They explored how agency manifests in scenes and scripts, addressing what it means for characters to have autonomy and make choices that drive the plot. They also discussed how to handle situations where characters may lack agency and how to ensure characters feel real and impactful.
They avoided social media, stayed off their phones, and focused on activities like visiting Disneyland to distract themselves. They acknowledged the uncertainty and anxiety but emphasized the importance of taking care of loved ones and focusing on what they could control.
Craig defines agency as a character's ability to make choices that change the plot. Characters must have autonomy, intentionality, and the plausible possibility that their choices will impact the story, rather than being directed by others or making choices solely to serve the plot.
They suggest creating situations where characters are forced out of their comfort zones, allowing them to make difficult choices that lead to growth. This can involve giving characters a mission but allowing them to decide how to execute it, rather than dictating their every move.
They recommend using italics or bold text to indicate sign language dialogue, ensuring that the intention behind the signing is clear. It's important to work with experts to ensure that the signed dialogue accurately reflects the character's intent and context.
Blind screenwriters often struggle with software that isn't compatible with screen readers, making it difficult to navigate and use the tools effectively. Final Draft, for example, is only 2% accessible, while Highland works well with Apple's VoiceOver system.
The Writers Guild deals with these situations by applying their established rules to the unique circumstances, ensuring that all contributing writers are considered. This can be complex, especially when the original work was contracted under TV agreements, but the Guild aims to fairly determine credits based on contributions.
John recommends the Netflix documentary 'Martha,' which delves into the life and career of Martha Stewart. He finds her character fascinating due to her bluntness and self-awareness, making the documentary both enjoyable and insightful.
The article discusses a breakthrough in understanding the underpinnings of reality, where scientists have developed a simpler model for quantum mechanics. This new approach could revolutionize how physicists and mathematicians think about the fundamental nature of the universe.
John and Craig explore character agency in everything from scenes to entire series. They look at what agency looks like on the page, which characters should have agency, and what to do when you feel your characters sleepwalking through the plot.
We also strategize ways to move forward after the recent US election, and answer listener questions on writing sign language, screenwriting software for the blind, and how writing credits work when your TV series gets turned into a movie.
In our bonus segment for premium members, John and Craig escape to a world where where the story is always on rails — Disneyland!
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