger iteration? And Jason was like, so I'll never forget Aaron had won his, you can imagine this. I'm just waiting to see Aaron Bateman. Yeah, right. We're going to try to do Bateman and Aaron at the same time. And we're at the Vanity Fair Oscar party. And there's Aaron, the other side of the room with his Oscar.

in his hand and Jason's like yeah um so I I'm doing a horrible statement now but he's like is it do you really have to I can't even do it um he was saying do you really have to like be letter perfect and I go yeah he's really like but there's no like let's find it or how about this or maybe I could do I go nope

With that said, though, do you, I also know that there were times, and granted, I did not work on his material as much as you did, but there were times if something doesn't feel right, there was, you could tell that he, I mean, he sensed that. Like, he's not, he's not, he's like, yeah, this, something needs to be massaged here. You know, it's like. Oh, for sure. Yeah, yeah. But, but, and I don't mean this as any judgment at all. What it isn't,

is you, somebody sort of, how about this? And it's never that. No, no, no, no, no. It's him flying, flying off his seat.

With kind of throwing the headphones behind him. So how about you come in, you say, we're going to do it, and then he just – we just lose that, and he just – Bill just comes in, and then he just says, we're going to do it. That's what it is. Yeah. Well, because he's got it in his head.

The best piece of directions. Because he never directed West Wing. He never directed it. Oh, really? Never. Never directed an episode. Oh, wow. Wasn't even on his radar to do it. Wow. And wasn't there all the time. He was always writing there, but he was on the set, you know, a lot, but not all the time. But when he would be there, you know, he would mime the words, as you said, behind the monitor.

And be very excited or very disappointed, depending on whatever the case is. So he was super fun to have around. But he would get increasingly frustrated with one particular person who was on the show sometimes. And this is the best. And the person had the line. I'll never forget it. The line was, thank you. I'll get right on it. And it was the end of the scene and they were supposed to walk away.

And Aaron comes in, throws the headphones, goes, uh, so, uh, the line is, um, thank you. Uh, I'll get right on it. It doesn't mean you want to fuck him. Uh, that's, it's not, we're going to get together. We're going to get laid. Anything that it just, thank you. I'll get right on. Just, just say it. Just say that. Oh, the director's like, okay. Yeah. Okay. You heard it.

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All set for your flight? Yep. I've got everything I need. Eye mask, neck pillow, T-Mobile, headphones. Wait, T-Mobile? You bet. Free in-flight Wi-Fi. 15% off all Hilton brands. I'll never go anywhere without T-Mobile. Same goes for my water bottle, chewing gum, nail clippers. Okay, I'm going to leave you to it. Find out how you can experience travel better at T-Mobile.com slash travel. ♪

♪♪♪

Oh, dude, do people just want to sit down with you, Rob, and just hear you talk about your history? I mean, seriously, does it get old just because the stories that you have lived and what you've been through? Also, I mean, I get really excited, obviously, because I'm a fan, but talking to you about talking to somebody who has pretty much, you've had every height in

And you see what matters and what doesn't matter. Oh, man. You know, and to have the opportunity to communicate that

I mean, also, I'm sure you've talked to students and stuff, but it's like, hey, when you're looking at the future, just so you know behind the curtain, this is the reality. And it's the simple stuff that matters. Like to have that opportunity. I don't know. I just think that's pretty great. Well, I love being able. Listen, I realized, so I wrote two books and then I did a one-man, I created a one-man show. And I...

I tour it here and there as neat as I have the opportunity to do it. What is it called? Stories I Only Tell My Friends Live, which is basically the book. It's not the book, but it is the book. It's like it's the next – instead of writing a third book, I did this. And it's telling stories. It's literally – I tell the story of Aaron and Clinton in the middle of it. I mean, and it's just –

And it's fun because I actively try...

