She wanted to explore space as a domestic environment and challenge the common catastrophizing of space in popular culture. The ISS, despite being only 250 miles from Earth, offers a unique perspective on the planet and humanity, blending the extraordinary with the mundane.
She conducted extensive research, diving into public domain information from NASA and ESA, reading astronaut journals, and exploring daily life on the ISS. She also avoided direct contact with astronauts to maintain creative freedom.
She worried about overplaying the sense of awe and wonder, as astronauts often experience daily life on the ISS as mundane. She also struggled with the idea of representing such extraordinary individuals without feeling like she was trespassing on their experiences.
The novel uses a developing typhoon as a motif to symbolize climate change, highlighting its destructive potential and the beauty of natural phenomena from space. It subtly conveys the contradictions of human impact on the Earth while astronauts observe it helplessly.
She hopes the book conveys a sense of rapture and beauty, a feeling of happiness and gladness at the sight of Earth. She wants readers to experience the expansion and wonder she felt while writing the novel, regardless of how they choose to act on that feeling.
She sees the ISS as a symbol of a bygone era of international cooperation, now fading as global unity falters. The station, once a hopeful emblem of post-Cold War unity, now feels like a relic of a more hopeful time, mirroring the challenges of addressing climate change collectively.
From the ISS, astronauts can observe Earth's beauty and vulnerability simultaneously. This perspective allows for a unique blend of awe and familiarity, as they witness both the mundane tasks of daily life and the grandeur of continents and weather systems passing below.
She finds it touching that Earth is the only planet named after its composition (dirt), rather than a grandiose Greek or Roman deity. Using a lowercase 'e' underscores the Earth's familiarity and the tenderness humans feel for it, despite its humble name.
Samantha Harvey's Booker Prize shortlisted novel *Orbital *is set inside an International Space Station-like vessel circling 250 miles above Earth. It looks at a day-in-the-life of the crew, investigating the contrasts they experience during the 16 orbits they make around the planet, crossing continents, oceans and the line separating night and day.
On the latest episode of Nature hits the books, Samantha joins us to discuss why the ISS is a rich setting for fiction, the challenges of putting yourself in the shoes of an astronaut, and how distance can give new perspectives on global issues like climate change.
*Orbital *Samantha Harvey **Vintage (2024)
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