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Sarah Levin-Richardson
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Kate Lister: 庞贝古城保存至今的唯一一座专门用于卖淫的建筑——卢皮纳尔(Lupinar),为我们研究罗马时期的性工作提供了宝贵的资料。这座建筑的独特之处在于它是罗马世界唯一幸存下来的妓院,其保存完好的壁画和涂鸦为我们提供了丰富的细节信息,可以帮助我们了解当时性工作者的生活、顾客以及性交易的性质。 我很好奇在那里工作的人们是谁?他们来自哪里?他们的顾客又是谁?性交易的成本是多少?他们的生活是什么样的?这些问题都非常吸引人,也值得我们深入探讨。 Sarah Levin-Richardson: 我对庞贝妓院的研究始于一次偶然的参观。当时我发现很少有人关注妓院中真正工作的人们的生活,这激发了我深入研究的兴趣。我的研究表明,庞贝妓院可能是一个失败的经济实验,因为它未能比街上的妓女赚取更多利润。妓院试图提供一种更全面的性体验,包括情感交流,但这并没有带来更高的收入。 关于庞贝妓院的定义存在争议。宽泛的定义包括带有色情壁画或涂鸦的场所,而严格的定义则要求性交易是场所的主要收入来源。妓院的壁画和涂鸦为我们提供了宝贵的资料,让我们得以一窥当时性工作者的生活和社会环境。这些资料也反映了当时社会对性工作的态度以及性工作者在社会中的地位。 通过对妓院壁画和涂鸦的研究,我们可以了解到性工作者的生活,以及他们与顾客之间的互动。例如,我们可以看到性工作者在墙上留下的一些留言,这些留言表达了她们的自豪感和能动性。同时,我们也可以看到一些顾客对性工作者的评价。这些资料为我们提供了丰富的细节信息,让我们得以更深入地了解当时性工作者的生活。 在庞贝妓院中,我们发现了许多关于性工作者的留言,这些留言表达了她们的自豪感和能动性。例如,一个名叫莫拉(Mola)的性工作者,她的名字可能是一个艺名,意思是磨石。在一些留言中,她被称为‘性交者’(fututrix),这表明她对自己的工作感到自豪。然而,也有一些留言对莫拉的评价并不高,这反映了当时社会对性工作者的复杂态度。 关于性工作者在妓院中的能动性,这是一个复杂的问题。虽然许多性工作者是奴隶,但她们仍然设法在一定程度上控制自己的生活。例如,她们在墙上留言,表达自己的观点和情感,这是一种表达自我和争取尊严的方式。此外,她们也可能通过与顾客建立情感联系来获得更多的报酬或其他好处。 罗马社会对性工作的态度是复杂的。对于购买性服务的男性来说,这完全合法且社会可接受。然而,对于提供性服务的女性来说,她们的法律权利受到限制,她们在社会中的地位也较低。尽管如此,性工作仍然普遍存在,并且在罗马社会中扮演着重要的角色。 庞贝妓院的壁画通常描绘男女之间的性行为,而其他类型的性行为则没有被描绘出来。这可能反映了当时社会对性行为的规范和禁忌。然而,妓院的涂鸦则揭示了更多关于性行为的信息,这些信息与壁画中的内容有所不同。 庞贝妓院的管理者身份不明,但很可能是一个女性。妓院的二楼可能就是管理者的住所。妓院中发现的剃刀和清洁用具表明,性工作者注重个人卫生。 妓院的顾客来源复杂,大部分名字属于奴隶,但也有少量自由民的名字出现。这表明,妓院的顾客来自不同的社会阶层。奴隶顾客可能利用自己的少量钱财来购买性服务,以此获得短暂的自由和尊严。

Deep Dive

Key Insights

Why is the brothel in Pompeii considered unique in Roman history?

The brothel in Pompeii, known as the Lupinar, is the only known purpose-built brothel from the Roman world. It is unique because it was a dedicated space for selling sex, unlike other locations where sex work might have occurred as a side activity in taverns or bathhouses.

What evidence suggests that the brothel in Pompeii might have been a failed economic experiment?

The brothel likely failed as a business venture because it couldn't charge higher prices than street prostitutes. Despite offering a more immersive experience with graffiti, alcohol, and emotional connections, it didn't generate enough profit to justify the investment in a dedicated structure.

How did Roman society view sex work in terms of legality and social acceptance?

For male clients, buying sex was completely legal and socially acceptable in Roman society. However, those who provided sex, often enslaved individuals, faced significant legal and social restrictions, including limited access to inheritance and the legal system.

What role did graffiti play in the brothel of Pompeii?

Graffiti in the brothel served as a form of communication between clients and sex workers. It included praises, personal messages, and even prices for services, offering insights into the relationships and interactions within the brothel. It also provides rare voices of enslaved individuals and sex workers.

Who were the likely clients of the brothel in Pompeii?

Most of the graffiti in the brothel suggests that the clients were likely enslaved men, as the names recorded are typical of enslaved individuals. These men, who were often subject to nonconsensual sex in their households, used their small allowances to purchase sex and assert their masculinity in the brothel.

What does the presence of razors and cleaning paraphernalia in the brothel suggest?

The discovery of razors and cleaning tools in the brothel suggests that hygiene was important, likely for both clients and sex workers. Razors were likely used for facial hair, indicating the presence of male sex workers who aimed to maintain a youthful appearance.

What was the significance of phallic imagery in Pompeii?

Phallic imagery in Pompeii was considered a symbol of good luck. Penises were carved into houses, street corners, and even used as wind chimes. They were not erotic but rather protective and auspicious symbols in Roman culture.

Shownotes Transcript

Sex work was everywhere in the ancient world, but a known dedicated space for it (a brothel), is an extremely rare and important thing.

Pompeii offers exactly that, with details such as graffiti and drawings immaculately preserved in the only known brothel from this period.

Who were the people who worked there? What can we find out about the nature of sex work in this period? And why are there penises drawn everywhere in Pompeii?

Joining Kate today is the wonderful Sarah Levin-Richardson, author of The Brothel of Pompeii: Sex, Class & Gender at the Margins of Roman Society), to help us find out.

This episode was edited by Tom Delargy and produced by Stuart Beckwith. The senior producer was Charlotte Long.

All music from Epidemic Sounds/All3 Media.

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Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.