Deep Dive
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So, when you talk about the mob, about the "don't fuck with the mob", right? Let's talk for a moment about a sort of school of thought that becomes music. It's hard to describe what it is and why the AZA feels so attached to this project, which is part of Quattro Tracce and says "it's like if it were my record". Because this mentality
this kind of sound that is the protagonist of Lowkey is a bit like the one that has launched Lazza not from the point of view of discography but that has really raised him that is, Lazza, for those who do not remember him, I do after the experience with Blocko Records, with Mixtape after the experience with Zero 2 where he and Jime were two characters
important for the scene, two promises. Jaime signed for the Major, he made a very interesting EP, especially from the point of view of writing. Lhasa signed with Killa, but things didn't go exactly as they should, even because it wasn't the time. But I think because Lhasa, very fresh as a young man,
from a very young age, was looking for his identity and his dimension in what was then the music market. He was the freshest, together with Jam and other times, of that generation after Fedez and Miss Killa. And here, from him, a cultural revolution was expected. But when he came out with the mixtape with Killa, anyway, the shadow of Emis was behind him, in my opinion.
and so it didn't really emerge. And then there was the cultural revolution of trap and Lazza was totally in the shadows and he couldn't stand behind because he seemed to emulate Sfera Dark Polo and from the other side, because they emulated their own way, but in Italy that was the feeling, so...
Lazza had to pull out his balls and say "ok I'll play a game, I'll do it" without fear of being judged or misunderstood. And that's where the mob came in, that's where a lot of tracks and situations came in that somehow put him
in the condition of experimenting, of recreating his niche, showing himself to the public, but above all putting him in the physical, athletic condition, as for an athlete, as for a Pugil, here is the best example is that of the Pugil, who does not immediately go to face the champion in charge, but begins to make a series of meetings that he must win, with an opponent at his disposal first of all, and this is also done by the most talented Pugil, and when he then arrived in Sirio,
was ready, it was loaded and therefore this mob stuff was essential for Lazza. For this reason today, after this great success, after having made an operatic version and jam of the last album, he returns to his high head
where everything started, where his success started, in the pre-phase of Dante's transition to hell, paradise and purgatory, there is the antechamber of hell, this is the mop. Sirius, then the disc later, cures him, you see? So, in short, for Laza it is an important moment of celebration of himself,
of great success, it is a top product and feels the need to give its audience what they deserve and therefore for this it is so exalted, for this this record can have its value not for the numbers that it will probably not do but for the heart that will be inside and also the style
much more underground than what Laza has gotten used to lately. A case that never seems to have been closed completely.
The story of Garlasco, with original audio and contributions of its protagonists. A story that still today continues to leave traces. Search for Skycrime Speciale Garlasco on your favorite app.