It's a story about Keiko, a killer whale who was captured and kept in captivity, and the efforts to return him to the sea. The series explores his life, the people involved, and the broader implications for wildlife and the environment.
The introduction was casual and conversational, almost as if responding directly to a listener's unspoken question, which is not a typical way to introduce characters in storytelling.
He used a backward sequence of events, repeating 'before that' to build a layered history of Keiko's captivity, starting from his capture in the North Atlantic to his life in Mexico City.
He subtly integrated the tension of anthropomorphism into the storytelling without explicitly explaining its pitfalls, weaving it seamlessly into the narrative to avoid disrupting the flow.
Keiko became the real-life whale behind the fictional character Willie, symbolizing the struggle for freedom and the broader debate about humanity's responsibility towards wildlife.
The line lacked specificity and didn't contribute much to the narrative, making it feel like a cliché rather than a meaningful foreshadowing device.
While his writing had literary flourishes, it remained rooted in audio storytelling, with a conversational tone and minimal reliance on tape, giving it a New Yorker magazine-like feel.
The logistics were complex, requiring Keiko to be comfortable in a sling for 14 hours while being transported by a UPS plane, with the goal of keeping him calm and trusting during the journey.
He became a symbol for the broader issues of wildlife conservation and the health of the oceans, but his individual needs and trauma remained central to the story.
Let's state the obvious: Daniel Alarcón is a gifted writer. It's evident from the writing in "The Good Whale," the latest series from Serial that Daniel wrote and hosted. Rob put his writing under the microscope and heard a lot of satisfying maneuvers -- and a couple that weren't so satisfying.