The Liberty Pole and the Phrygian cap are symbols of freedom and liberation, widely used during the American Revolution and the French Revolution. In Argentina's national emblem, the Liberty Pole represents freedom, while the Phrygian cap, often seen in revolutionary iconography, symbolizes liberty and resistance against oppression. These elements reflect Argentina's historical ties to revolutionary movements and its national identity rooted in the pursuit of freedom.
The 'China's Hidden Century' exhibition focuses on the period from 1796 to 1912, a time of significant transformation in China. It aims to reveal aspects of Chinese history that were obscured or misrepresented, particularly during the Opium Wars, when British propaganda demonized China. The exhibition uses artifacts to present a more nuanced view of this era, highlighting themes like migration, new technologies, and societal inequalities, and seeks to challenge the historical narratives shaped by colonial powers.
The 'Ba Sui Tu' is a unique artwork by Liu Zhou, a monk from Haining, China. It combines rubbings and calligraphy, featuring 86 different impressions from various objects like ancient mirrors, coins, and even a feather. The piece is notable for its layered composition, which resembles modern collage art, and its creation in 1831 demonstrates an innovative approach to art that was ahead of its time. The work reflects Liu Zhou's creativity and his ability to blend traditional techniques with a modern aesthetic.
Argentina's predominantly white population is due to its late colonization, temperate climate, and the decline of slavery during its development. Unlike other Latin American countries, Argentina did not rely heavily on African slaves for labor, as its agricultural model focused on livestock farming, which required fewer workers. Additionally, large waves of European immigrants, particularly from Italy, Spain, and Germany, arrived during the 19th and 20th centuries, further shaping the country's demographic and cultural landscape.
The book 'Window Behaviorology' explores the relationship between windows and human behavior, emphasizing how windows connect interior spaces with the external environment. Tsukamoto argues that windows should not be seen merely as architectural components but as elements that influence how people interact with their surroundings. The book categorizes windows into 15 types, such as 'Gathering Windows' and 'Sleeping Windows,' and examines how cultural, climatic, and historical factors shape the design and function of windows across different regions.
「只有当视线目光追随一个接着一个的物象时,才能窥看出整体的样貌。」
今日「两样」:
Little's 速溶咖啡
帽子)的青梅
Show Notes:
Indermit S. Gill 和 Homi Kharas 的文章《The Middle-Income Trap Turns Ten》)
Jessica Harrison-Hall 和 Julia Lovell 的书《China's Hidden Century:1796-1912》)
Erika Denise Edwards 的文章《Why Doesn’t Argentina Have More Black Players in the World Cup?》)
Ilan Stavans 的文章《El Boom and Its Aftershocks in the Global Marketplace》)
Brett Levinson 的书《The Ends of Literature: The Latin American "Boom" in the Neoliberal Marketplace》)
Mosaic North Africa 的文章《Why Are Doors Blue in Tunisia? (Hint: it’s not Greece)》)
树状模式的文章《朗香教堂之光——现代手法定义的神圣空间(Light of the Notre Dame du Haut)》)
主播:任宁、枪枪
「迟早更新」是一档探讨科技、商业、设计和生活之间混沌关系的播客节目,也是风险基金 ONES Ventures 关于热情、趣味和好奇心的音频记录。我们希望通过这档播客,能让熟悉的事物变得新鲜,让新鲜的事物变得熟悉。
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