The old distribution model is broken due to predatory film distributors and huckster film aggregators. Additionally, the rise of streaming platforms and increased competition have made it more challenging to get films picked up and distributed.
A strong team with a track record can make producers feel more comfortable and safe, increasing the chances of a screenplay being greenlit. Producers are often more willing to invest in projects when they trust the team behind it.
In television, original ideas are highly sought after because streaming platforms need fresh content to survive. Features, especially at the studio level, are often based on existing IP due to the risk-averse nature of the industry.
Established screenwriters have a track record, which allows them more creative freedom. Young writers need to build their credibility and find their unique voice rather than trying to emulate the success of others, as each path is unique and dependent on timing and context.
Young screenwriters often try to tell the story through dialogue because they don't trust that actions and visuals can convey the necessary information. This results in redundant dialogue that kills the movie's momentum and fails to reveal character depth.
Film is a collaborative art form, and screenwriters should focus on telling their story effectively without trying to control every detail. Trusting other artists, such as directors and cinematographers, to bring their vision to life is crucial for success.
Exposition should be used sparingly and integrated into scenes of action, tension, or comedy. Writers should ask themselves if the exposition is necessary and whether it can be peppered throughout the script or conveyed through gestures and looks.
Write a lot, find ways to get your work made even in small formats, be flexible with the form, and keep knocking on doors. Form a peer group in film school or through collaborations to build professional relationships. Maintain tenacity and passion for your work.
Today on the show we have author, filmmaker and screenwriter Mick Hurbis-Cherrier.Mick is an independent filmmaker and screenwriter. His works have been broadcast and shown around the country and have garnered prizes at many festivals including the Black Maria Film & Video Festival, Ann Arbor Film Festival, Athens Film & Video Festival and the Cin(e) Poems National Film Festival.His work has also been featured at the Robert Flaherty Seminar, the American Film Institute’s National Video Showcase and at the Museum of Modern Art in New York City. His screenplays have also won prizes including the Arthur Miller Award for dramatic writing, the Lawrence Kasdan award for screenwriting and he was twice an award winner in the University Film & Video Association national screenwriting competition.Among his film projects are: River of Things, an alternative film in four parts based on four poems by Pablo Neruda and Fear Fall, a short narrative satire about paranoia and the squeezing of the American middle class, which he wrote, directed and produced.His recent commissioned feature screenwriting projects include Give Me Five, which he co-wrote (with Ron Bass) for La Petite Reine Productions,* Mesopotamia 2020* for Picturesque films and Empire of Dirt for director Steve Ramser. He also penned Better That Way, the official English language stage adaptation of the film* Une Liaison Pornographique* (U.S. release title An Affair of Love).He is currently completing a gangster genre screenplay set in New Orleans entitled Force of Nature, also for Picturesque films.In 2011 Hurbis-Cherrier published the 2nd edition of his comprehensive narrative film production textbook Voice & Vision: A Creative Approach to Narrative Filmmaking). with Focal Press (originally published in 2007). In 2013 he published Directing: Film Techniques and Aesthetics 5th ed. (Focal Press) co-authored with Michael Rabiger.Both of these books are among the core film production textbooks in film programs throughout this country and internationally. Hurbis-Cherrier is currently working on the book, Practical Film Analysis and Inspired Filmmaking for the British Film Institute (BFI Publishing, Palgrave/MacMillan) which is scheduled for publication in early 2015.Enjoy my conversation with Mick Hurbis-Cherrier.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support).