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cover of episode E81:一位新导演忍不住骂《负负得正》了!

E81:一位新导演忍不住骂《负负得正》了!

2024/9/26
logo of podcast 过期电影报告

过期电影报告

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Sylvia
五色全味
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Sylvia: Sylvia认为《负负得正》存在诸多问题,例如强烈的男性凝视、对女性角色的刻板印象、缺乏原创性以及过度依赖视听效果来掩盖剧情和人物塑造的空洞。她认为许多男导演热衷于迷影情节是因为他们缺乏真正想表达的内容。她还谈到了新导演的困境,以及女性导演和男性导演在创作理念和表达方式上的差异。她认为女性导演由于自身经历和对自身处境的思考,作品中往往更能展现个人风格和深刻的表达,而许多男性导演的创作则流于表面,缺乏真诚和深度。 Sylvia还分享了自己在创作中的经验和困惑,例如如何平衡商业性和艺术性,如何控制电影成本,以及如何塑造超越自身经验范围的人物。她认为电影创作应该从有趣的故事点子出发,而非议题,并强调真诚的重要性。她还谈到了当前电影行业的现状,以及她对未来电影创作的展望。她认为全球电影行业都不景气,新导演面临着激烈的竞争,创作环境也充满挑战。她对当前电影的质量和观众的审美疲劳表达了担忧,但同时仍然保留着对电影创作的热情和表达的渴望。 五色全味: 五色全味与Sylvia就《负负得正》的评价、电影创作的原创性、新导演的困境、电影成本控制、以及当前电影行业的现状展开了深入的讨论。他认同Sylvia对《负负得正》的批评,并指出许多当代电影都存在缺乏原创性和深刻表达的问题。他与Sylvia探讨了新导演在模仿前辈和发展自身风格之间的平衡,以及如何应对瞬息万变的社会议题。他还谈到了电影评论的主观性,以及电影从业者在公开场合可能需要隐藏对某些电影的真实评价。他与Sylvia分享了自己对电影行业的观察和感受,并表达了对未来电影创作的担忧和期待。

Deep Dive

Key Insights

Why did Sylvia dislike the movie 《负负得正》 so intensely?

Sylvia found the movie 《负负得正》 to be filled with male gaze, clichéd storytelling, and a lack of originality. The film's narrative and character development felt hollow, and it relied heavily on superficial elements like expensive visuals and nostalgic references without meaningful substance. The portrayal of female characters, particularly the character of Qiu Tian, was especially problematic, as it reduced her to a male fantasy rather than a fully realized individual.

What is Sylvia's critique of male directors' tendency to use '迷影情怀' (film nostalgia) in their work?

Sylvia believes that many male directors rely on '迷影情怀' because they lack original ideas or meaningful things to say. She argues that this reliance on nostalgia and references to other films often serves as a crutch to mask the absence of genuine storytelling or personal expression. In her view, this approach results in films that feel derivative and emotionally empty.

How does Sylvia view the challenges faced by female directors in the film industry?

Sylvia notes that female directors often have more to say because they are more likely to explore themes related to gender, personal experiences, and societal issues. She believes that women directors tend to engage in deeper self-reflection, which translates into more authentic and original storytelling. However, she also acknowledges that the industry still marginalizes female voices, making it harder for them to gain recognition and opportunities.

What is Sylvia's opinion on the current state of the global film industry?

Sylvia observes that the global film industry is in decline, with fewer opportunities for new directors, especially in the U.S. and China. She notes that the pandemic has exacerbated these challenges, with many filmmakers resorting to short-form content or low-budget projects. Additionally, she feels that the industry has become less focused on meaningful storytelling and more driven by commercial considerations, leading to a lack of originality and passion in contemporary films.

How does Sylvia approach the issue of cost control in filmmaking?

Sylvia believes that a film's budget should align with its creative needs and that excessive spending does not guarantee quality. She criticizes directors who rely on high budgets to compensate for weak storytelling or lack of originality. For her own projects, she emphasizes the importance of being financially responsible and ensuring that the film's core message and characters are strong enough to stand on their own, regardless of budget constraints.

What does Sylvia think about the role of 'sincerity' in filmmaking?

Sylvia believes that sincerity is crucial in filmmaking, as audiences can easily detect when a film lacks genuine emotion or purpose. She argues that a director's passion and authenticity are essential for creating a compelling story, regardless of whether the film is commercial or artistic. In her view, films that fail to resonate emotionally often do so because they prioritize style over substance or rely on superficial gimmicks.

How does Sylvia handle criticism and negative feedback in the film industry?

Sylvia acknowledges that criticism is inevitable in the film industry and believes in being open to feedback, even if it is harsh. She emphasizes the importance of staying true to one's vision while also being willing to learn and grow from constructive criticism. However, she also recognizes the need to balance honesty with professionalism, especially in collaborative settings where differing opinions may arise.

What are Sylvia's thoughts on the portrayal of female characters in contemporary films?

Sylvia criticizes the way many contemporary films depict female characters as either idealized or stereotypical, often reducing them to one-dimensional roles. She argues that this lack of complexity stems from a failure to understand or empathize with women's experiences. She believes that more nuanced and authentic portrayals of female characters are needed, which can only come from a deeper engagement with gender issues and a willingness to challenge traditional narratives.

Chapters
本期节目嘉宾Sylvia分享了她对电影《负负得正》的强烈不满,从男性凝视、做作的叙事到迷影情怀的滥用,她逐一列举了影片在她看来难以忍受的缺点。她认为影片视听语言虽合格,却缺乏原创性,剧情和人物塑造也十分空洞,更像是一个高级广告而非一部值得观影的电影。
  • Sylvia对《负负得正》的强烈负面评价
  • 影片在视听和剧情上的不足
  • 对迷影情怀的批判
  • 原创性缺失

Shownotes Transcript

从《负负得正》出发,和新导演Sylvia一起,聊聊新导演、女性导演的处境和困惑。

--- 本期主播---

五色全味

---嘉宾---

Sylvia

---请我们喝杯咖啡吧---