A 2013 YouGov poll found that 57% of Americans believe in the literal devil, compared to only 18% of British people. This difference may stem from the Puritans, who were deeply religious and had a strong fear of Satan, influencing American religious culture. In contrast, Britain has a history of viewing Satan more as a comic or pathetic figure rather than a literal, powerful entity.
The three films discussed are Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976). These films are considered the unholy trinity of satanic movies and have deeply influenced the modern conception of Satanism in popular culture.
The Catholic Church is depicted in satanic films because it is seen as an ancient, powerful institution with a deep connection to religious traditions. Its use of Latin and its historical role as part of the Holy Roman Empire give it an air of mystery and authority, making it a useful tool for screenwriters to explore themes of conspiracy and hidden knowledge.
The common theme in these films is the horror of parenthood. Each film explores the fear of having a child who is inherently evil or possessed by the devil, highlighting the tension between innocence and corruption.
The 1960s and 1970s were a time of social upheaval, with high crime rates, political assassinations, and a sense of moral decay. This era's anxiety and fear of the unknown made the concept of a satanic conspiracy feel plausible and relevant to audiences, contributing to the popularity of satanic horror films.
The number 666 is significant in The Omen because it is associated with the Antichrist in the Book of Revelation. The film explains this connection, making it a key element of the story as the child Damien is revealed to be the Antichrist.
Rosemary's Baby is considered groundbreaking because it masterfully uses gaslighting and limited perspective to create paranoia. The film's mundanity and the normalcy of the characters involved in the satanic conspiracy make the horror more effective, as the evil is hidden in plain sight.
The Exorcist is shocking for its graphic and explicit scenes, such as the child vomiting pea soup, masturbating with a crucifix, and using foul language. These elements were highly controversial and pushed the boundaries of what was acceptable in film at the time.
The Omen feels like a blend of Rosemary's Baby and The Exorcist, combining elements of conspiracy and possession. However, it lacks the depth of character development and emotional impact of the other two films, making it feel more formulaic and less impactful.
The satanic panic of the 1980s occurred because the popular culture, influenced by films like Rosemary's Baby, The Exorcist, and The Omen, presented the idea of a conspiracy to bring Satan into the world. This led to widespread fear and accusations of satanic rituals, similar to the Salem Witch Trials.
John and Craig take a deep dive with the Devil, exploring the unholy trinity of satanic films: Rosemary’s Baby, The Exorcist and The Omen. They look at how these three horror classics work, where our modern conception of Satan comes from, and the future of the Devil on screen.
We also answer listener questions on character arcs in horror, what separates horror movies from thrillers, and why the spooky stuff rarely gets awards attention.
In our bonus segment for premium members, John and Craig offer their nominations for the antichrist of our times.
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