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cover of episode 663 - Live in Austin 2024

663 - Live in Austin 2024

2024/10/29
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Scriptnotes Podcast

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People
C
Craig Mazin
J
John August
J
Justin Marks
M
Megan Amram
R
Rachel Kondo
S
Susan Soon He Stanton
Topics
John August和Craig Mazin介绍了本期节目的嘉宾和内容,包括对《将军 Shogun》主创Rachel Kondo和Justin Marks的采访,以及对其他剧集主创Megan Amram和Susan Soon He Stanton的访谈,还包括一个电影知识问答游戏和付费会员的额外内容。 Rachel Kondo和Justin Marks分享了他们改编《将军》的经验,包括如何将长篇小说改编成10集迷你剧,如何处理剧中日语台词的翻译问题,以及他们作为夫妻档的合作方式。他们还讨论了如何平衡故事的惊喜与必然性,以及如何颠覆观众对故事的预期。 Megan Amram和Susan Soon He Stanton分享了他们在不同剧集创作中的经验,包括写作、拍摄和与剧组成员的合作。他们还讨论了如何在喜剧创作中平衡突破界限和避免冒犯观众,以及如何在不同的创作环境中保持创造力。 Paul Horn和Haley Nash参与了电影知识问答游戏,展现了惊人的电影知识。 在付费会员额外内容中,嘉宾们回答了观众关于改编、跨剧集联动、进入好莱坞以及应对好莱坞行业变化等问题。

Deep Dive

Key Insights

Why did Rachel Kondo and Justin Marks decide to take on the adaptation of 'Shogun'?

They were approached by FX and initially hesitant due to the book's length, but Rachel picked it up and found it to be a riveting and culturally significant page-turner.

How did Rachel Kondo and Justin Marks approach the structure of 'Shogun' for a 10-episode miniseries?

They knew it was going to be 10 episodes but didn't initially know how to break down the 1,200-page book. They decided to focus on creating a cohesive narrative with a clear beginning, middle, and end, aiming for moments of surprise and inevitability.

What was the process of writing together like for Rachel Kondo and Justin Marks?

They divided scenes and wrote separately, with Justin later assembling the scenes. They occasionally disagreed on punctuation, such as the use of semicolons versus em dashes, but found a way to collaborate effectively despite their different writing styles.

How did Rachel Kondo and Justin Marks handle the translation of Japanese dialogue in 'Shogun'?

They wrote the script in English, which was then translated into rough Japanese. A Japanese playwright refined the dialogue to make it performable and culturally accurate. The subtitles were later adjusted to match the refined Japanese dialogue, ensuring a more authentic experience.

What challenges did Megan Amram face while working on 'Bumper in Berlin'?

Megan had to create the show in a very short timeframe, flying to Berlin alone as the only writer and producer on set. She lacked a script supervisor, which led to challenges like managing continuity and eye lines during filming.

How did Susan Soon He Stanton describe the writing process on 'Succession'?

Susan mentioned that the 'Succession' writers' room was highly collaborative, with multiple writers on set at all times. They frequently wrote alternative lines and kept a close eye on the production to ensure the show's quality and timing were maintained.

What advice does Megan Amram have for assembling a writing staff?

Megan emphasized the importance of diversity in a writing room, looking for people with different strengths and perspectives. She also suggested considering non-traditional samples, such as one-act plays, to find unique voices.

How does Susan Soon He Stanton approach balancing comedy and drama in her writing?

Susan believes in blending comedy and drama, likening it to having both white and black keys on a piano. She feels that life isn't purely serious or funny, and a good story should reflect that balance.

What is John August's one cool thing recommendation?

John recommends an episode of 'Decoder Ring' that explores a mistake in the movie 'Charlie's Angels,' where a bird's species and song were incorrectly depicted. The podcast delves into how and why the mistake occurred.

What is Justin Marks' one cool thing recommendation?

Justin recommends 'The Brick,' a device that helps reduce cell phone usage by locking certain apps when the phone is placed on it. It allows users to maintain functionality while reducing distractions.

Shownotes Transcript

John and Craig make their triumphant return to the Austin Film Festival for a wild night full of Emmy winning writers. They welcome Shōgun co-creators Rachel Kondo & Justin Marks to look at their process for structuring a series-long adaptation, keeping translations eloquent and accurate, and writing together as a married couple.

We then welcome Susan Soon He Stanton (Succession, Dead Ringers) and Megan Amram (The Good Place, Pitch Perfect: Bumper in Berlin) to discuss staffing on shows and crafting jokes. We also invite two audience members to play a new game: IMDB Sweeney Todd.

In our bonus segment for premium members, the panel answers audience questions on adaptations, a crossover with Succession and The Good Place, entering Hollywood from outside the U.S., and navigating Hollywood’s current contraction.

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