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cover of episode #28 拿起麦克风,女侠准备出征|和100个女孩的对话

#28 拿起麦克风,女侠准备出征|和100个女孩的对话

2024/11/26
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自由人Libero

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Susan: 我在初中时经历了严重的校园霸凌,这给我带来了长期的创伤和心理阴影。这种经历让我对女性在社会中的弱势地位有了深刻的认识,也激发了我对女性主义的关注。后来,我开始学习和实践女性主义,这帮助我更好地理解和处理自己的创伤。在纽约期间,我开始从事脱口秀表演,将自己的经历和感悟融入到表演中,这成为我疗愈创伤的重要途径。与其他女性脱口秀演员的合作,也让我感受到女性之间的互相支持和鼓励。在与父母关系中,我经历了冲突和暴力,但最终通过努力获得了他们的理解和支持。我意识到,愤怒是女性主义觉醒的必要阶段,但我们需要将愤怒转化为力量,去建设更美好的未来。 在脱口秀表演中,我逐渐学会了如何将痛苦和愤怒转化为幽默,并与观众分享我的经历。这个过程不仅帮助我个人完成了疗愈,也为其他女性提供了共鸣和支持。我意识到,心理健康是进行脱口秀表演的关键,只有在自身心理健康的状态下,才能更好地表达和传递我的观点。 我曾经在处理暴力事件时采取过以暴制暴的方式,但后来我意识到,这并不是解决问题的最佳途径。我们需要寻找非暴力的方式来对抗暴力,并建设一个更和平的社会。 一萌: 我个人也经历过类似的校园霸凌,这让我对Susan的经历感同身受。我分享了自己进行心理咨询的经历,这帮助我更好地理解自身的情绪问题,并找到了解决问题的途径。心理咨询师的专业引导和支持,让我能够更坦诚地面对自己的内心世界,并找到情绪问题的根源。 在与Susan的对话中,我被她面对创伤的勇气和力量所深深打动。她将个人经历转化为脱口秀表演,并从中获得疗愈,这让我对女性主义和创伤疗愈有了更深刻的理解。同时,我也意识到,在女性主义觉醒的过程中,愤怒是一种正常的情绪,但我们需要学会将愤怒转化为建设性的力量。 Susan在纽约与其他女性脱口秀演员的经历,也让我对女性之间的友谊和互相支持有了更深刻的体会。她们之间的互相支持和鼓励,以及在冲突中展现出的真诚和坦诚,都让我感到非常感动。 最后,我们还讨论了网络暴力和对女性的恶意攻击,以及如何保护自身安全和维护自身权益。我们需要更多地关注女性的心理健康,并为她们提供更多支持和帮助。

Deep Dive

Key Insights

Why did Susan start doing stand-up comedy?

Susan started stand-up comedy after graduating from her master's program, where her research focused on feminism. She came across a recruitment notice for a Chinese female stand-up comedy show and decided to give it a try, encouraged by her friends.

What was Susan's experience with bullying in middle school?

Susan was bullied in middle school by her male classmates, who called her and another girl 'ugly tyrants.' They threw bottles at her, pushed her, and ostracized her. This experience left her with significant trauma, which she later processed through stand-up comedy.

How did Susan's understanding of feminism evolve?

Susan's understanding of feminism deepened through her studies and personal experiences. She learned to channel her anger and frustration into activism and comedy, realizing that feminism often starts with anger and the need to express unspoken emotions.

What role did therapy play in Susan's life?

Susan found therapy to be a crucial tool for processing her emotions and understanding the roots of her psychological struggles. It helped her connect her childhood traumas with her current emotional challenges, providing a sense of relief and clarity.

What challenges did Susan face when pursuing her master's degree?

Susan faced significant resistance from her parents when she decided to pursue a master's degree abroad. They felt threatened by her growing independence and tried to control her through arranged marriages and criticism. Despite their opposition, Susan persisted and eventually gained their support after proving her academic success.

