Cheng Cheng’s decision to pursue aesthetics was sparked by reading Li Zehou’s 'The Course of Beauty' in 1984. Despite being a strong science student, the book profoundly moved her, leading her to realize her passion for studying beauty and culture. This marked a turning point in her life, shifting her focus from science to aesthetics.
Cheng Cheng’s resignation in 2000 marked her as one of the earliest individuals to embrace a freelance lifestyle in China. She left her job in civil aviation, where she was involved in standardization training, to pursue her passion for aesthetics. This decision was driven by her desire for personal fulfillment and her dissatisfaction with the corporate world.
Cheng Cheng describes 'beauty as a relationship' by emphasizing that true beauty arises from deep connections, both with oneself and others. She draws on psychological insights, stating that all beauty stems from meaningful relationships, which she integrates into her work through workshops and courses.
Cheng Cheng’s early experiences, such as her fascination with beauty and her struggle with societal standards of appearance, shaped her understanding of beauty. She recalls being a child who loved beauty but felt constrained by societal norms, which later fueled her passion for helping others embrace their unique identities through aesthetics.
Cheng Cheng faced numerous challenges, including societal skepticism about her career choice, the lack of a formal industry for aesthetics in China, and the financial risks of her ventures. Despite these obstacles, she persisted, experimenting with various approaches, including consulting, teaching, and even AI technology, to advance her vision of image aesthetics.
The core message of Cheng Cheng’s 'Beauty is a Relationship' workshop is that beauty is deeply connected to how we relate to ourselves and others. Through this workshop, she explores how aesthetics can foster self-awareness, confidence, and meaningful connections, helping participants align their outer appearance with their inner selves.
Cheng Cheng’s foray into AI technology aimed to make image aesthetics more accessible. She developed tools to help individuals become their own image consultants. Although the venture faced financial challenges and ultimately closed, it reinforced her belief in the potential of technology to democratize beauty and aesthetics.
Cheng Cheng believes the aesthetics industry is undervalued and has immense potential for growth. She sees her role as a pioneer in this space, aiming to elevate the industry’s professional standards and inspire younger generations to explore the transformative power of beauty and self-expression.
Cheng Cheng emphasizes self-definition as a way to break free from societal expectations and linear timelines. She encourages individuals to define their own paths, whether in career, relationships, or personal growth, believing that true fulfillment comes from living authentically and embracing life’s unpredictability.
Cheng Cheng’s 20-year journey in aesthetics taught her the importance of patience, resilience, and staying true to one’s passion. She highlights the value of long-term preparation and the need to embrace both successes and failures as part of the growth process. Her journey underscores the idea that meaningful impact takes time and dedication.
对 话 程 成:千禧年裸辞的人,现在怎么样了?
📝内容提要:
02:33 很神奇!今天的采访是从一段话聊起的......
11:31 从大众语境里的“美”到“美是一种关系"再到“美与人工智能AI"的结合,朋友眼里的我是在“乱搞”。
16:31 一个小插曲,有一个小女孩走了很远很远很远的路,在这一刻终遇到了那个真正的自己。也希望听到这里的小女孩和小男孩们:“在遇到那个真正的自己的时候,好好的能感受这一刻的幸福”!
19:13 2000年,成为了“裸辞”第一批人,经历了哪些关于“美”的历程?
37:38 真正的美会让你对自己的生命有更高的期许,对未来更有希望。
39:02 花二十年磨一剑所沉淀下来的“厚重之美”,会带来怎样的阶段和状态呢?
54:15 “美”是一件很有价值的事,但却被当下的社会严重低估,在这份严重的低估里,我觉着我有份责任和使命。
01:00:31 每个人的生命中都有一些小小的自养和被养的缺憾和缺陷,女性的修炼就是关系,那在修炼的过程中,到底什么样的年轻人更适合走向“形象美学”?
01:09:06 不管我过去的人生是怎么样的,现在我来决定我的人生,我来定义我的人生怎么活,你的人生由你自定义。
01:18:18希望当你遇到生命之流的那么一瞬,你看见了自己、允许了自己、并给自己种下了那一颗种子。
🎙️ 对谈嘉宾
主播门冬冬:
工作10年换过20多个工作搬过30多个家的东北女人。没什么世俗的成就,但是整体活得还算自由和快乐。
不上班第六年,同时运营两个独立播客《婚姻内外》和《一人公司》,希望做一个像杨天真一样有能量有能力的超级传播者。
嘉宾程成:
形象力系统创立者,消费者审美洞察者,生活美学践行者。
【美是一种关系】工作坊最新开课信息
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剪辑:胖鱼酱团队-松松
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