The mullet is a cultural mystery because its history involves not just the hairstyle itself but also the origin of the term 'mullet.' The word 'mullet' wasn't documented until 1994, despite the hairstyle being widely popular in the 1980s. This discrepancy has led to investigations into who named the mullet and how the term became associated with the hairstyle.
David Bowie popularized the modern mullet in the early 1970s through his character Ziggy Stardust. His hairstylist, Susie Ronson, created the iconic Ziggy haircut, which featured short, bristling hair in the front and long, flipped-out hair in the back. This androgynous style became a defining look of the era and influenced the mullet's rise in popularity.
Hockey players played a significant role in popularizing the mullet in the 1970s and 1980s. Players like Ron Duguay, who had a stylish mullet, inspired young fans to adopt the look. The hairstyle became known as 'hockey hair' or 'the Duguay' among players and fans, and it was often permed or styled to be more elaborate as the trend grew.
The term 'mullet' is believed to have originated in 1994 because the first documented reference to the hairstyle as a 'mullet' comes from the Beastie Boys' song 'Mullet Head,' released that year. Despite anecdotal claims of earlier usage, no definitive evidence of the term's existence before 1994 has been found.
The Beastie Boys played a pivotal role in the mullet's cultural history by popularizing the term 'mullet' and cementing its association with a particular stereotype of macho, lower-class individuals. Their song 'Mullet Head' and a detailed article in their magazine 'Grand Royal' helped mainstream the term and solidify its negative connotations.
People associate the mullet with the 1980s due to a cultural distortion where the aesthetics of a decade often bleed into the next. While the mullet was at its peak in the early 1990s, it became so iconic in the 1980s that it is now remembered as a quintessential symbol of that era, even though many canonical mullets, like Billy Ray Cyrus's, are from the 1990s.
Toppsmate, a Reddit user, claimed to have found a 1991 reference to the mullet in an Australian hot rod magazine, 'Street Machine.' However, it was later revealed that he had photoshopped the evidence as part of an online trolling group called Annoy Club. His actions sparked extensive research but ultimately proved to be a hoax.
The mullet is considered unattractive by many because of its association with a specific stereotype of lower-class, macho individuals, popularized by the Beastie Boys in the mid-1990s. The term 'mullet' itself, coined during the hairstyle's decline, retroactively colored perceptions of the hairstyle, making it seem trashy and outmoded despite its earlier popularity.
The mullet's androgyny is significant because it reflects its origins as a gender-neutral hairstyle popularized by David Bowie's Ziggy Stardust character. While it later became associated with machismo, its initial appeal lay in its ability to blur gender lines, making it a versatile and rebellious style in the 1970s and early 1980s.
The mullet became a symbol of rebellion because it was adopted by subcultures that embraced its defiance of mainstream norms. From rock stars like David Bowie to queer communities and self-aware rednecks, the mullet's unconventional style allowed wearers to express their individuality and reject traditional standards of beauty and respectability.
The mullet, the love-to-hate-it hairstyle, is as associated with the 1980’s as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet.
Some of the voices you’ll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980’s hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy.
This episode was produced by Willa Paskin and Benjamin Frisch.
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