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cover of episode 674 - The One vvith Robert Eggers

674 - The One vvith Robert Eggers

2025/2/4
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Scriptnotes Podcast

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Robert Eggers: 我从小在充满艺术氛围的环境中长大,这影响了我对电影和戏剧的热爱。我高中时导演的舞台剧版《诺斯费拉图》是一次重要的经历,它巩固了我成为导演的愿望,也让我对这个故事的执着延续至今。我最初的电影创作并不成功,但通过不断学习和尝试,我逐渐找到了自己的风格和方向。在创作《诺斯费拉图》时,我努力在忠于原版和加入个人特色之间取得平衡,并参考了大量的历史资料和民间传说,力求营造出独特的哥特式恐怖氛围。我与摄影师的合作非常紧密,我们一起进行分镜和镜头设计,力求将我的创作理念完美地呈现在银幕上。在拍摄夜戏时,我们采用了独特的灯光设计,力求真实地还原夜间的视觉效果。在剧本创作中,我会根据故事节奏和场景的需要来控制细节的多少,并努力让剧本本身就能够营造出电影的氛围。 我非常重视与剧组成员的合作,并从他们身上学习到很多东西。在创作过程中,我会遇到很多挑战,但我会努力克服这些挑战,并从中学习和成长。对于年轻的电影人,我的建议是:不断学习,多看电影、看书、听音乐,多去尝试,不要害怕犯错。 John August: 与Robert Eggers的对话中,我了解到他独特的创作理念和方法。他将戏剧表演和制作的经验运用到电影创作中,并注重历史细节和氛围的营造。他与摄影师的合作非常紧密,共同完成了许多具有挑战性的镜头。他的剧本创作也体现了他对电影语言的深刻理解,他能够通过文字来营造出电影的氛围,并控制故事的节奏。他对于电影创作的热情和执着令人敬佩。他能够在创作中不断学习和成长,并从遇到的挑战中吸取经验。对于年轻的电影人,他的建议是:不断学习,多看电影、看书、听音乐,多去尝试,不要害怕犯错。

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Hearken well! John sitteth in discourse with the learned Robert Eggers, weaver of dreadsome visions (The Witch, The Lighthouse), whose latest labour bringeth forth Nosferatu from the mistes of antiquity. Together, they dost unravel the craft of breathing newe life into the ghastly count of olde, how Robert didst hone his vision through toil and cunning in his firste labours, and the summoning of terror moste unholy upon the silver’d screen.

We do also taketh to hand the queries of our faithful listeners on the perils of o’ermuch detail in one’s scribings, on what may be done when one doth feel oneself a dullard, and whether those who spin tales be ill-fitted for matters of courtship and love.

In our boon segment for those of premium patronage, Robert doth speak of his fervent love for the wheeled steed and pursuits beyond the shaping of moving pictures.

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