In the last part of our series Opera and Greek Drama, we’ll conclude our journey of Greek drama after the Trojan War with arguably the most violent and bloodthirsty of Greek myths, the saga of Agamemnon. Lecturer Matthew Timmermans will begin by returning to Gluck, looking at his Iphigénie en Tauride (1779), one of the many operas he wrote for the French stage after his career in Italy. Then, he will discuss one of operas most powerful, beautiful, and disturbing musical adaptations, Strauss’s Elektra.