What's important are memories. Yes. That is what is important. Yes. And teaching. We learn from mistakes. Like teaching. I've made a shitload of mistakes. Yes. I have given value to stuff that doesn't matter. That's right. You know, like invest in relationships over whatever other thing you're putting at the top of the list. I mean, all that kind of stuff. I mean, you know, I love talking to –

you know, kids, your kids age about drugs and alcohol. Sure. Because I'm, I'm 32 years sober. Oh, amazing. Amazing. You know, yeah, I mean, it's saved my life and I love it and it's super fun and I have way more fun than I ever did. Yes. And by the way, I loved,

getting fucked up. Loved it. It was great. Why wouldn't anybody want to? Because I get it. It's detachment. I mean, it's, it's, it's the ultimate escape. The unhealthy escape is the ultimate escape. And, and now I just sleep all the time. Great. It's the new, it's the new, it's the new escape. My, my new escape, my, my disassociate, if I want to disassociate from you,

I will become a narcolept. I can sleep with my eyes open and I can sleep this entire time. I can kind of sleep. I mean, I can kind of sleep. I've slept through, I think it's pretty clear, I've slept through performances. I mean, just look at some of my work. No. He's like, well, that guy who's definitely sleeping through. I mean, I don't want to say anything bad about Oxford Blues, but let's just be completely frank.

Oh my God. So funny. Um, tell me you're playing twins now. Yeah, I'm playing twins. I've never done that. Tell me about playing twins. Oh, it's a, it is, uh, really, well, it's a show called mysterious Benedict society. It's on Disney plus. It is, um,

And this is not me just blowing, this is such a joy because I get to work with these writers, Matt Manfredi and Phil Hay and Todd Slavkin, Darren Schwimmer, all these great people. And it's based on this book by Trenton Stewart.

In the first season, I get to play these two brothers who were separated at birth in an orphanage. And one is kind of the, quote, evil, but, you know, I like to say he's a little more just misinterpreted. And then one is the kind, loving brother. But the first season talks a lot about...

And just, man, it was wild because I shot it during the pandemic in Vancouver. And it talked a lot about the noise of society and the truth rising above the noise. And so it was weird to kind of be in that kind of parallel thing happening with the pandemic. And it's just a really, this great cast of kids, it's just a beautiful story. And playing twins, and you can, I mean, people have asked me that question of kind of doing it. And you have to, with these characters, you

For me to say, oh, that's the evil guy, that's the good guy, I have to come from a place, you have to find places in yourself in those characters. Like the quote evil twin, he's very manipulative, he's very sarcastic. Guess who's also been very manipulative in their life? Me. Guess who's also pretty sarcastic? Me. You know, you have to find those connections in order to find that authenticity. And so that's been a real fun, real fun challenge.

Do you find that you prefer playing one to the other? Or does it depend on what you're having to do on any given day? I think it depends on the day. But I... Benedict, who is the kind of loving, kind of warm character, I really do enjoy playing him because...

You know, I don't know, maybe I myself am kind of sarcastic and all that kind of stuff. And Benedict is just so loving and just sees things very positively. And I really enjoy playing him. Just like, I don't know, he's just super kind. And that makes me sound like I'm a jerk. But like, I don't know. No, it's the way his perspective on life is really a fun, a fun escape. And you're in season three? We just shot season two. So that comes out in the fall.

Oh, great. Yeah. And then season one's out on Disney+, which I think owns everything now. I think it's owning everything. I think that's the case. I've heard of Disney+. So is it my imagination? Do I remember like, wasn't Disney+, like almost exclusively at the beginning Disney+,

Family with a capital F and underlined. But this sounds like this has a little more sophistication where it's not – where it's like – you know what I'm saying? Yeah. Am I right? This show definitely – I mean, not to sound cliche, but parents that I've known who have kids –

that watch it, the parents enjoy it because it's aesthetically really, really beautiful. And, and Kristen Schaal's in it with me. I don't know if you know Kristen and she's really fun. And so it has things that adults can enjoy, but it definitely has, definitely has a sophistication to it.

Yeah, it sounds great. Yeah, it's really fun. Really beautiful. And, you know, I mean, as you know, working on these shows, I have such a respect for the team, man. Like, these art directors, props, costumes, makeup, wardrobe. We're talking massive artistry. And everybody's on the same page. And it's just like, I mean, we're a very small slice of this pie. Like, we come in, we do our thing. I mean, just the work that's put into these shows just blows me away.

