One of the great things about being a dad is getting to watch your favorite movies again with your kids and experience them through a new point of view, and also to watch new films together and see how things like animation evolve and create new ways of telling stories.

One of the best examples of this from the past decade is Spider-Man: Into The Spider-Verse, which used innovative techniques to pay tribute to the comic-book origins of the stories but add new depth and excitement without feeling forced. Aarron and I both loved watching the original—and the sequel— with our kids.

Visit our Substack for bonus content, transcripts, and more: https://designbetterpodcast.com/p/yashar-kassai

So you can imagine how excited we were to chat with Yashar Kassai, Production Designer of Teenage Mutant Ninja Turtles: Mutant Mayhem, and artist on The Mitchells vs. The Machines, Spider-Man: Into The Spider-Verse and more. We learned about the tools he uses, how he thinks about developing a fresh look for a familiar franchise, and what the future of visual storytelling might look like.

Bio

Yashar Kassai is a production designer and artist, who has worked on animated films like Teenage Mutant Ninja Turtles: Mutant Mayhem, The Mitchells vs. The Machines, Spider-Man: Into The Spider-Verse, Angry Birds, Book of Life, and more. You can find his work on Artstation, Instagram, and on his personal website.

***

Premium Episodes on Design Better

This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, access to our (small but growing!) library of books and participation in book giveaways, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.

Upgrade to paid

***

Visiting the links below is one of the best ways to support our show:

Incogni: Every year, both the number and scope of data breaches worldwide are rising. According to the 2022 Annual Data Breach Report by the Identity Theft Resource Center, the number of victims has gone up nearly 41.5% from 2021. Incogni reaches out to data brokers on your behalf, requests your personal data removal, and deals with any objections from their side. Use promo code DESIGNBETTER at https://incogni.com/designbetter to get 60% off an annual plan.

On Set With: The HGTV and Max On Set With podcast explores the sets and world building of beloved films and TV shows produced by Warner Bros. Discovery through conversations with art directors and set designers. Each episode highlights a different iconic set from film or television. Through a constellation of voices (set decorators, production designers, directors, and showrunners) our audience gets a first-hand account of the creation of the environments that became a part of our collective, global iconography — and actionable tips to bring the power of scenic design into our listeners’ own spaces.

Listen to On Set With on Spotify

Listen to On Set With on Apple Podcasts

LinkedIn: Design Better is supported by our pals at LinkedIn—our favorite social network. It’s hard to get your B2B marketing to land with the right audience. Let’s face it, the web can be a very noisy place! If your message isn’t targeted to the right audience—it just disappears into the noise.

With LinkedIn Ads, you can precisely reach the professionals who are more likely to find your ad relevant. With LinkedIn's targeting capabilities, you can reach people by job title, industry, company, and more. Start converting your B2B audience into high quality leads today. To get a $100 credit on your next campaign go to LinkedIn/designbetter to claim your credit.

Yashar Kassai: Artwork and production design for Spiderman: Into The Spider-Verse, TMNT, and more 12:29 Share

Design Better

Shownotes Transcript

Yashar Kassai: Artwork and production design for Spiderman: Into The Spider-Verse, TMNT, and more