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cover of episode Bonus: "Ode to a Nightingale" by John Keats

Bonus: "Ode to a Nightingale" by John Keats

2024/11/2
logo of podcast Here Be Dragons|此处有龙

Here Be Dragons|此处有龙

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包慧怡
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包慧怡:通过朗诵济慈的《夜莺颂》,表达了对诗歌意境的理解和情感共鸣。朗诵中,包慧怡老师展现了对诗歌的深刻理解,并结合个人情感,将诗歌中对自然之美的赞叹、对死亡的向往、对现实痛苦的逃避以及对自由的渴望等主题表达得淋漓尽致。诗歌的意象丰富,包括夜莺的歌声、美酒、森林、花朵等,这些意象共同营造出一种梦幻般的氛围,也反映了诗人复杂的情感世界。朗诵中,包慧怡老师的声音处理细腻,情感表达真挚,将诗歌的意境和情感完美地传递给了听众。 此外,朗诵也表达了对逝去生命的悼念之情,将个人的情感与诗歌的主题巧妙地融合在一起,使朗诵更具感染力。朗诵不仅仅是对诗歌的演绎,更是对生命和死亡的思考,对现实与理想的追问。通过朗诵,听众可以感受到诗歌的魅力,也可以引发对自身生命和人生意义的思考。

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我喝了一杯酒,一分钟过去,和沉默的语言沉沉下来。这不是因为你开心的恨,而是因为你太开心了。

that thou light-winged dried of the treesin some melodious plot of beeching greenand shadows numberlesssingest of summerin full-throated easeoh for a draught of vintagethat has been cooled a long age in the deep-dwarfed earthtasting of floraand the country greendownsand provencal sunand sunburnt mirth

for a beaker full of the warm southfull of the true the blushful hippocrenewith beaded bubbles winking at the brimand purple-stained mouthsthat I might drink and leave the world unseenand with thee fade away into the forest dimfade far awaydissolve and quite forgetwhat thou amongst the leaves hast never known

the wearinessthe feverand the fret herewhen men sitand hear each other groanwhere palsy shakes a few sad last gray hairswhere youth grows paleand specter thinand dieswhat but to thinkis to be full of sorrowand lead an eyed despairwhere beauty cannot keep her lustrous eyes

or new love pine and then be young tomorrow away awayfor I will fly to thee not charioted by Bacchus and his partsbut on the vellus wings of poesythough the dull brain perplexes and retardsalready with thee tender is the nightand happily the queen moon is on her throneclustered around by all her starry face

But here there is no light, save what from heaven is with the breezes blown through verdurous glooms and winding mossy ways.I cannot see what flowers are at my feet, nor what soft incense hangs upon the boughs, but in embalmed darkness guests each sweet, wherewithin the seasonable mouth indels the grass, the thicket, and the fruit-tree wild.

White Hawthorn and the Pastoral Eglantine, fast-fading violets covered up in leaves,and Midmay's eldest child, the calming musk rose, full of dewy wine, the murmurous haunt of flies on summer eves.Darkly, I listen, and for many a time, I have been half in love with ease for death,call him soft names in many a music rhyme.

to take into the air my quiet breath now more than ever seems it rich to dieto seize upon the midnight with no pain while thou artpulling forth thy soul abroad in such anecstasystill wast thou seenand i have ears in vainto thy high requiem become a sort

There was no spawn for death immortal birdNo hungry generation shred thee downThe voice I hear this passing night was heardIn ancient days by emperors and clownsPerhaps the self-same songThat found a path through the sad heart of RuthWhen sick for homeShe stood in tearsAmid the alien corn

the same that oft timeshas charmed magic casementsopening on the foam of perilous seasin fairy lands forlornforlornthe very world is like a bellto tour me back from thee to my soul's selfadieuthe fancy cannot treat so wellas she is famed to dodeceiving healthadieuadieu thy plaintive anthem fades

passed the near meadows over the steel screenthe hillside and now it is buried deepin the next valley gladeswas it a vision or a waking dreamflat is that musicdo i wake or sleep