The opera stage and the Broadway stage share many conventions, such as lavish scenery, exquisite costuming, and awe-inspiring voices. For Schönberg and Boublil’s MISS SAIGON, Puccini’s MADAMA BUTTERFLY serves as the source material, while Anaïs Mitchell’s HADESTOWN and Gluck’s ORFEO ED EURIDICE are both unique interpretations of the Orpheus myth. With so many intersecting elements, what are the precise characteristics that make these dramatic forms distinct? On this episode of The Metropolitan Opera Guild Podcast, co-host Stuart Holt takes a closer look at the similarities and differences between opera and musical theater.