Well, that's why then you go and do your one man show to make sure that you can still do it without the army. Sure. Sure. Right. And how, wait, so how many shows have you had? How many times have you done that?

Oh, God. I mean, I've played probably every city in the United States. Wow. And I mean, of what they would call the big cities. Yeah, yeah. I played the National Theater in London. Wow, man. Which was really a thrill. I'm sorry, I'm playing the National. That's pretty great.

And then the pandemic happened. Yeah, sure. And so that kind of shut it down. Oh, I played Vegas. That was also cool. Oh, that's... How many... Did you do like several nights in Vegas or just one night in Vegas? I did two... Usually I just do one night. Yeah, sure. So... Oh, man. It was super fun to play Vegas. And is it you... Is it a chair and you're just up there telling... It's me. Or do you kind of go into characters? No characters. I have a... I designed a...

like a big clip montage hype reel that actually ends at the West Wing. Oh, cool. And then I designed an entrance. Sure, of course. Because I'm a big believer in theatricality done the right way. Yeah. And then there's the great old Frank Langella move that I've heard. You've heard this? Now, the story was when Frank Langella did Dracula, this is dating me, like in the early...

late 70s or 80s, that he would do this move where during the curtain call,

Everybody else would come out, take their bows and make a line, right? And then the quote-unquote lead of the show comes out. And he would do this thing where you're like, oh, is this for me? Do you know that move? Yeah, yeah, yeah. Where you're like, you're just so surprised. Yeah. That you're, oh, aren't you nice? Like that move you're projecting to the audience. Yeah, yeah, yeah, yeah. And so you kind of like look...

look, hit your hand, put both hands on your chest. Like, Oh, like this is for me. And then you slowly put your hands out back to the audience. Like you're giving your heart back to the audience. Yeah. And then this is the move you ever so slowly raise your hands up and it's a Pavlovian cue and the audience will stand. Really? Yeah.

Yep. Does it work every time for you? It does. Cut to this next show. It's not going to work. Wow. I'd heard it and then I thought it was the most brilliant thing I'd ever heard. And then it was like, that can't be. And then you don't have the guts to do it. You can't. I'm like, I never had the guts to do it. And then I did it enough to know that it works. I obviously don't do it now, but.

It's amazing that – But it also gets into kind of the hypnotic kind of manipulation realm, which is interesting. Yeah. You know, like I don't know why I'm standing, but I find myself standing. I mean, look, if you could do it in the UK and get it to happen, that would be doing something. Because American audiences literally stand and applaud scenery changes. Yeah. I mean, it's great that they're enthusiastic, but a standing ovation means –

Absolutely nothing in the United States. It means nothing. In the UK, when we did A Few Good Men, I think I did 180-something performances. Wow. And I'm telling you, we got maybe 15 standing ovations. And it was a massive hit. Yeah, yeah. They just don't do it. Do you feel like this show scratches the edge of theater for you, or do you want to go back and do...

a play, do you feel like you want to dive back into that kind of narrative again? I gotta be honest, it scratches the itch because of the commitment, which I don't mind the commitment. I love the 15 week run. I love it. Yeah. All of that. It just, I just don't,

you know, between I doing two television series now, one for Netflix and one for Fox. Wow. The podcasts. I just don't have the time, but I would love to, if I was in between stuff and this is perfect. Cause like I can have this life, do what I do. And then, you know, go play Caesars. I love that. Well, I'm playing Caesar. So me and Sammy Davis, where do you eat when you go to Vegas that you love?

Oh, you can eat yourself into a coma. I know. Cause it's a huge food town. I always ask. I ate at this Italian place at Aria. A-R-I-A? Yeah. At the, the, the, the, the hotel casino Aria. Uh-huh. And it's, it's, it's the only Italian place that's there. I go to Zuma, which is this is amazing sushi. It's a spinoff of the one in London, which is some of the best sushi in the world. Um, and,

And it was great. I love going to Vegas. I saw Katy Perry this weekend. It was all my girl on my back right there. She was great. Does she know that she's on your back wall? No, I need to tell her. Okay. I'll call her up.