How did Susan's stand-up comedy help her heal from past traumas?

Stand-up comedy provided Susan with a platform to share her experiences and turn her pain into humor. By performing, she was able to process her traumas, connect with others who had similar experiences, and find a sense of collective healing and empowerment.

What was Susan's experience with violence and her reflections on it?

Susan reflected on how violence, both physical and emotional, had been a part of her life. She questioned whether she would perpetuate the cycle of violence, especially after an incident where she hit her cat. Through feminist discussions, she explored the idea of using violence as a means to achieve non-violent ends.

Why did Susan stop doing stand-up comedy after returning to China?

Susan stopped performing stand-up comedy in China because she felt the environment was not safe or supportive enough for her high-energy performances. She prioritized protecting her mental health and energy over continuing to perform in an unsupportive setting.

What is the significance of Hannah Gadsby's Nanette in Susan's life?

Hannah Gadsby's Nanette had a profound impact on Susan, as it challenged the toxic culture of self-deprecation in comedy. Gadsby's performance inspired Susan to embrace her identity and use her voice to empower others, rather than conforming to societal expectations of humor.

What advice does Susan have for women who want to express themselves?

Susan encourages women to stay at the table and continue expressing themselves, whether through stand-up comedy, writing, or other forms of communication. She believes that women's voices are still underrepresented and that every woman's story is worth telling.

Chapters
本节探讨了嘉宾Susan初中时期遭受霸凌的经历,以及这种经历对她带来的长期影响。她分享了霸凌的具体细节,以及多年后她如何逐渐消化和疗愈这些创伤。
  • 初中遭受言语霸凌
  • 霸凌经历带来的长期创伤
  • 疗愈过程

Shownotes Transcript

| 本期福利 |

感谢简单心理对本期节目的支持!

【简单心理公众号】回复【自由人】领取专属优惠,线上首次心理评估券后是269元。

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「和一百个女孩对话系列」长期开放投稿,联系方式:[email protected]

一萌作为脱口秀爱好者,一直都很关注女脱口秀演员的故事。偶然的机会认识了Susan,听她的声音就知道是个爱笑、爱表达的超高能量女孩。看了她的社交媒体,果然如此,在台上的她神采飞扬,她的表达也生猛而畅快。但看着充满自信的她,在初中也经历过来自男同学的言语霸凌,Susan后来在段子里说起这段往事,爆梗频出,显得云淡风轻,她跟我们说“你要先有痛和恨,才能去说脱口秀。”回国之后,Susan因为种种原因放弃了继续说脱口秀,很多人都会觉得可惜,但就像Susan选的片尾曲给人的感觉一样,一直在路上的女侠不会丢掉手中的麦克风。

| 本期嘉宾 |

Susan:善于制造快乐的设计巫师,也是与你同路的觉醒姐妹 | 内容导览 |

00:02:40 Susan初中时候被霸凌的经历

00:05:17 一萌分享心理咨询的经历

00:10:02 为什么开始说脱口秀

00:13:46 学习女性主义之后的变化

00:21:31 女性主义的起点是愤怒

00:27:00 心理健康是说脱口秀的关键

00:30:33 纽约时期和女孩子们的情谊

00:35:53 思考爱与暴力

00:42:14 暴力的过程如何达到一个非暴力的结果?

00:45:06 Susan在脱口秀里讲母女关系

00:54:26 为什么回国不说脱口秀了?

00:58:05 推荐汉纳·盖茨比告别秀

| 本期提及书影音|

汉纳·盖茨比告别秀:娜娜 Hannah Gadsby: Nanette

| 本期音乐 |

片头曲:李星宇作品,感谢支持

片尾曲:春之祭-娃娃

背景音乐歌单)

| 制作团队 |

本期主播、剪辑:

马一萌(微博@马一萌yimeng)、小红书:一萌):环游世界的前电影制片,京城食神,双语主持人

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