【舞曲时代】法国电子宠儿Yuksek
23:41 Share

Stop me

so many birds can entertain

you may be fucked but you understandso get your gun down and thenwe'll be on the runwe'll be on the runthis time trytry hard to make it betterif you stop methenwe'll be on the runon the runalways on the run

Always on the runAlways on the runAlways on the runAlways on the runYou gave out promises, promisesIt's not, it's not the sameThe things change are never, never the sameThe things change are lost in time

i've never been a crimeeat your stuff matethen we'll be on the runalways on the runalways on the runalways on the runalways on the runalways on the run

i know

在今天的 Big Generation 节目当中我向你介绍一位来自法国的电子音乐人 Yorick Sack 这是他的第二张专辑 Living on the Age of Time 当中的一首作品 Always on the Run

我认为法国电子音乐在世界上经常受到关注的事情。请 Yotzak 介绍一下法国电子音乐的发展现状。我觉得法国电子音乐的风格一直是很广泛的。它只是一个国家,但也有 Air, Daft Punk 和 Phoenix 在同一时间做出不同的音乐。这种音乐的思维更加明显。

混合了流行音樂和流行音樂但我們都做得不同例如我比較受影響的就是普通的流行音樂 JUSTICE 是比較像 80s 的 Glam Strange Rock 或是 FM Rock 來自美國的一些人

比如 Paraone,他們都是專注在電子技術上的他們是很廣闊的,但世界上有很多法國電子業界的法國人我們很幸運,也有點有才華

法国电子音乐的发展非常多样化而且非常时尚从 Air Daft Punk 到 Justice 他们将流行和摇滚的影响融入到电子音乐当中而 Yogsack 的影响更多是来自 Indie Pop 下面我们就再来听一首 Yogsack 演唱的歌曲 White KeysSomeplace where I can be my mindSomeplace where I can

Deep in my soulAny place we tryAny place we goWe always try to holdSome place too highDeep in my mindSome place too highDeep in my soulAny place we tryAny place we goWe always try to holdWhen we are

这不是我们现在唱的歌这不是我们现在唱的歌这不是我们现在唱的歌这不是我们现在唱的歌

we always try to holdwhite in the blackwe stand so highwhite in the black

你長大後聽到什麼樣的音樂?

也挺广泛的因为我学习了在法国的一家藏族音乐学院首先我听过很多藏族音乐然后我小时候就听过 Nirvana 和所有的 Grunge 和 Neopunk 和 Rock 我们可以说是那种但我听过很多那种 还有早期 Hip Hop

像 Public Enemy, W.A, De La Soul 等然後我發現了一些比較寬鬆的東西比如說...我可以說是...The Doors 或是 Beatles 我可能發現的都很晚了但我真的很喜歡他們還有 Lurid 所以就是這樣然後我發現了電子音樂

同時也有大幅度的大幅度

Yorksack 的原名叫做 Pierre Alexander Boson,在少年时期就开始在音乐学院接受专业训练学习古典钢琴,后来他开始聆听摇滚乐像 Nirvana,The Doors,Beatles,以及一些 hip hop 音乐像 Public Enemy 和 Della Soul,又开始接触早期电子音乐 Craftwork 和 Gary Newman 等等,直到法国电子音乐组合 Dop the Punk。

在 Yuksek 最新的专辑《Living on the Age of Time》当中他创作了大部分的歌曲并且担任键盘和演唱我们来听这一首《The Age》《The Age》

how was the night where did you gohow was the fight is it someone i knownow we coming out playing for the shownow we stop the time please let me knowcarry me back girls we like to clapdrums on my back i was life without a trap

Now we coming out playing for the showNow it's time to time please let me knowLeave me on the edge of time

Lucky guys on the road, two weeks agoBut for tonight, we don't know where to show

Now we're coming out, playing for the showNow we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we keep the lineAnd now we stop the time, and now we

i keep the night

i'm leaving

i need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love mei need you to love me

这就是 Yogsack 最新的专辑《Living on the Age of Time》当中的标题作品在这张专辑当中几乎每一首作品都是旋律编曲和和声艺术的经典教材下面就请 Yogsack 给我们介绍一下他的这张专辑对于我做的第一首作品的区别是

我每首都唱的第一首歌我唱的主要是有很多客人的唱片尤其是這個歌我嘗試把法文聲音調整一點嘗試比較像

我说你说我说你说

i said you said i said she saidi said you said i said she saidi said you said i said she said

i know you

i said you said i said you saidi said you said i said you saidi said you said i said you saidi said you said i said you saidi said you said i said you said

i know

Zither Harp

I said you saidI said you said

这就是来自法国的电子音乐人 Yukesek 最新的专辑 Living on the Age of Time 当中的一首作品 Say a WordYukesek 说他努力在这张专辑当中让他的音乐听起来不那么时髦因为这样就不会那么快的过时他不愿意提起为 Lady Gaga 和 Gossip 等大牌艺人制作混音的经历因为 Yukesek 本人就是一个音乐的矛盾综合体

他的音乐品味继承了父母对于古典音乐和法式相送的喜爱之后和滑板少年们在一起的日子里他逐渐形成了对于摇滚乐和 hiphop 文化的理解他对于电子音乐的喜爱则是源自于 Depthpunk 早期的曲风和 FXtune 以及一些非主流厂牌的音响下面我们就再来听一首 Yukesack 演唱的歌曲 Fireworks

Lights the fireworksCross the fingersLights the fireworksCross the fingers

Zither Harp

字幕志愿者 杨栋梁

Zither Harp

Zither Harp

Zither Harp