Interviews with Scholars of Art about their New Books Support our show by becoming a premium member!
There is a long history in philosophy, art and religion of claims about the ineffable from The One i
Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late si
Cuban artists have been very productive this past decade, producing stunning and surprising works ag
Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how t
In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene (Wayne State University Press,
The struggle for representation within the art museum is the focus of a timely and important new boo
Kevin Bubriski, a New Englander and internationally acclaimed photographer, was a freelance photojou
The Hidden South–Come Home (Beaver’s Pond Press, 2016) is the result of an ongoing project that docu
Could the Qur’an–understood, according to Muslims, as the verbatim word of God in Arabic–acquire a n
Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book,
What’s Going On? 1969 -1974 (Lighted Square Media, 2015) is Ken Light‘s ninth book. Ken started his
The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee (Penn Sta
What role do images play in the enlightenment experience? Can Buddha images, calligraphy, mandalas,
In “How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Grap
Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovativ
In her new book Disaster Drawn: Visual Witness, Comics, and Documentary Form (Harvard UP, 2016), H
Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice (Duke University Press, 2
In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contem
What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: S
George Cotkin is an emeritus professor of history at California Polytechnic State University. In his