Ginzburg aimed to explore the popular culture of the time, using the Inquisition's records to uncover the beliefs of unlettered folk, which he saw as a way to understand a worldview distinct from the dominant classes.
Menocchio criticized the church as hypocritical and saw most sacraments as money-making schemes. He believed in a materialistic cosmology where the universe was like fermenting cheese, and angels were like worms. He also denied the existence of an immortal soul and argued that divinity is found within every creature.
Menocchio's literacy allowed him to access and reflect on books, including a vernacular Bible and a religious anthology. This exposure to written texts, combined with his own reflections, led him to develop unique theological and cosmological ideas that were not typical of peasant culture.
Menocchio's anti-clerical polemic and his questioning of traditional religious doctrines aligned with the Protestant Reformation's critique of the Catholic Church. His ideas were seen as similar to those of Lutherans, reflecting the broader cultural shifts of the time.
Zambelli argued that Menocchio's ideas were more likely influenced by elite Renaissance thinkers, such as those in Padua, rather than being purely representative of popular or peasant culture. She suggested that his cosmology and materialist ideas could have filtered down from university discussions.
Microhistory focuses on small-scale phenomena to reveal larger historical patterns. Ginzburg used this method to explore the ideas of an obscure miller, seeing him as a window into the broader popular culture of his time, despite the limitations of the available documentation.
Menocchio's bold theological and cosmological ideas, which challenged traditional Christian beliefs and the authority of the Church, were considered heretical. His materialist views and criticism of the Church's practices led to his imprisonment and eventual execution.
Menocchio's cosmology depicted the universe as a mass of fermenting cheese, with angels arising like worms. He believed that neither the world nor humans were created by God but emerged from inchoate matter, denying the existence of an immortal soul and suggesting that humans are like animals after death.
Carlo Ginzburg’s innovative historical study The Cheese and the Worms looks at the ideas of an obscure 16th century miller, suggesting how popular culture might be integrated into the history of philosophy.