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cover of episode Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)

Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)

2025/6/11
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Alison Griffiths
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Miranda Melcher
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Miranda Melcher: 这本书通过考察早期20世纪的电影,以一种细致的方式揭示了土著历史,并帮助我们理解这些电影、制作者以及它们的影响。它为我们提供了一个更细致的视角,理解这些电影、制作者以及它们的影响。 Alison Griffiths: 我想承认探险电影的混合性,并质疑其权威性,深入了解其包含的信息和缺失的内容。我以辩证的方式看待探险电影,考察其目标在实际电影中的实现程度,并将其置于探险的大背景下。我想通过解殖民的研究方法,质疑探险电影作为权威文献的地位,并寻找土著中介的角色。即使这些电影在某些时候是种族主义的,但它们也充满了可能性,可以被土著社区重新利用和重新想象。

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From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens.

Nomadic Cinema: A Cultural Geography of the Expedition Film) (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources.

This interview was conducted by Dr. Miranda Melcher whose* book*)* focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher), wherever you get your podcasts.*

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