Is "The Godfather: Part II," the perfect sequel?
Consider This from NPR
Deep Dive
Why is 'The Godfather: Part II' considered the perfect sequel?
It expands and deepens the original story, transforming subtext into text and exploring the moral rot of Michael Corleone on a global scale. It also excels in thrilling, moving, and transporting the audience, with rich historical and cultural resonances.
How does 'The Godfather: Part II' differ from the original 'The Godfather'?
It takes the original's subtext about the corruption of the American dream and makes it explicit, expanding the narrative to include global ramifications and a deeper exploration of Michael Corleone's moral decline.
What are some examples of great sequels that innovate on their predecessors?
Examples include 'The Bourne Supremacy,' 'The Empire Strikes Back,' 'Aliens,' 'Terminator 2,' 'The Dark Knight,' and 'Star Trek II: The Wrath of Khan.' Each of these sequels reimagines its predecessor's themes and style, offering a distinct experience.
Why do critics argue that Hollywood is producing too many sequels?
Critics suggest that studios are prioritizing sequels and remakes over original ideas, often viewing movies as products to be recycled rather than new artistic endeavors. This trend is driven by the financial success of established franchises.
What is the significance of 'Star Trek II: The Wrath of Khan' in the context of sequels?
It is celebrated for its innovation, turning the first Star Trek movie's okay reception into a beloved classic by reimagining the franchise's themes and style. It was recently added to the National Film Registry.
How does 'The Bourne Supremacy' differ from 'The Bourne Identity'?
While 'The Bourne Identity' focuses on the existential question of 'who am I,' 'The Bourne Supremacy' shifts to a moral question: 'what have I done?' and 'am I a good or bad person?' This change in focus deepens the narrative and introduces a more propulsive action style.
What is the criticism against the current trend of sequels in Hollywood?
The criticism is that studios are not investing in original ideas, instead relying on established intellectual property and viewing movies as content to be recycled. This limits creativity and innovation in filmmaking.
Shownotes Transcript