The brothel in Pompeii, known as the Lupinar, is the only known purpose-built brothel from the Roman world. It is unique because it was a dedicated space for selling sex, unlike other locations where sex work might have occurred as a side activity in taverns or bathhouses.
The brothel likely failed as a business venture because it couldn't charge higher prices than street prostitutes. Despite offering a more immersive experience with graffiti, alcohol, and emotional connections, it didn't generate enough profit to justify the investment in a dedicated structure.
For male clients, buying sex was completely legal and socially acceptable in Roman society. However, those who provided sex, often enslaved individuals, faced significant legal and social restrictions, including limited access to inheritance and the legal system.
Graffiti in the brothel served as a form of communication between clients and sex workers. It included praises, personal messages, and even prices for services, offering insights into the relationships and interactions within the brothel. It also provides rare voices of enslaved individuals and sex workers.
Most of the graffiti in the brothel suggests that the clients were likely enslaved men, as the names recorded are typical of enslaved individuals. These men, who were often subject to nonconsensual sex in their households, used their small allowances to purchase sex and assert their masculinity in the brothel.
The discovery of razors and cleaning tools in the brothel suggests that hygiene was important, likely for both clients and sex workers. Razors were likely used for facial hair, indicating the presence of male sex workers who aimed to maintain a youthful appearance.
Phallic imagery in Pompeii was considered a symbol of good luck. Penises were carved into houses, street corners, and even used as wind chimes. They were not erotic but rather protective and auspicious symbols in Roman culture.
Sex work was everywhere in the ancient world, but a known dedicated space for it (a brothel), is an extremely rare and important thing.
Pompeii offers exactly that, with details such as graffiti and drawings immaculately preserved in the only known brothel from this period.
Who were the people who worked there? What can we find out about the nature of sex work in this period? And why are there penises drawn everywhere in Pompeii?
Joining Kate today is the wonderful Sarah Levin-Richardson, author of The Brothel of Pompeii: Sex, Class & Gender at the Margins of Roman Society), to help us find out.
This episode was edited by Tom Delargy and produced by Stuart Beckwith. The senior producer was Charlotte Long.
All music from Epidemic Sounds/All3 Media.
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Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.