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cover of episode 【短打】暑期档串烧短评《抓娃娃》《从21世纪安全撤离》《解密》

【短打】暑期档串烧短评《抓娃娃》《从21世纪安全撤离》《解密》

2024/8/6
logo of podcast 过期电影报告

过期电影报告

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武色
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武色: 对《抓娃娃》的评价:影片设定缺乏说服力,喜剧效果建立在观众对上位者的优越感之上,但富人伪装成穷人的设定引发了我的道德焦虑,导致我无法放松地享受喜剧效果。后半部分视角转向孩子,更凸显了对孩子的欺骗和操控,加剧了我的不适感。 对《从21世纪安全撤离》的评价:这部电影缺乏共鸣,价值观和世界观过时且矫情,与我个人成长经历和价值观存在差异。影片中对青春和成长的表达方式,以及对女性角色的刻画,都让我感到不适。 对《解密》的评价:虽然影片存在一些固有的问题,例如对女性角色的刻画、对其他文本的借鉴等,但我认为影片的创作动机相对纯粹,导演陈思诚并非以成功的产品思维进行创作,而是较为认真地进行了一次创作尝试,虽然最终结果并不尽如人意。影片中一些主旋律部分处理得不够用心,但至少没有让我觉得像伪君子一样虚伪。

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Key Insights

Why did the speaker feel uncomfortable watching the movie 'Catch the Doll'?

The speaker felt uncomfortable because the movie's premise involves wealthy individuals pretending to be poor, which creates a moral dilemma. The speaker found it difficult to laugh at the wealthy characters' predicaments due to the underlying class issues and the sense that the wealthy were condescendingly consuming the poor. Additionally, the movie's shift to a child's perspective in the latter half intensified the speaker's discomfort, as it highlighted the manipulation and emotional harm inflicted on the child.

What was the speaker's main criticism of 'From the 21st Century Safe Withdrawal'?

The speaker criticized the movie for its outdated worldview and values, particularly its glorification of juvenile behavior and lack of self-reflection. The speaker found the film's themes of 'men never growing up' and its nostalgic portrayal of youth to be unappealing and even annoying. Additionally, the speaker was uncomfortable with the movie's treatment of female characters, which they felt perpetuated harmful stereotypes and catered to a narrow, male-centric perspective.

Why did the speaker not dislike 'Decryption' as much as they expected?

The speaker did not dislike 'Decryption' as much as expected because they felt the movie was a more sincere and less calculated effort by director Chen Sicheng. Unlike his previous films, which the speaker viewed as manipulative and insincere, 'Decryption' seemed to lack a clear product design, making it feel less like a commercial product. While the film had flaws, such as poor female character depictions and derivative elements, the speaker appreciated that Chen was attempting a more serious and ambitious project, even if it ultimately fell short.

What did the speaker find problematic about the humor in 'Catch the Doll'?

The speaker found the humor in 'Catch the Doll' problematic because it relied on a premise where wealthy individuals pretended to be poor, creating a moral burden for the audience. The speaker felt that comedy requires the audience to feel a sense of superiority over the characters, but the class dynamics in the movie made it difficult to laugh without feeling morally compromised. Additionally, the movie's shift to a child's perspective in the latter half turned the humor into something more tragic and unsettling, further diminishing the comedic effect.

How did the speaker describe the portrayal of women in 'From the 21st Century Safe Withdrawal'?

The speaker described the portrayal of women in 'From the 21st Century Safe Withdrawal' as outdated and problematic. They noted that the film perpetuated harmful stereotypes, such as depicting a once-desirable female character as a 'fallen woman' in adulthood, which they felt catered to a narrow, male-centric fantasy. The speaker found this treatment of female characters uncomfortable and reflective of the film's overall lack of progressive values.

Chapters
本片影评人对开心麻花电影《抓娃娃》的观感,认为电影设定及剧情发展导致观众难以产生优越感和愉悦感,反而引发道德焦虑。影评人认为电影中富人伪装成穷人的设定,以及对孩子情感的利用,都使其难以产生笑点。
  • 富人伪装穷人的设定引发道德焦虑
  • 剧情中对儿童情感的利用令人不适
  • 电影前半部分缺乏戏剧性冲突,后半部分视角转换导致悲剧效果
  • 影评人认为开心麻花电影缺乏道德敏感度

Shownotes Transcript

一部电影不值得花20分钟聊,那就三部电影吧。

暂时没有热情去看《逆行人生》,但我在看《真相捕捉》,这个剧的剧本真心写得好,又有当代性又有预见性……

---本期主播---

五色全味 (我本人开了小红书帐号 欢迎关注):五色的小红书)

片尾曲:陈奕迅 《低等动物》

---请我们吃根火腿肠吧!---