Mr. Tony Hale, this was great. I've taken up too much of your time. No, this was so fun. This is a joy. A joy. I really want to find my way onto a set with you someday, sir. Yes, please. And I want to come see your show. So I'll just, I guess, I guess you're probably not planning another run. Let's have our people. Sure. Reach out to our people. Our team. And have our teams reach out and we'll do this. Well, thank you for having me. This was really, really, really fun.

What a great guy. God, how great is he? I mean, so smart, so funny. These are kind of among my favorite podcasts where, by the way, I'd never met Tony until today. And one of the great things I love about doing this show is I get to meet people that I'm fans of and it feels like I've known him forever. And what a lovely, lovely, lovely talk. I hope you guys liked it as much as I did. You got questions? I got answers. Let's hit the lowdown line.

Hello, you've reached literally in our lowdown line where you can get the lowdown on all things about me, Rob Lowe. 323-570-4551. So have at it. Here's the beep.

Hey, Rob. My name's Billy. I'm near Bend, Oregon. I was just saying I've been a big fan of yours over the years and just happy to be able to talk to you. I was just wondering how you get through with such a positive attitude through your life all the time. What kind of tips you have for the rest of us? Or what do you do when you feel down, when you feel low? Thanks for letting us have this line to get a hold of you. Thanks, Rob. Have a great day.

Well, Ben, thank you for calling. And Jesus, this is not like you need any help. You're about as upbeat as anybody who's ever called the listener line. And I love that. I do think I was born an optimist. I'm a glass half full guy. There are other people who are not. But I also know that if I didn't have...

down times, then I wouldn't be a human. And I do have them. And I think they're super important, actually. Nobody could or should be up all the time, nor can they be or should they be down all the time. And when I'm down, I like to sleep. I can literally sleep it off. I just like, you know what? I'm calling cut on this day. This day is over. We're going to start again tomorrow. So if you can do that, I'm a huge believer in that.

Um, I also am super aware that, uh, that everything, all pain is temporary. It really truly is. And it feels like it's never going to end. And it, it, it does again, sleep helps you wake up and it's, it's, it's an actual restart. It's like a, you turn your phone off if it had bugs in it or your computer, you do that. So I try to do that with my body. Um, also as a long time listeners will know, I'm a big fan of therapy.

and of um you know just getting your mind right we would do it with our cars again if you know you have your 1500 mile checkup you know why not do it with your spirit and all of that um so those are the kind of things i do and uh but thank you thank you for the call don't forget to subscribe to all of the wrist of the menu of the shoe and don't forget

I've become the lucky charms Irishman for some reason. I'm just following my muse, which is my want. It's my show. If I want to do a bad Irish accent, I'm going to do it. I'm going to stop now. Five-star review. Those are cool on Amazon. And I will see you next week back here on Literally with me.

You've been listening to Literally with Rob Lowe, produced by me, Rob Schulte, with help from associate producer Sarah Begar. Our coordinating producer is Lisa Berm. Our research is done by Alyssa Grahl. The podcast is executive produced by Rob Lowe for Low Profile, Adam Sachs, Jeff Ross, and Joanna Salatara for Team Coco, and Colin Anderson at Stitcher. All of the music you hear is by Devin Bryant. Thanks for listening. We'll see you next week on Literally with Rob Lowe.

This has been a Team Coco production in association with Stitcher.

At Ashley, you'll find colorful furniture that brings your home to life. Ashley makes it easier than ever to express your personal style with an array of looks in fun trending hues to choose from, from earth tones to vibrant colors to calming blues and greens. Ashley has pieces for every room in the house in the season's most sought after shades. A more colorful life starts at Ashley. Shop in store online today. Ashley, for the love of home.

All set for your flight? Yep. I've got everything I need. Eye mask, neck pillow, T-Mobile, headphones. Wait, T-Mobile? You bet. Free in-flight Wi-Fi. 15% off all Hilton brands. I'll never go anywhere without T-Mobile. Same goes for my water bottle, chewing gum, nail clippers. Okay, I'm going to leave you to it. Find out how you can experience travel better at T-Mobile.com slash travel. ♪

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