Julia Louis-Dreyfus created 'Wiser Than Me' after watching Jane Fonda's documentary and realizing the lack of representation of older women's voices. She wanted to create a platform to hear from and learn from women over 70.
Julia Louis-Dreyfus believes that comedy is risky and can be offensive, but that's what makes it enjoyable. She thinks that physical comedy, intellectual comedy, and political comedy have never been more interesting because there's so much to work with, and the current political and social climate provides rich material.
The central theme of 'Tuesday' is the exploration of the parent-child bond, grief, loss, death, and acceptance. The film uses a surreal and metaphorical approach to delve into these profound and universal human experiences.
Julia Louis-Dreyfus believes 'Seinfeld' holds up because it speaks to universal truths and the human condition. The show's humor is not fad-ish and is undeniably funny, making it a classic that will always be relevant.
Julia Louis-Dreyfus is concerned about the corporatization of arts, particularly the increasing layers of executives involved in the production process. She worries that this could stifle good, unconventional art and limit the creation of innovative and meaningful films.
Julia Louis-Dreyfus prefers to take on projects on a case-by-case basis because she doesn't want the headache of managing a production company. She finds it too much of a burden and prefers to focus on specific projects that excite her.
Julia Louis-Dreyfus is politically involved, particularly in down-ballot races, which she sees as a lifeline to saving democracy. She believes that these smaller races are crucial and often overlooked but play a significant role in the political landscape.
In 'Tuesday', the bird says, 'This is Tuesday's afterlife. How you live it is how.' Julia Louis-Dreyfus's personal view is that her legacy or 'echo' is her two boys and their development into good human beings and citizens.
Actor Julia Louis-Dreyfus is most famous for her comedic TV characters Elaine Benes in Seinfeld and Selina Meyer in Veep. But in recent years, she's been showing her dramatic chops, including in her latest film, Tuesday, in which she takes on grief, denial and death. She's also been winning awards as the host of her podcast Wiser Than Me. In this episode from On with Kara Swisher, Kara and Julia discuss how in-depth conversations with iconic older women have radicalized her, her concerns about the commercialization of art films and why she thinks comedy is risky — but still very much possible.
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